002 Mix by Club Teal guest DJ : Courtney Hollinquest

IG : @cquestt

Born and raised in LA, Cquestt has always been inspired by the sounds of the city. She was first introduced to the art of DJing at a young age by her uncle. From then on, her love for music was ignited and started journey in the arts. First starting her career as a dancer and landing her big break, touring with Lizzo as an original Big Girrrl. Which led to her taking up DJing full time! You can catch her at clubs all around LA including Blind Barber, The Friend, Townhouse, and many more!

002 Mix by CQUESTT

PURE/HONEY (The Trash Pandas Edit)

The Yemi Effect - 8.10.22

#125
Played music from Nsg & Mist, Stormzy, Mfr Souls, Asake, Badi, Afrokillerz, Dj Marfox, Dj Maphorisa, Studio Bros, Shatta Wale & Gold up, Dismantle, Quavo & Takeoff, Lala &ce, King Doudou & Aitch and Caianda in the guest mix.

Full tracklist: www.instagram.com/blck.mmba

Club Mamba #125

Paramount Running Mix - Jimmy San 2022

Something I've been using in my sets for awhile and thought it was time to share. I'll be releasing more tools and blends soon! 

Click "Buy" for a free download, or head over to my bandcamp to grab a copy! https://nikluis.bandcamp.com/track/parte-after-parte-nik-luis-the-setup-blend

Parte After Parte (Nik Luis "The Set Up" Blend)

“ENRAPTURE”

Party People - Jailo
J.U.T.C - False Persona
CY (SYNNCITY) SHOUTOUT TO THE DEAD - (Baby Keem Baile Flip)
Just Wanna Rock (FUZZ & YOSEF Club Remix) [#1 Hypeddit] - FUZZ
A Milli - (kleinefrigo’s Hit The Breaks Flip) 
Shattered (VIP) - Foamek
I’ll Show Man - CASINA
Ray Monero & DJ TJ - Fergangenheit
A$AP Ferg - East Coast (Sigray Edit)
Unknown - Get Right (Nasty King Kurl REWORK)
Beyoncé - Move (FUZZ & BAVE Edit)
Serotonin Moonbeams - The Blessed Madonna
ROHTAH - Deeper Love 
DJ GUN EMOJI - Hawt [Thrust Collective]
Drake - Massive (Hyalyte Edit)
Spacejam - Smochi Grind
Shum - L.M.B
Take Away [S.S.D Tool] - SHE Spells Doom
Speedy Skank - Burna
Front Bench - Sort It Out
Club Paint V2. - Cassius Select (CLIPS)
KABLE - RISE UP DA PUMPI
Limes - J Wax
Moktar - Lemon
Siu Mata & Amor Satyr - Is This All Real

#AIAIAI x HÖR DJ Mix Challenge

“ENRAPTURE”

my first DJ mix for my final project at Santuri :)

tracklist:

Magugu - Guguland
Mr Eazi - Leg Over (Uproot Andy remix)
See Something - Mina & Bryte (General Cmamane remix)
Lift Body - Funky QLA
Booty Bounce - DJ Sliink
Kelly - Work (Burna & Nora Zion bootleg)
Mario Ochoa - Knock on Wood
Pax - Chloé Robinson, DJ ADHD (Four Tet remix)
Movethatdopenadushelixremix
Ascension - Slikback
(Batuakada)Das Gatunas - DJ BeBeDeRa
Peoseta - Chuwe/Grizzy
Aserejé -Twerk Cafe (K-Deucez remix)
Ari Lennox - BMO (UNIIQU3 x Wiz the Producer remix)
Praise God - Wantigga remix
Rave Funk do Busta - ROHTAH
Jack - Breach (Pedro edit)
Baamet Beal - Asna remix
Lentement - Djanny B.Boy/MC RedBul

DJ 101: Haina Mpango Vol. 1

Un mix 100% amapiano  pour radio Nina  

https://www.nina.fm

Tracklist :

01.Juls - Injabulu ft S.O.N

02.Major Lazer & Major League Djz - Smoking & Drinking (feat Ty Dolla $ign & Channel Tres)

03.Kabza De Small & DJ Maphorisa - Hello  feat Madumane

04.Musa Keys - Vula Mlomo feat Sir Trill & Nobantu Vilakazi

 05.Costa Titch - Big Flexa ft. C'buda M, Alfa Kat, Banaba Des, Sdida & Man T

06.Major league Djz  feat Luudadeejay - Straata

07.Singularis - Champion Sound feat Shaka Lion

08.Mr Eazi - Patek feat. DJ Tárico & Joey B

09.Dave Nunes, FS Green - Enya Riddim

10.EGNEVER - Show Me What You Got / XXXTRUMPET Amapiano Edit

11.Rema - Dumebi (DJ Kwamzy Amapiano Edit)

12.Jarreau Vandal - Obsessive (DJ Kwamzy 'Amapiano' Remix)

13.Asake - Sungba feat Burna Boy

14.Sho Madjozi - Chale

15.Blaiz Fayah & Tribal Kush -  Bad (Dave Nunes Amapiano remix)

16.Vigro Deep -  Africa Rise

17.Pa Salieu -  Style & Fashion feat. Obongjayar

18.L.A.X - Go LOW

19.Wizkid- Bad to me

DEEJAY COSMO - AMAPIANO MIX pour Radio Nina

live mix recording during a rave in chicago on July 8, 2023.

EUTOPIA LIVE DJ SET @ HIDDEN IDEAS, CHICAGO JULY 8, 2023

KRAMPUS is conceived as a macabre winter chronicle—an immersive, nightmare-lit descent into the oldest moral architecture of the season, long before Christmas was softened by sentiment or stripped of its teeth. This track reaches backward into pre-Christian Europe, into Alpine pagan folklore where winter was not decorative but lethal, and where myth served as law. Krampus was never a monster for spectacle; he was an instrument of balance. Half-goat, half-shadow, bound in iron and bells, he embodied consequence itself—an audible warning that survival required discipline, honesty, and restraint.

Within that historical framework, KRAMPUS reconstructs Christmas Eve not as a night of comfort, but as a tribunal. In early pagan winter rites, the solstice marked a reckoning point: the death of the sun, the dominance of darkness, and the promise—never the guarantee—of return. Communities told these stories to remind themselves that light had to be earned. Krampus functioned as the enforcer of this belief system, roaming alongside Saint Nicholas in later Christian syncretism, representing the duality that faith alone could not erase. Mercy without judgment was considered dangerous; judgment without mercy was considered inhuman. KRAMPUS lives precisely in that tension.

Musically and lyrically, the track is structured as a freestyle battle rap because battle rap itself is ritual combat—verbal survival of the sharpest. Each verse advances the narrative like a folklore duel: Saint Nicholas stands as measured authority, a disciplined moral force shaped by early Christian asceticism, while Krampus answers as the pagan remainder that refused to disappear. The bells, chains, and darkness woven into the lyrics are not decorative imagery—they are historically accurate symbols of punishment rites, fertility masks, and winter demons once worn by villagers during Krampusnacht to embody fear itself and keep social order intact.

The “nightmare” aspect of KRAMPUS is deliberate. This is Christmas viewed through the lens of hunger, cold, and accountability. Snow is not clean here—it is suffocating. Silence is not peaceful—it is anticipatory. The track strips away modern nostalgia and restores the season’s original psychological weight. Every bar reinforces the idea that December was once the most dangerous time of the year, and stories like Krampus existed to ensure the community survived it.

In its modern form, KRAMPUS becomes an urban legend retold through hip-hop—a genre born from truth-telling, confrontation, and coded survival narratives. The folklore is not diluted; it is weaponized. The battle between Krampus and Saint Nicholas mirrors contemporary struggles between image and substance, forgiveness and accountability, performative goodness and lived discipline. The track asks a timeless question: when the lights go out and the world grows cold, what actually governs behavior—belief, fear, or consequence?

This is not a holiday song. It is a winter myth resurrected with teeth intact. KRAMPUS stands as a reminder that before gifts, before cheer, before celebration, there was judgment—and that legends endure because they still speak to something buried but unresolved. The nightmare is not the monster in the woods. The nightmare is discovering which side of the legend you belong to when the bells begin to ring.


Krampus ::: dB-Decibel-dB ::: O.T.H

Reject conformity, embrace cringe.
@pdotmusic & @andyoowops