Daily planning is crucial for managing a busy studio schedule! Duncan explored the importance of mastering, the impact of technology and AI, and the intricacies of creating a professional sound environment. He shared insights into his workflow, including his unique 'flight plan' approach to daily planning, while also discussing the challenges and rewards of mastering music for vinyl records.      Get access to FREE mixing mini-course:&nbsp; My guest today is Duncan Ferguson, a mastering engineer based in East Nashville with a true passion for critical listening and collecting all kinds of recordings. Duncan got into mastering naturally and has earned the nickname “the music librarian” from his close friends. Over the years, he’s honed his skills to bring music to life across all listening applications. Duncan’s mastering studio, The Voltage Exchange, is all about solving problems for clients. After seeing the shifts in the music industry over the past decade, he’s focused on offering solutions for artists, producers, and mixing engineers while making the process as seamless as possible. Duncan believes in collaboration and transparent relationships — he loves having clients present during sessions and sharing his techniques, equipment, and choices to ensure their true vision shines through. As someone who also collects vinyl, Duncan offers full-service in-house vinyl mastering and disk cutting with a new Sillitoe lathe. Duncan's mastering studio is right nearby me in East Nashville. THANKS TO OUR SPONSORS!   &nbsp;Use code ROCK10 to get 10% off! &nbsp;Use code ROCK10 to get 10% off!  &nbsp;Get your MBSI plugin here! &nbsp;   Listen to this guest's discography on Spotify:    If you love the podcast, then please leave a review:&nbsp;    &nbsp;

RSR490 - Duncan Ferguson - Mastering for Vinyl at Voltage Exchange Studio in East Nashville

Featuring Jonathan Rogerson on guitar and samples

WeerdNite

Justified Fitting End is the 5th track on Tallsome Tales by The Carnivaleros.

Was you sent or did you just went 
Asked the preacher 'cross the table from me
I told him it was neither I was backed up to a wall 
Certain things are meant to be 
I had to kill my father he was beatin' on my mother 
Some old fences just will not mend
It was an unexpected, loosely-jointed, understated, overrated, 
Jaded but sophisticated, justified fitting end

My Ma was a-raisin' my sisters and me 
In a shack on the edge of town
She always did her best to keep food on the table
Even though Pa was not around
But he'd show up now and then in the heat of the moment 
Reeking of a backwoods still
He'd been in a rage every day gone by 
Since they laid him off down at the mill
He knocked us all around but my Ma got it the worst 
Only so far a body can bend
Until his unexpected, loosely-jointed, understated, overrated, 
Jaded but sophisticated, justified fitting end

There was a time things weren't so bad
When we were knee high to a man
But that must've been just a child's perception 
Don't remember when they got out of hand

Now I'm doin' time on the local state dime
I did what I had to do
My Ma would've died and the bruises on my sisters 
Were a spectacle of black and blue
I’m a peaceful man most every day 
But when the trouble just would not end
I had to do something 'cause my ma and my sisters 
Had not the strength to fend
If I had to do it over it would come out just the same 
Some old fences just will not mend
It was an unexpected, loosely-jointed, understated, overrated, 
Jaded but sophisticated, justified fitting end

Gary Mackender - accordion, organ, vocals
Karl Hoffmann - bass 
Les Merrihew - drums
Joe Fanning - electric guitar
Mitzi Cowell - slide guitar
Björgvin Benediktsson - harmony vocals
Carla Brownlee - bari sax
Mike Coyle - trumpet
Michael Oliver - trombone
Greg Mackender - horn arrangements

Tallsome Tales

Justified Fitting End

Episode 5 Justified Fitting End

Oakhurst's latest offering Barrel (their 5th), was produced and engineered by Joe Pisapia (K. D. Lang, Ben Folds & Guster) and was recorded at his own Middle Tree Studios in Nashville, TN. With Pisapia and Oakhurst front man Adam Hill's collaborative songwriting and Pisapia's guitar performances, Barrel takes a noticeable turn from the bluegrass tendencies that characterized the band’s previous efforts to a more genre-bending Americana and Bluesey reverberation. The arrangements and the harmonies are tight, pushing the songs towards a much broader audience with mainstream appeal.

02 Out West

I Love It

Kanye West & Lil Pump - I Love It

Swamp_Gas_2

Charles H. Root, III remix of the song "American Winter" by Nashville-based, Grammy Award winning engineer, producer, and musician Lij Shaw.

Skadoosh!

LIJ SHAW - American Winter - CHAZROOT MIX

Experiment

Jahnke "Glimmer"

Matt Kramer "Bricks In The Atmosphere"

From the album Jennie Lowe Ghost Tracks 2020.
Featuring Tyler Ramsey (Band of Horses) andSebastian Steinberg (Fiona Apple)

RSR490 - Duncan Ferguson - Mastering for Vinyl at Voltage Exchange Studio in East Nashville

thetoyboxstudio

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