Curtis' comment about mashing trash techniques with higher end techniques it great...

Wanna hang out with Adam Curtis and watch 'The Day Today'

This "woh-ohh-oh" has been dubbed The Millenial Whoop https://thepatterning.com/2016/08/20/the-millennial-whoop-a-glorious-obsession-with-the-melodic-alternation-between-the-fifth-and-the-third/

I felt Heidecker had very little insight to add to this podcast. Curtis was very good of course.

From the 'BURNER' EP // Out May 7th via 555-5555 // http://smarturl.it/patten-BURNER​ // 'Eat Smoke' Prod: patten // Rap: Beans // VIDEO: https://youtu.be/YF9VnKc9YwA

BURNER

Eat Smoke (feat. Beans)

On the latest episode of the Talkhouse Film Podcast, comedian Tim Heidecker sits down with Adam Curtis, the BBC filmmaker whose sprawling, epic political documentaries about have in recent years made him a cult figure. In a highly engaged conversation, the two discuss Curtis' past making films about “talented animals,” tropes in current pop music (and how dull music in docs is), Donald Trump, how John Oliver and Jon Stewart contributed to Trump's success, the power of storytelling in politics, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Tim Heidecker with Adam Curtis

a comedown track for the party people and for my party self

Mmmmm

Devonté Hynes, aka Blood Orange, had an incredible 2019. He dropped the mixtape Angel's Pulse; scored the critically acclaimed film Queen and Slim; released a classical album with Third Coast Percussion; directed a music video for Beck; and, as a fan, finally saw the brilliant composer/vocalist Beverly Glenn-Copeland live. Glenn-Copeland (as he prefers to go by in his day-to-day life) had his own amazing year: At the age of 74, he had his first international tour, released the new LP Primal Prayer, and saw his previously obscure, decade-spanning seven album catalog finally embraced in music communities around the world. And he met Dev, whose music he adores.

We introduced Dev and Glenn right here on the Talkhouse Podcast, and the ensuing convo was warm, vulnerable, funny, and potent. The two sat on a sofa at Hook and Fade Studio in Brooklyn, and instantly formed a world all their own; they stared into each other's eyes, and spoke so softly that it was difficult to hear them from even a few feet away. In their wide-ranging conversation, Glenn and Dev discuss discovering parts of themselves by traveling out of their home countries; the way they each approach their songwriting; and the story behind Glenn’s seminal 1986 album Keyboard Fantasies. We also learn the importance of nature and its role in their music; how recently Dev began to honor music as the foundation of all his creativity; and the trick Glenn’s mother used to make him a musician while still in utero.

Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.
—Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn

Today's show was engineered and co-produced by Mark Yoshizumi. Additional editing by Katie Lau. Research by Reese Higgins.

The Talkhouse Podcast’s theme song was composed and performed by The Range.

Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com

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Dev Hynes (Blood Orange) with Beverly Glenn-Copeland

Constant-Pattern Solutions - Blind Denoising by Self-Supervision

stream - https://ericfrye.bandcamp.com/album/blind-denoising-by-self-supervision

Blind Denoising by Self-Supervision

Blind-Denoising by Self-Supervision

Bandcamp

Constant-Pattern Solutions - traditional (taingle opst with flo\orband)

Nadia Khan - Ecru

From Berlin we receive episode 10 by Wilted Woman a straight up mix that muses on the under and overground train (and sometimes bus) commute the solo artist took to get work (when work was a thing). Much like the ride in-and-out of the innards of the Deutsche metropolis here we also encounter a mix of passengers — yet this bunch are whisked together with much more class than the crew on the U-Bahn. We hear many surprising and sophisticated combos blended and obscured with wrong speeds + lots of overlay/delay: Åke Hodell, Alexander Tominsky, Blues Control, Bookworms, Column One, David Behrman, DJ ShlucHT, Imaginary Softwoods, Keith Jarrett, Nick Klein, Prince, Saint Etienne, Soft Tissue, Sohsie LAN, Stea Andreasson and Triple Negative. Of course the mix also contains some secret songs by Wilted Woman herself  - and off the back of her latest self-released EP and super SUDS split with Christoph De Babalon - these serve as welcome highlights and make the trip fly by in no time.

Links:
https://wiltedwoman.bandcamp.com
https://soundcloud.com/eelburn
https://anno2.bandcamp.com/album/sick-universe-demands-sharing

#10 Wilted Woman - The 20 Min Commute

Sable is the solo electronic project of vocalist/producer Isobel Hambleton. Born in Manchester, Isobel's songwriting draws on the philosophical heritage of the skeptical, romantic post-punk bands of 1980s Northern England. This songwriting sparked a short-lived career as a pub folk singer. However, increasingly inspired by the lush electronic arrangements of artists such as Bon Iver, James Blake and, more recently, Grimes, Isobel began to teach herself electronic music production and relocated to Berlin. Combining a wide range of influences, her music is a reflection of a young woman trying to understand a complicated world.

https://soundcloud.com/sable-isobel

Sable – Life Like This

Eric Schmid & Michael Stumpf - Politics of Culture

Twenty second episode of our "States United" show on @n10-as, with guest @actebonte

States United 22: acte bonté

taken from 'a sanguine twilight'

full album preview/bandcamp preorder (tape/digital) coming soon...

coldrrrr

Writing and conversations about music and film, from the people who make them.

Talkhouse is a media company and outlet for musicians, actors, filmmakers, and others in their respective fields. Artists write essays and criticism from firsthand perspectives, speak one-on-one with their peers via the Talkhouse Podcast and Talkhouse Live events, and offer readers and listeners unique insight into creative work of all genres and generations. In short— Talkhouse is writing and conversations about music and film, from the people who make them.

Tim Heidecker with Adam Curtis

Talkhouse

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