These are all the brand names of Dan Chorlton.
DANEC is the main focus - it's melodic techno
Some DJ is breakbeat & drum n bass

BAND: thetrapsofficial@gmail.com
LABEL: Speech Fewapy Records / Label Fandango - 

**3rd Album, 'Echoes' out June 19 2020
wwww.the-traps.com/echoes 
**'Wild Escape' out now**,  iTunes: https://itunes.apple.com/gb/album/wild-escape/id1076063073
Spotify: https://play.spotify.com/album/1DpEgnKTaLa2UCIZuHTFhB

**Debut album CALYPSO available on iTunes / Spotify / Amazon**: https://itunes.apple.com/gb/album/calypso/id706019981

Drifts are from the NE of England, and are Ross Millard (Vocals, Guitar), Dan Shannon (Bass), Graham Thompson (Drums) and Simon Hubbard (Guitar).

The Blue EP is due for release on November 6th, and physical copies will be limited to 100 with no pre-order.

The whole EP was recorded by MJ (Hookworms).

Always looking for more shows.
https://www.facebook.com/driftsbandne/

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Polar Patrol is a pro-active music publishing service for songwriters, artists and musicians set up by Jonny, Nathan and Gary from Snow Patrol which is run day to day by ex- Sony/ATV A&R Steve Farris. Our small team including recent addition Natalie Nissim offers a hands on approach to publishing with the aim of nurturing new songwriting talent and artist development.

We currently publish Johnny McDaid (songwriter), Here We Go Magic (band), Kidda (electronica artist), Luke Temple (singer/songwriter), Gita Langley (songwriter), Bo Bruce (artist) and Gary Nock (artist and singer/songwriter).

The best way of getting in touch is via our Facebook or Twitter pages.

In recent years, the UK’s Finn Bell has been noted as one a ‘one to watch’ within the ever growing house and techno community.

Beginning his career experimenting with elements of analogue and electronic music, Finn’s earlier sound could be classed as somewhat eclectic, fusing a traditional ‘house’ sound, with a musical percussiveness, of Latin, funk and disco. More recently Finn’s own work can be seen as taking a slightly more serious note as he steps back and draws on the past, taking inspiration from earlier 80′s and early 90′s House and Techno.

Still incorporating elements of his early sound, his mix of vintage house, cutting bass lines and minimal-esque percussion hits, work in perfect sync. This style was soon recognised and from 2006 he was taken up with many residences across the UK.

His constant exploration of house music has led him to where he is now, not only playing but producing as well. The beginning of 2008 saw the start of a blossoming career in music production; have already seen releases on labels such as Hollister Records (Italy), Celestial Recordings (UK), Modifi music (UK) and HiFi stories (Germany) with support from some of the biggest artists to date Matthias Tanzmann, Luciano, Grant Nelson to name a few.  Finn continues to produce his own unique take on his original and remixed productions. His playing style coincides with the music he makes and always follows the line of ‘house’, from Deep, Soulful and Latin rhythms, through to 80’s inspired, lo-fi, New York and Berlin Techno.

Already at the age of 23, his productions are getting recognised by a host of artists across the globe for creating deep, surging baselines with vocal cuts, abstract soundscapes, and driving percussive themes. Currently Finn is working on a host of solo projects as well as collaborating with Artists in Berlin, Germany and Bahia Blanca, Argentina.

peachkellipop.com
peachkellipop.bandcamp.com

Born in the ashes of the Benson garage explosion, Off The Radar began in a rehearsal room under the shadow of the airbase in January 2001. Before long the 3-piece guitar combo were playing their explosive melodic set across the South-East of England, and yearning for travel further afield.

By 2002, the band’s promotional CD ‘Making Waves’ was being played on student and regional radio stations as far afield as Italy, Holland, Germany, and Serbia-Montenegro. Their second promotional CD ‘Here It Is!’ was recorded in the now legendary ‘Toe rag’ studios (White Stripes, Datsuns, Supergrass) in London, leading to their first gigs in New York City in September 2003 at Acme Underground and Arlene's Grocery, as well as an out of town show at The RoxxY in Connecticut, New Jersey. The enthusiastic reception that they received led to their return to NYC in April 2004, playing Acme underground and The Trash bar in Brooklyn.
Recording sessions in March 2004 at TPot Studios in Path of Condie, Scotland, introduced the band to Robin Wynn-Evans (The View, The Manic Street Preachers, Dodgy, Sam Brown) and resulted in their first album, ‘Seen From Space’. The album was released by Reading label Velocity Recordings in 2005 and two songs were picked up by UK TV's Channel 4 in national TV and radio promotional adverts for their CH4 music web site.
In September 2006 OTR were back at TPot studios with Robin to record their second album ‘Cut To The Chaser’, also released by Velocity Recordings in the UK. By now the band had begun to draw on a much broader range of influences, taking control of the studio process to develop their arrangement skills and now distinctive sound.
Returning once more to NYC in September 2010, OTR played at Kenny’s Castaways, and at the Trash Bar in Brooklyn. During their visit they met up with Adam from Fountains of Wayne at his studio, Stratosphere. Their ongoing fascination with NYC remains an inspiration for their song writing and also yielded the title of their next recording project.
Third album, ’12 Shots From the Coffee Shop’, brought the band to Riverside Studios in Bath, England (Robert Plant, Owl In The Sun, Roger Tarry, Jeff Beck, Basement Jaxx) in August 2011 to work with Seb Pecchia. Mixing sessions resumed at Riverside in March 2012 shaping a leaner, meaner yet Phatter sounding album, packed with the by now trademark OTR harmonies.
Selected tracks from 12 Shots From The Coffee Shop will be available on digital release soon with a release on CD to follow.

Van Straten Solicitors is a boutique legal practice specialising in the Entertainment, Sports and Media Law.

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