spunkrock

Psychedelic rock, Stoner Rock, Doom, Art Rock, Alternative Rock, Blues, Blues Rock, Progressive Rock..

Garbage Won't Tolerate The Cleaness (2013)

kool bands kool guitar riffs koool fanbase 

special thanks to chiara gala who turned me onto these wonderful bands

chiara gala = awesome

N-JOY !!!!!!!

KOOL-AID

ACID DROP

Public Enemy

Stoner Rock

Rock n Roar by MicheBara

The Thrill

Stoner rock/ sludge: doom etc …

Taken from the upcoming album "A Hiding Place"

GOLDEN Vinyl Gatefold: http://shop.napalmrecords.com/zodiac-a-hiding-place-golden-vinyl.html
FOREST-GREEN Vinyl Gatefold: http://shop.napalmrecords.com/zodiac-a-hiding-place-forest-green-vinyl-7254.html
BLACK Vinyl Gatefold: shop.napalmrecords.com/zodiac-a-hiding-place-black-vinyl.html
LTD Digipak: http://shop.napalmrecords.com/zodiac-a-hiding-place-digipack.html

ZODIAC - Downtown

Hey Lou!

Lady Of The Heart Of Gold

Thrill

Voice

Honky Tonky Acid Blues

Blacker Than Black

Nobody's Known

PULMÓN DE BALLENA - El Dia Fuera Del Tiempo (instrumental)

Foo Fighters - The Pretender

Earthless meets Heavy Blanket - "Paradise in a Purple Sky"

Black Mountain - "Druganaut" from 'Black Mountain', out 6/23/15 via Jagjaguwar
Direct:  http://smarturl.it/blackmountain2015
iTunes:  http://smarturl.it/blackmountainitunes
Amazon:  http://smarturl.it/blackmountainamazon
Indies:  http://smarturl.it/blackmountainindies

MORE INFO: http://bit.ly/BlackMountain_10thAnn

It's only a cliché because it's true, but the greatest records are timeless. Black Mountain's self-titled debut album is just such a record, its roots leading twisting paths back into the past, while always sounding like 'now', like a future still to come. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain's debut album was, of course, a beginning, but it also marked an ending for Jerk With A Bomb, the group that preceded Black Mountain.

Begun as the fourth Jerk With A Bomb album, Black Mountain's debut grew from skeletal sessions cut by McBean and Wells. "We laid down the bed tracks, the guitars and drums," remembers McBean. "Matt [Camirand, bass] joined, and we changed the band name after a dream of how life could be different in the B section between Black Flag and Black Sabbath. Josh's roommate Jeremy [Schmidt, keys] was lurking about. We asked him if he wanted to add some synth bleeps or whatever. He came back with all these orchestrated keyboard parts, and we said, 'Oh, you should probably join the band now.'"

They cut the album at the Hive in Vancouver, recording in "a big cement room with a tall ceiling, nice boomy acoustics, lots of natural reverb," remembers McBean, "on an 8-track reel-to-reel tape recorder." During the sessions, these elemental first Black Mountain tracks found their true shape: the wry, giddy shuffle of "Modern Music," with its Roxy Music sax and Velvets-y chug; the epic, sky-staring riffage of "Don't Run Our Hearts Around;" the hypnotic, gracefully heavy groove of "Druganaut;" the joyful rush of "No Satisfaction;" the dark, powerful blues of "Set Us Free;" the mysterious murk of "No Hits." Here was a new classic rock, its reference points arcane and clear, its sound fresh, unfamiliar and irresistible.

The album's initial success saw the band take to the road, leaving their Vancouver enclave for stages across Canada, America and Europe. "It felt like there was a real explosion of excitement at shows," remembers McBean. "The first couple of tours, we kinda were pretty shambolic. We wouldn't write setlists, we'd just feel the energy in the room and call things out, jamming on songs like 'No Hits' and 'Druganaut.' It was a good time for live rock'n'roll: DJ booths were being transformed back to drum risers, people were digging 20 minute jams and there were bands like Comets On Fire and Oneida out there who we felt kinship with. I was into Faust and Amon Duul but had no idea of the scene of modern bands doing that stuff. And then we met those bands, and it was cool. And then we went on tour with Coldplay...and the adventures continued."
Their jaunt across the world as guests of perhaps the biggest band in the world right then is a tale for another time, perhaps: the start of Black Mountain's next chapter, and all that followed. For now, savour the compact, spacey brilliance of that cosmic, heavy and subtle debut album, expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives.

Black Mountain - "Druganaut" from 'Black Mountain', out 6/23/15 via Jagjaguwar
Direct:  http://smarturl.it/blackmountain2015
iTunes:  http://smarturl.it/blackmountainitunes
Amazon:  http://smarturl.it/blackmountainamazon
Indies:  http://smarturl.it/blackmountainindies

Black Mountain

Druganaut

Pre-Order

Black Mountain - "Druganaut"

Black Mountain - "Behind The Fall" from 'Black Mountain', out 6/23/15 via Jagjaguwar

Direct: smarturl.it/blackmountain2015
iTunes: smarturl.it/blackmountainitunes
Amazon: smarturl.it/blackmountainamazon
Indies: smarturl.it/blackmountainindies

MORE INFO: bit.ly/BlackMountain_10thAnn

It's only a cliché because it's true, but the greatest records are timeless. Black Mountain's self-titled debut album is just such a record, its roots leading twisting paths back into the past, while always sounding like 'now', like a future still to come. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain's debut album was, of course, a beginning, but it also marked an ending for Jerk With A Bomb, the group that preceded Black Mountain.

Begun as the fourth Jerk With A Bomb album, Black Mountain's debut grew from skeletal sessions cut by McBean and Wells. "We laid down the bed tracks, the guitars and drums," remembers McBean. "Matt [Camirand, bass] joined, and we changed the band name after a dream of how life could be different in the B section between Black Flag and Black Sabbath. Josh's roommate Jeremy [Schmidt, keys] was lurking about. We asked him if he wanted to add some synth bleeps or whatever. He came back with all these orchestrated keyboard parts, and we said, 'Oh, you should probably join the band now.'"

They cut the album at the Hive in Vancouver, recording in "a big cement room with a tall ceiling, nice boomy acoustics, lots of natural reverb," remembers McBean, "on an 8-track reel-to-reel tape recorder." During the sessions, these elemental first Black Mountain tracks found their true shape: the wry, giddy shuffle of "Modern Music," with its Roxy Music sax and Velvets-y chug; the epic, sky-staring riffage of "Don't Run Our Hearts Around;" the hypnotic, gracefully heavy groove of "Druganaut;" the joyful rush of "No Satisfaction;" the dark, powerful blues of "Set Us Free;" the mysterious murk of "No Hits." Here was a new classic rock, its reference points arcane and clear, its sound fresh, unfamiliar and irresistible.

The album's initial success saw the band take to the road, leaving their Vancouver enclave for stages across Canada, America and Europe. "It felt like there was a real explosion of excitement at shows," remembers McBean. "The first couple of tours, we kinda were pretty shambolic. We wouldn't write setlists, we'd just feel the energy in the room and call things out, jamming on songs like 'No Hits' and 'Druganaut.' It was a good time for live rock'n'roll: DJ booths were being transformed back to drum risers, people were digging 20 minute jams and there were bands like Comets On Fire and Oneida out there who we felt kinship with. I was into Faust and Amon Duul but had no idea of the scene of modern bands doing that stuff. And then we met those bands, and it was cool. And then we went on tour with Coldplay...and the adventures continued."
Their jaunt across the world as guests of perhaps the biggest band in the world right then is a tale for another time, perhaps: the start of Black Mountain's next chapter, and all that followed. For now, savour the compact, spacey brilliance of that cosmic, heavy and subtle debut album, expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives.

Black Mountain - "Behind The Fall" from 'Black Mountain', out 6/23/15 via Jagjaguwar

Buy 10th Ann. Edition

Black Mountain - "Behind The Fall"

Sen ve Ben yaratıldık... Birbirimizi sevmemiz için sonsuza kadar... :)

Scorpions-You And I

GET THE ALBUM HERE

Scorpion Child - My Woman In Black

1. Sir Lord Baltimore – Master Heartache
2. Leaf Hound – Freelance Fiend
3. Captain Beyond – Mesmerization Eclipse
4. Grand Funk Railroad – Sin’s A Good Mans Brother
5. Pentagram – Forever My Queen
6. Blue Cheer – Second Time Around
7. Poobah – Mr Destroyer
8. Jeronimo – End Of Our Time
9. Hawkwind – Silver Machine (single version)
10. Colosseum – The Kettle
11. Sainte Anthony’s Fyre – Chance Of Fate
12. Elias Hulk – Nightmare
13. Jerusalem – Primitive Man
14. Cactus - Evil (Single Version)
15. Vanilla Fudge– Need Love
16. Johnny Winter – Guess I’ll Go Away
17.Thunder and Roses– White Lace And Strange
18.Iron Butterfly - In-A-Gadda-Da-Vida


http://www.sendspace.com/file/z01fnc


Origins Of Stoner Rock Compilation

From Black Mountain's original soundtrack to the film Year Zero, out now!

Year Zero: The Original Soundtrack

Mary Lou

Black Mountain - "Mary Lou"

Wilderness Heart

The Hair Song

Black Mountain-"The Hair Song"

Troops

Not To Be The Man

Saturn - Red Smoke (Demo)

Saturn - Shelter (Demo)

taken from the brand new album Poncho Express (out: 25.05.2012)
available as limited Vinyl / CD / Download

www.coogansbluff.de
www.rotorfilm.de
www.noisolution.de			


Coogans Bluff - Beefheart -

DOWNLOAD BOOTLEG PACK HERE:

http://www.facebook.com/OfficialWeekendHeroes

Zedd Vs. Jakob Leidholm Vs. Steerner - Spectrum (The Weekend Heroes Edit)

'Save The Nation' is taken from Royal Republic's sophomore release 'Save The Nation'. You can pick up your copy right here http://www.roadrunnerrecords.co.uk/release/Save+The+Nation+%28Deluxe+Edition%29 

Royal Republic - Save The Nation

little sister

Saturn - Low Frequency (Demo)

Closer to the sun

Pulmon de ballena - PDB (INSTRUMENTAL)

Dry 
Dirt
Demise
Despise
Deranged
Dementia
Deconstructed
Defiance
Direction
Dope
Destiny
Driven
GODOWN RECORDS
Recorded at Godown Studio at Savignano sul Rubicone by Alfredo EPI Gentili

Stone

Infestissumam - Available April 16
Pre Order on iTunes: smarturl.it/GhostBCInfestissumiT
Pre Order Limited Edition Vinyl and more: smarturl.it/worldwidepreorder


Blacker Than Black

Vo9D