222 (drag)
pure (drag)
unholy (drag)
from the skies (drag)
untitled (drag)
dirge (drag)
burn (drag)
cut (dose cover)

222mix

ckjxnjkcabnac - stolen somewhere

"And I saw an angel come down from Heaven, having the key to the bottomless pit and a great chain in his hand.
And he laid hold on the dragon, that serpent of old, who is the devil and Satan, and bound him for a thousand years." 

Apocalypse  20:1-2

@halbaofficial

TRACKLIST:
01. Keru Not Ever - Molloy (feat. Bianca Scout) [Infinite Machines]
02. Thegn - Crash [Absurd Trax]
03. EUS, Postdrome & Saåad - Dawn (feat. Metal Alvin) [Self-Released]
04. Shapednoise - The Foolishness of Human Endeavour [Numbers]
05. Bintahaha - Vuivre [Gin&Platonic]
06. Paulie Jan - Kimitake [Ritual Process]
07. Prison Religion - Cadylack [Self-Released]
08. Gonçalo Penas - Introdução, Umbigo [Subtext Recordings]
09. Kinlaw & Franco Franco - Positivo - [Avon Terror Corpse]
10. /pulsr_ - Asbestos [Self-Release]
11. Since2side - Adept (feat. MIRUKY) [TAR]
12. lAeksander Jagodzinski - Genetic Prototype [Medieval Heresies]
13. Nox Formaldehyde - Mors Vivit [Ghost City Collective]
14. Gyur - GBF [Eternal]
15. Matriarchy Roots - Masculine Norms (The Many Faces Of Manhood) [Strange Therapy]
16. Avril Spleen - Shrowd (Elvin Brandhi Mix) [Opal Tapes
17. Panacef Mishima - Mokujin [Ghost City Collective]
18. Oxhy - Left the Village and Crossed the Stream Knowing that They Can’t Return [Self-Released]
19. Kinlaw - Marine Squad Deploy [Avon Terror Corpse]
20. Implantable Technology - Caotic Response [Struktur]
21. BED1 - Enlightenment [Thrdeyevsn]
22. Hiro Kone - MVMNT i [Self-Released]
23. Zero Cool - Mirándome [Soul Feeder]
24. Shapednoise - Blasting Super Melt [Numbers]
25. T R I S T A N - Phenomenon [Self-Released]

#oddsratioMixtape18: Hålbå - hell key

Knife presenta a Dim Light, propietario de un sello discográfico y DJ con sede en Berlín.
Siendo un nerd de la música desde su juventud, se dedicó a escuchar música electrónica hace unos 20 años. Después de varios años de practicar solo, comenzó a lanzar mezclas en línea alrededor de 2011.
En 2015 lanzó Nemorous Records junto con Anja Zaube y luego realizó algunos conciertos seleccionados en eventos como Apathy en Grießmühle, Tokonoma en Kassel oder Smallroom en Bielefeld, compartiendo los platos con artistas como Talker y Oake.
En 2017, finalmente comenzó su propia creación, Voidance Records, que hasta ahora ha lanzado 5 EP y 2 cintas y 2 presentaciones en 2019. Voidance Records se ocupa de las variedades más oscuras del género de la música electrónica, presentando a artistas nuevos y consagrados como Meer, Chafik Chennouf & Katsunori Sawa y Llimbs, por nombrar solo algunos.
Las influencias musicales de Dim Light abarcan géneros como ambient, black metal, música electroacústica o techno, que también se reflejan en sus sets.

Knife presents Dim Light, record label owner and DJ based in Berlin.
Being a music nerd since his early youth, he got into listening to electronic music around 20 years ago. After several years of practicing all by himself he started releasing online mixes around 2011.
In 2015 he launched Nemorous Records together with Anja Zaube and after that played a few selected gigs at events like Apathy at Grießmühle, Tokonoma in Kassel oder Smallroom in Bielefeld, sharing the decks with artists like Talker and Oake.
In 2017 he finally started his own brainchild Voidance Records, so far releasing 5 EPs and 2 tapes and hosting 2 showcases in 2019. Voidance Records deals with the darkest strains of the electronic music genre, hosting new as well as established artists like Meer, Chafik Chennouf&Katsunori Sawa and Llimbs, to name but a few.
Dim Light‘s musical influences range from different genres like ambient, black metal, electroacoustic music or techno, which also reflects in his sets.

Tracklist:

1. SR 60 – 25 Days [Modern Bön]
2. Night/T\mare – Evocative Regression [Voidance Records]
3. Madman´s Pannychis – Ekliani gza [Modern Bön]
4. Aliquis – Dumuzid [Borders Of Known)]
5. Second Spectre – Opale [Champs Libre]
6. Llimbs – Oblivion [Voidance Records]
7. Clarence Park – Imperial Suite [Voidance Records]
8. Meer – Eindama yasqut al'abatira [Voidance Records]
9. Dint – Stain [Altar]
10. Istigkeit – All Your Hopes Are Delusional (Meer Remix) [Istigkeit]
11. Unhuman – Purge Vacuum [Strange Therapy]
12. Hålbå – Modern Way To Die [Beryllium]
13. Furor – Empire Of Cries [Voidance Records]
14. Surit - Dolmen [Voidance Records)]
15. Blakk Harbor – Individualism Is God [Blakk Harbor]
16. Vofa – Agosame [Pi Electronics]
17. Prophän – The Black Patrol [Istigkeit]
18. Noform – Along The Paths [Shishi]
19. Llimbs – Lust [Rhadâb]

https://voidancerecords.bandcamp.com/

http://www.voidance.net/

https://www.facebook.com/dimlightberlin

@dim_light

Knife Podcast 134 | Dim Light

Modal Analysis feat. Noor1 – 10 November 2020

Strange Therapy consult led this time by ATT Corp. A True Terror Corporation by the minds of Incendie and Templər.

A.T.T.Corp is short for A True Terror Corporation, a project the two artists started together 4 years ago. Emerging from improvised sessions, the duo experimented over Industrial atmospheres merged with modern influences coming from metal, ritual to noise sonics. 

They present here a two hour mix revealing the atmosphere and influences that shaped their sound.

A.T.T. Corp:

www.facebook.com/atrueterrorcorporation
www.soundcloud.com/atrueterrorcorporation

www.soundcloud.com/incendie0
www.soundcloud.com/templer-noise
www.areazrecords.bandcamp.com/music

Strange Therapy:

www.strangetherapy.bandcamp.com/music
www.soundcloud.com/strangetherapy
www.facebook.com/StrangeTherapy
www.instagram.com/strangetherapytapes

Listen to Threads* at www.threadsradio.com

Strange Therapy consults w/ ATT Corp (Threads*DE BAARSJES) - 10-Dec-20

Knife presenta Terror Cognitive Dissonance, la identidad bajo la que se oculta Jesús Martos desarrollando como concepto artístico-experimental aquel miedo intrínseco del ser humano a lo desconocido. Su trabajo de indagación y producción en cuanto a sonidos que van desde el ritualismo pagano del dark ambient de culto hasta los ritmos sucios y extremos de un noise de características propias le han ido llevando a ir descubriendo y difuminando las fronteras entre los géneros más oscuros de la electrónica. El acto en vivo de Terror Cognitive Dissonance ha sido descrito como perturbador y confrontativo, cruzando la frontera entre el artista y la audiencia a través de la performance improvisada y el uso de hardware acompañado de voces desgarradoras. Perteneciente al colectivo Oddsratio; plataforma dedicada a la búsqueda de nuevos sonidos desde un prisma experimental y a través de todas las técnicas de creación alternativas y/o analógicas, Terror Cognitive Disonance realza su figura como productor llegando a lanzar tres álbumes de estudio desde 2017 hasta la fecha.

En esta grabación, Terror Cognitive Dissonance combina la técnica del djing con la del live act, logrando un conjunto híbrido de mezcla e improvisación. Esto surge cuando 2 o 3 pistas están siendo mezcladas, y por otro lado de manera simultánea, se están aplicando estructuras sonoras, ritmos o incluso voces mediante sintes, pedales y cajas de ritmo. Así mismo, esta grabación está confeccionada con varias piezas de culto de la música industrial europea, y en particular, varios cassettes del noise italiano de los 80 y 90 combinados con lanzamientos más actuales del mismo estilo experimental, así como algunos tracks inéditos del autor, transcurriendo por géneros como el power electronics, el death industrial o el drone metal.

Knife presents Terror Cognitive Dissonance, the identity under which Jesús Martos hides, developing as an artistic-experimental concept that intrinsic fear of the human being of the unknown. His work of investigation and production in terms of sounds that range from the pagan ritualism of cult dark ambient to the dirty and extreme rhythms of a noise with its own characteristics have led him to discover and blur the borders between the darkest genres of The electronic. Terror Cognitive Dissonance's live act has been described as disturbing and confrontational, crossing the border between artist and audience through improvised performance and the use of hardware accompanied by heartbreaking vocals. Belonging to the Oddsratio collective; a platform dedicated to the search for new sounds from an experimental prism and through all alternative and/or analog creation techniques, Terror Cognitive Disonance enhances its figure as a producer, releasing three studio albums from 2017 to now.

In this recording, Terror Cognitive Dissonance combines the technique of djing with that of live act, achieving a hybrid ensemble of mixing and improvisation. This arises when 2 or 3 tracks are being mixed, and on the other hand simultaneously, sound structures, rhythms or even voices are being applied through synths, pedals and drum machines. Likewise, this recording is made with several cult pieces of European industrial music, and in particular, several cassettes of Italian noise from the 80s and 90s combined with more current releases of the same experimental style, as well as some unreleased tracks by the author, passing through genres such as power electronics, death industrial or drone metal.

https://www.residentadvisor.net/dj/terrorcognitivedissonance

https://www.facebook.com/terrorcognitivedissonance

https://terrorcognitivedissonance.bandcamp.com

@terrorcognitivedissonance

Knife Podcast 136 | Terror Cognitive Dissonance

Søulless is the solo project of the Italian producer Francesco Presotto, who is also part of other bands such as Geometria Nervosa, Moral Excerpt or Agent 15, each project conceived with a very specific purpose and with a quite concrete musical development.

Francesco has been present in the Industrial Complexx catalogue in 3 of the 4 projects he works with. His roots, or the musical basis of any of the 4 projects, have evolved indiscriminately since the origins of the industrial movement, whether in an experimental, atmospheric or dance-floor-oriented environment. Søulless in this case respects the primary properties of the industrialist in many of his works, while adding other nuances that have nothing to do with this genre.

Modern Day Oppression is an album that mixes the industrialist's rough and chaotic sound, with apocalyptic rhythms and sounds, with extreme distortions and textures more typical of noise. So far everything is normal, there is nothing that can show that Søulless does not have a sound that respects all the canons of the industrialist, but, with this album Francesco adds other elements such as glitch, which are more typical of advanced electronic music or IDM.

Release date: January 8th, 2020.

Premiere: Søulless - The Night After Your Death [Phage Tapes]

SLVMIX093 - Hålbå

Tracklist:
dissonanzerecordings.com/podcast70

Artist links:
https://soundcloud.com/tullia-benedicta
https://tulliabenedicta.bandcamp.com
https://www.facebook.com/tulliabenedicta
https://www.instagram.com/tulliabenedicta
https://www.discogs.com/it/artist/4599657-Tullia-Benedicta

Biography:
Tullia Benedicta is an Italian singer-songwriter and producer, originally from Ravenna, now based in Bologna.

Dissonanze Podcast 70 | Tullia Benedicta

Indipendent label and crew based in Venice.

Our aim is to free people from any prejudice, let anyone free to prove itself for what it truly is.
Slavery, condition of who is legally considered as private property therefore free of any human right, and completely subject to the will of the legitimate owner. This cultural and artistic music project was born from the mixing of ideas and different lifestyles that focused on how human mind can make man a slave. Music can free you from any social prejudice.

SLVMIX093 - Hålbå

The SLAVE