The Face Radio 2016 - Part 1

תל אביב סט

My Shazam Tracks - Part 1

Le son Motown & Stax, la musique de l'âme... (ʘ‿ʘ✿)

Soulissime

fUNkiE CHiCkEn

Mystic Brew Radio

Ideo funk session 2

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

JustABitMore

Lafayette Afro Rock Band Hihache

Originally written in 1934 by Mexican songwriter Maria Grever with English lyrics written by Stanley Adams...

What a Difference a Day Made

JUNGLE's new single Busy Earnin' due for release in April on XL Recordings. 
Download from iTunes here: http://smarturl.it/busyearnin
Pre order the 12" Vinyl here: http://boomkat.com/vinyl/949027-jungle-busy-earnin

www.junglejunglejungle.com
https://www.facebook.com/jungle4eva

Jungle

Busy Earnin'

Wah Wah 45s celebrate the joy of the cover version! The label has always had a keen ear for a re-working of a classic piece of music, whether it be an unexpected brass take of a soft rock or hip hop cut from Hackney Colliery Band, or a sultry rendition of a soul nugget from Stac, with the only conditions being that the cover takes the original piece of music somewhere new, fresh and exciting.

The label's 15thanniversary seemed like a good time to not only re-visit a number of very canny covers from over the years, but to throw in a couple of new and exclusive ones for good measure too and as a way of saying thank you for all your support over the last decade and a half. So, as well as well loved renditions of Bill Withers' The Same Love That Made Me Laugh from Ashley Thomas and Part-Time Heroes' gorgeous re-imagining of The Boss' Dancing In The Dark, you get a spine-tingling, pitch shifting, electronica flavoured take of Rose Royce's ballad Wishing On A Star from Stac x Blue Daisy and The Gene Dudley Group's fierce dance floor funk version of Richard "Groove" Holmes No Trouble On The Mountain (itself a Wah Wah 45s release back in the day!) featuring the rasping vocals of Annie Frankenstein.

Add to that Lea Lea's recent cover of Talking Heads' Psycho Killer, Scrimshire's updating of Tammi Terrell's version of All I Do, with Stac on vocal duties, as well as club classics from Henri-Pierre Noel, Bev Lee Harling, Alister Johnson and a couple of big hitters from Hackney Colliery Band and you've got one heavyweight haul of version excursions on your hands.

Hackney Colliery Band - Africa (The Wah Wah Version out July 14th 2014)

The second single taken from Nothin Is Easy. With remixes buy NSFW, AOTOA and Antenna Happy

Buy on iTunes

You Made Us Change

Theta Eridani (θ Eri, θ Eridani) is a star in the constellation Eridanus. It has the traditional name Acamar from the Arabik Ākhir an-nahr which means "the end of the river“.
Acamar is a double star with some evidence suggesting it is part of a multiple star system
Acamar's distance from Earth as measured by the Hipparcos astrometry satellite is approximately 120 light-years.
Ptolemy described Acamar as a first-magnitude star, which some have taken to be in fact Achernar, which today appears just above the horizon in Alexandria where Ptolemy lived.
Achernar, however, was not visible to Ptolemy (it is from Alexandria today due to procession); its declination in 100CE was -67, making it invisible even at Aswan. Ptolemy's Eridanus thus without doubt ended at Acamar, which rose about 10 degrees above the horizon from Alexandria. This fact besides positively identifying Acamar as the original "end of the river", also strengthens the case for Acamar having been first magnitude in ancient times.

Frankey & Sandrino - Acamar

An official remix of "Kossa Kossa" by Ottawa's mightiest soul outfit, The Souljazz Orchestra; a cut from their massive new record "Resistance". This remix is released exclusively on  limited edition (300 pressings) 10' vinyl courtesy of Memeplex Records, celebrating 10 years of TIMEKODE in Ottawa.

Buy on Bandcamp: https://timekode.bandcamp.com/album/timekode-x-vol-1-the-souljazz-orchestra-x-bonjay-ott
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From The Souljazz Orchestra: "Kossa Kossa" was inspired by late 70s/early 80s West African disco and boogie music.  "Kossa" was initially a type of Duala dance in  Cameroon, which later became "Makossa", the style popularized by Manu Dibango, but we really flipped the genre around and made it our own.  It's probably the Souljazz tune with the most "electronic" elements ever, since we used an old analog monosynth and a Roland 808 drum machine for the first time, along with our usual acoustic instruments."

From TIMEKODE: "For this song we really picked up the tempo a lot from the original to take it from the disco/boogie world and give it more of a house / broken-beat feeling.  We also brought the full palette of sampled and synthesized drums and bass to give the SJO a boom and rattle that only drum machines can provide. Leaning heavily on the original parts, this remix takes the song and the listener on a journey from a club in West Africa on a Saturday night circ. 1976, to an after-hours in the UK on Sunday morning circ. 2016, and back."

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Produced by TIMEKODE
Drum programming by Memetic
Additional drum programming by Zattar
Space Echo by Zattar
Pre-mixed by Memetic and Don Charette at The Memeplex, Ottawa
Final mix by Alister Johnson at The Hive, Toronto
Mastered by Jason Jaknunas at Metropolis Studios, Ottawa

Original song "Kossa Kossa" is written by Pierre Chrétien and performed by The Souljazz Orchestra

The Souljazz Orchestra - Kossa Kossa (TK Kossa Remix)

Jestofunk - The Ghetto

Jain - Makeba (Reworked by Discothèque Fantastique)
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Makeba (Discothèque Fantastique remix)

Jain - Makeba (Discothèque Fantastique remix)

Express Your Soul

Swim (Single Version)

Greatest Hits

Bohemian Rhapsody (Remastered 2011)

Mind Transplant

Happiness Is Loving You

Let's Get It On

The Decca Anthology 1965 - 1967

I Can't Dance With You

Aladdin Sane

Lady Grinning Soul (2013 Remaster)

The Very Best Of George McCrae

I Get Lifted

The Best Of Cerrone Productions

Hooked on You (The Reflex Revision)

rap spoken word idk but take a listen ro 2

Desktop

BLACK MILK & Nat Turner - 4 blacks (remix)(rough)

Deodato 2

Super Strut

Groovy Booty

Afrofunk

Read more: http://www.localsuicide.com/lsd-exclusive-the-phase-damon-jee-remix-blowender/

BlowEnder - The Phase (Damon Jee Remix)  [Blindetonation]

Practice What You Preach

More Mess on My Thing

Victim of Love

You Put the Flame on It (feat. Menahan Street Band)

What the World Needs Now

Rudy's Intervention

Make the Road By Walking

Montego Sunset

Baby Charles

Coming from a Higher Place

Black Feeling: Volume Two

Mystic Brew

Made for Pleasure

Cigar Time

Far Out Recordings are honoured to be working with master composer, arranger and pianist, Antonio Adolfo for the first time since releasing his Destiny album in 2007. This time we present the first ever vinyl reissue of his era-defining Viralata LP: An essential album from Brazil's majorly progressive heyday of late seventies jazz-funk. Viralata is a sacred artefact of Brazilian music, which Antonio himself describes as ‘a product of my hybrid musical influences that joins together flavours of marchinhas de carnaval, frevo, toada, classical, baião, mpb and jazz, etc’.

The album’s first track ‘Cascavel’ is the emotionally charged, celebratory dance anthem, which became a London jazz-dance classic in the early ‘90s after Far Out label boss Joe Davis discovered a handful of copies in a second hand shop in Sao Paulo and brought them back to London to sell to DJs like Gilles Peterson and Patrick Forge. In recent years the track has been played out by the likes of Floating Points, Mr Scruff and Andrew Ashong, it was also the last song ever to play on the hallowed soundsystem of London’s beloved club Plastic People…

“Saturday nights at Plastic People wouldn't have been the same without this album. Cascavel was such an important track for the club, it was the last tune we played there before the doors were closed forever.”
Sean McAuliffe, (Plastic People & NTS Radio)

Viralata sits comfortably on the same pedestal as Azymuth's Light As A Feather and Joao Donato’s Quem É Quem, which is no co-incidence. All three keystone LPs were recorded and engineered by Toniniho, considered by many to be "the Brazilian Rudy Van Gelder" whose magic touches in the studio also helped to produce Marcos Valle's Previsão Do Tempo and Joyce's Água E Luz among many other holy grails and unassailable classics of soulful Brazilian music.

Antonio’s work has been widely performed by his legendary Brazilian contemporaries including Sergio Mendes, Emilio Santiago and Erasmo Carlos, but also by platinum-selling American icons including Stevie Wonder, Herb Alpert and Dionne Warwick. Following an early 70s spell of studying jazz in the USA, Viralata’s release in 1979 arrived at the height of a flourishing period of Antonio’s career. With his late 60s and 70s output following through on his influences of tropicalia, funk, MPB and easy listening, the almost entirely instrumental Viralata marked an apex for Brazilian jazz.

Viralata

Vinyl

Antonio Adolfo - Cascavel

Clout Level Zero prod by XANBABY

I Forgot About Love

Hit Sale

Coma idyllique

Reincarnations, Pt. 2 - The Remix Chapter 2009 - 2014

Made to Stray (DJ Koze Remix)

Jazzee Loudness reedit the Soul Vibrations' track The Dump

Soul Vibrations - The Dump (Jazzee reedit)

LAMP Records - It Glowed Like The Sun: The Story of Naptown's Motown 1969-1972

The Thought of Losing Your Love

Press On

Rusty

From the album Victim of Love. Out now on Dunham/Daptone Records.  

Buy it here: http://bit.ly/1E03bOb

Facebook.com/thecharlesbradley

Charles Bradley - Strictly Reserved For You

Sexual Healing

Felony / Rile 'Em Up

Felony

Rudy's Intervention

The Sugarman 3