Music Podcast

We’ve hosted some incredible Talkhouse conversations in 2021, and for our final brand-new episode of the year, we’ve got two people responsible for some of the best records of this year: Julien Baker and Aaron Dessner.

Baker released her third album, Little Oblivions, back in February, and it’s a doozy. Expanding her sonic palette massively, Baker delivered her powerful, vulnerable songs with much bigger sounds. That might have felt like a gamble, but it paid off massively—she produced it herself and pushed herself into new spaces.

Dessner is of course a founding member of the National, with whom he’s played for the past 20+ years. While his main band slowed down over the past couple of years, Dessner has been operating at hyperspeed. He was one of the main co-writers and producers on Taylor Swift’s Folklore and Evermore albums. He won an Album of the Year Grammy for the former, and was nominated for five more Grammys for the latter. He somehow also found time to release a new album with Bon Iver’s Justin Vernon under the name Big Red Machine called How Long Do You Think It’s Gonna Last? In addition to loads of guest singers, that record features Dessner on occasional lead vocals.

These two have a fantastic conversation about creativity and, specifically, production: Aaron has done a lot of producing for other artists, and Julien is just getting into it. Julien talks about what it’s like to have a full live band backing her, rather than being a quote-unquote masochist and playing alone. They talk about what it was like to be deprived of live audiences for so long, and Aaron gets into how his studio setup has changed over the years. Also, they both know what it’s like when music can make you cry—that’s the kind of thing we love here at Talkhouse. Enjoy.

Thanks for listening to the Talkhouse Podcast and thanks to Julien Baker and Aaron Dessner for having such a wonderful chat. If you liked what you heard, please follow Talkhouse on your favorite podcasting service and social media channels--we’re everywhere. This episode was produced by Melissa Kaplan and Keenan Kush, and the Talkhouse theme is composed and performed by the Range. See you next time!

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Aaron Dessner with Julien Baker

Strokes guitarist Albert Hammond Jr. has been owning the downstroke for well over a decade now, and in addition to his work with the band he has managed to find time to release several solo records. His latest, Melodies on Hiatus, is a sprawling 19 song offering recorded with longtime collaborator Gus Oberg. Geoff Stanfield chatted with Albert about his latest recording, working with Rick Rubin and the power of imperfection. Enjoy!

Sponsored by: Vintage King
https://vintageking.com

Episode 85: Albert Hammond Jr.

"In the early days of 2020, following a cancelled tour and a near total mental collapse, Beirut's Zach Condon arrived on Hadsel, an island in the far northwest reaches of Norway. Armed with several suitcases stuffed with recording equipment, a modular synth rig, an Austrian tape machine, his trumpet, and some winter clothes, he embarked on the creation of what would become his latest release, Hadsel. (pronounced hahdsul). 
He also had ongoing access to a 19th century church pump organ, a centerpiece of the album's sound and spirit. Geoff Stanfield caught up with Zach from his home in Berlin to discuss the making of Hadsel and the journey that led there. Enjoy!"

Sponsored by: Adam Audio
https://www.adam-audio.com

Episode 88: Beirut

February 2024 will see the release of MGMT's fifth album, Loss of Life. Tape Op's online publisher Geoff Stanfield sat down for a chat with the band's founding members Andrew VanWyngarden and Ben Goldwasser to discuss the recording of the album, their long time working relationship with producer/mixer Dave Fridmann, and finding their new favorite microphone!
Enjoy!

Sponsored by: Earthworks Audio
https://earthworksaudio.com

Episode 90: MGMT

There is a long list of accolades for indie legend, producer, engineer, songwriter and musician John Vanderslice. In addition to being the owner of Oakland recording studio Tiny Telephone, he has released sixteen full length albums, five remix albums and EPs and worked with artists such as Spoon, St. Vincent, Deerhoof, the Mountain Goats, and Grandaddy. His new project, Google Earth, is a collaboration with James Riotto, and their debut album, Street View, leans heavily into the electronic realm. Geoff Stanfield caught up with John to discuss his career, this new release and more. Enjoy!

Episode 96: John Vanderslice

This interview with Brian Eno was not originally intended to be made available for listening. It has been cleaned up and lightly edited, but has some external and peripheral sounds including some cell phone interference, chairs banging around and jack hammering street repairs! In the spirit of Eno himself, these "ambient" additions were left in for interview continuity. Eno and Peter Chilver’s regenerative music app "Bloom" was used for the bed behind the interview.

Thanks for listening!
TapeOp.com

Disclaimer: This audio recording was not originally tracked with the intent of using for a podcast. It was recorded solely for transcription for our print interview (see issue #85). Please forgive any balance issues, background sounds, and lack of clarity.

Sponsored by Soundtoys
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Episode 1: Brian Eno

Writing and conversations about music and film, from the people who make them.

Talkhouse is a media company and outlet for musicians, actors, filmmakers, and others in their respective fields. Artists write essays and criticism from firsthand perspectives, speak one-on-one with their peers via the Talkhouse Podcast and Talkhouse Live events, and offer readers and listeners unique insight into creative work of all genres and generations. In short— Talkhouse is writing and conversations about music and film, from the people who make them.