Awe..... Let that drone stay on pitch. It would be much more symbolic and match the lyrics if it flat lined and satyed

I'd be cool if this tone was closer in timbre to a heart monitor...... 

Post a remix with it? Please? I'm curious

I like the song, but it's a bit depressing on the first listen. I just wanna say, f them but don't be all burnt out about it, life is beautiful....even with all the dogcrap around

I love the ropes more and more every day! 

The Man Who Refused to Be Born

I Don't Like to Get Dirty

This NIN cover is delivered in on the chariot of The Cure classic, Fascination Street, which defined the genre Darkwave. Hurt exposes the pain of losing a loved one and how to continue living on with purpose.

I 
Hurt myself today
To see if I still feel
I focus on the pain
The only thing that’s real
The needle tears a hole
The old familiar sting
Try to kill it all away
But I remember everything

What have I become?
My sweetest friend
Everyone I know 
Goes away in the end
And you can have it all 
My empire of dirt
I will let you down
I will make you hurt

I 
Wear this crown of thorns 
Upon my liar’s chair
Full of broken thoughts
I cannot repair
Beneath the stains of time
The feelings disappear
You are someone else 
I am still right here

What have I become?
My sweetest friend
Everyone I know 
Goes away in the end
And you can have it all 
My empire of dirt
I will let you down
I will make you hurt
If I could start again 
A million miles away
I would keep myself 
I would find a way

Engineered, Produced, Mixed & Mastered by: 
Pete Mills at Shadow Zone Sound
Written by Trent Reznor
Bass, Guitar, Synth, Vocals: Pete Mills
Drums: Shawn Mrazek
Additional Production: Ellen Hawk

Darkness

Hurt

Caged Tiger

from "Hand In Hand" Lp on Mass media records http://massmediadistro.com/home/product/shadowhouse-hand-in-hand-lp/

Shadowhouse "Start Again"

1st album 'HORIZONS'
Release date : May 25th, 2015
Label : Requiem Pour Un Twister
All tracks written, recorded and performed by FUTURE
Mixed by Bernard Marie
Mastered by Mathieu Berthet
Artwork by Marion Constentin

CONTACT :
- Management / Promo :
Steffybeckett@gmail.com
- Booking :
futurebandclub.contact@gmail.com
- Facebook : 
facebook.com/Futurebandclub
- Twitter :
twitter.com/future__band
- Website :
futurebandmusic.com

Try It

THE FOREIGN LINES

M.O.M.

Butterflies

MNQ 033 Soviet Soviet - Summer, Jesus LP

mannequinrecords.bandcamp.com/album/mnq-033-soviet-soviet-summer-jesus-lp

LIMITED EDITION 300 COPIES, SOLID RED COLOUR

CD edition previously on Tannen Records: www.tannenrecords.com/site/cd/firr06--summer-jesus/

Soviet Soviet - Human Nature

Cold Comfort - Hunt With Us

Preorder Spiral picture disc (limited to 100), Standard Black vinyl and CD here: 
http://nightschoolrecords.bigcartel.com/artist/molly-nilsson

The Travels represents a signpost in the continuing journey that is the songs of Berlin-based artist Molly Nilsson. ourneys offer change - the possibility of renewal - and accordingly on The Travels Molly Nilsson’s resonant voice is found curling around a new sense of optimism and wide-eyed discovery that was only alluded to in her previous work. Songs like “Dear Life” might be spiked with a barbed sense of the dejected, but the presiding feeling is one of optimism, of being in love with life despite a shield of cynicism. “Dirty Fingers” brings a melancholy recognisable from previous work but with an incessant beat and ecstatic underpinning it becomes apparent that a new force is at play here. In case the listener missed it, “The Power Ballad” brings an endearing, sincerity to proceedings that also offers a tantalising question: can you be sceptical about love but still be bewitched?

On her 5th long-player, Nilsson’s perspective is challenged and manipulated by changes in environment and psychological space: like any other traveller the protagonist brings their own set of values and emotional states and new places, colouring them with a wash of subjectivity. Like any other traveller Molly Nilsson reacts to her environment and shares her unique version of it to other people.

Based loosely on Marco Polo’s “Travels” and reading like a map of the protagonist’s geographical and inner journey, The Travels reveals new places and new emotions that are never the same to the beholder. Nilsson’s art is in turning this subjectivity into a cloak that almost anyone can don for the trip.

I Don't Like to Get Dirty

The Ropes

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