My guest today is Justin Phelps chief engineer and designer of the Hallowed Halls recording studios in Portland OR. He began his career in 1996 at San Fransisco’s famed Coast Recorders where he worked as a house engineer and received considerable guidance from a chief engineer/producer John Cuniberti and studio owner/gear guru Dan Alexander as well as working at some of the Bay Areas finest studios including The Plant, Prairie Sun, Studio 880, Tiny Telephone and Studio D.&nbsp; In 2004 he acquired the lease for one of the more historic spaces in San Francisco, Hyde Street Studio C which he restored to its former glory and ran for the next 5 years as one of the busiest rooms in San Francisco when he met his wife Deanna and started his family.&nbsp; With the birth of their first daughter, they relocated to Portland Oregon where he founded Cloud City Sound a multi room facility with a busy mastering suite serving many regional and international until 2016 when he opened The Hallowed Halls located in a 5500 square foot, historic, turn of the century library where the building’s natural acoustics made for an ideal recording studio site.&nbsp; Since then, they have been cranking records out for a wide variety of American and International acts, hosting a constant stream of events benefiting the local music and arts community and dabbling in new recording directions. The most prominent of these would be music video production.&nbsp; The Covid 19 era has seen a particularly high spike in combined music and video as a result of the severe limitations placed on live performance. Necessity is the mother of invention and Justin is currently modifying The Hallowed Halls to facilitate concert performances and multi camera shoots including VR concerts in Studio A’s main hall.&nbsp; Through a partnership with a strong concert streaming distribution network, the hope is to use this to get the lifelong patrons of our studios back to work and to find new creative outlets for the music we create. So far it’s working.&nbsp; Thanks so much to John Cuniberti for making our introduction! Get access to FREE mixing mini-course:&nbsp; THANKS TO OUR SPONSORS! &nbsp;Use code ROCKSTAR to get 10% &nbsp;Use coupon ROCKSTARS to get 20% off The Pop Filter Spectra1964 is having a bundle sale! Save $$ hundreds on the STX600 and the BBDI combo at&nbsp;  &nbsp;use code ROCK10 for 10% off   Hear guests discography on Spotify:  If you love the podcast, then please leave a review:&nbsp;

RSR315 - Justin Phelps - Live video and VR recording in Studio

Featuring Jonathan Rogerson on guitar and samples

WeerdNite

Justified Fitting End is the 5th track on Tallsome Tales by The Carnivaleros.

Was you sent or did you just went 
Asked the preacher 'cross the table from me
I told him it was neither I was backed up to a wall 
Certain things are meant to be 
I had to kill my father he was beatin' on my mother 
Some old fences just will not mend
It was an unexpected, loosely-jointed, understated, overrated, 
Jaded but sophisticated, justified fitting end

My Ma was a-raisin' my sisters and me 
In a shack on the edge of town
She always did her best to keep food on the table
Even though Pa was not around
But he'd show up now and then in the heat of the moment 
Reeking of a backwoods still
He'd been in a rage every day gone by 
Since they laid him off down at the mill
He knocked us all around but my Ma got it the worst 
Only so far a body can bend
Until his unexpected, loosely-jointed, understated, overrated, 
Jaded but sophisticated, justified fitting end

There was a time things weren't so bad
When we were knee high to a man
But that must've been just a child's perception 
Don't remember when they got out of hand

Now I'm doin' time on the local state dime
I did what I had to do
My Ma would've died and the bruises on my sisters 
Were a spectacle of black and blue
I’m a peaceful man most every day 
But when the trouble just would not end
I had to do something 'cause my ma and my sisters 
Had not the strength to fend
If I had to do it over it would come out just the same 
Some old fences just will not mend
It was an unexpected, loosely-jointed, understated, overrated, 
Jaded but sophisticated, justified fitting end

Gary Mackender - accordion, organ, vocals
Karl Hoffmann - bass 
Les Merrihew - drums
Joe Fanning - electric guitar
Mitzi Cowell - slide guitar
Björgvin Benediktsson - harmony vocals
Carla Brownlee - bari sax
Mike Coyle - trumpet
Michael Oliver - trombone
Greg Mackender - horn arrangements

Tallsome Tales

Justified Fitting End

Episode 5 Justified Fitting End

Oakhurst's latest offering Barrel (their 5th), was produced and engineered by Joe Pisapia (K. D. Lang, Ben Folds & Guster) and was recorded at his own Middle Tree Studios in Nashville, TN. With Pisapia and Oakhurst front man Adam Hill's collaborative songwriting and Pisapia's guitar performances, Barrel takes a noticeable turn from the bluegrass tendencies that characterized the band’s previous efforts to a more genre-bending Americana and Bluesey reverberation. The arrangements and the harmonies are tight, pushing the songs towards a much broader audience with mainstream appeal.

02 Out West

I Love It

Kanye West & Lil Pump - I Love It

Swamp_Gas_2

Charles H. Root, III remix of the song "American Winter" by Nashville-based, Grammy Award winning engineer, producer, and musician Lij Shaw.

Skadoosh!

LIJ SHAW - American Winter - CHAZROOT MIX

Experiment

Jahnke "Glimmer"

Matt Kramer "Bricks In The Atmosphere"

From the album Jennie Lowe Ghost Tracks 2020.
Featuring Tyler Ramsey (Band of Horses) andSebastian Steinberg (Fiona Apple)

RSR315 - Justin Phelps - Live video and VR recording in Studio

thetoyboxstudio

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