Asyncronous Live @ Rhythm Büro Natura 2019 https://soundcloud.com/rhythm-buro/asyncronous-rhythm-buro-podcast-012

For his first release with Artificial Dance, Black Merlin aka George Thompson takes a departure from the hard-wearing techno and intricate field recording work that he has come to be known for. Scape One is a fifteen-minute psychedelic diversion recorded in one continuous live session. While the track’s sonic characteristics may echo dance music from the turn of the millennium, its pulsating rhythm is more suggestive of the slowly evolving landscapes seen outside of a train window as opposed to raves from the late ‘90s.

Appearing on the B-side is Gordon Pohl’s remix of Scape One. Like its source material, this track is long and subtle in the way it develops over time, but Pohl dissects the most salient elements of the original to construct a new rhythmic urgency. The high frequency accent that guides the remix does so at a speed that recalls the rotations of Brion Gysin’s stroboscopic Dream Machine, which taps into your brain’s alpha waves, aiding drug-free hallucinations.

Pohl and Thompson are frequent collaborators and release music together as Karamika. While Scape One is not a collaboration in the strict sense, there is plenty of crossover in the working methodology of the two musicians, especially when it comes to constructing uncomplicated arrangements.

Records purchased from the Artificial Dance Bandcamp page come with a further two remixes by Pohl as digital-only bonus tracks.

Artwork: Steele Bonus
Mastering: Gordon Pohl
Text: Ilia Rogatchevski 

https://artificialdance.bandcamp.com/album/black-merlin-scape-one-incl-gordon-pohl-remixes

Black Merlin - Scape One (AD014)

Sophie du Palais, also known as Vrouwe Fataal, is a German vocalist and recording artist from Amsterdam. Sophie du Palais’ sound mixes elements of sinister and commanding vocals – reminiscent of Miss Kittin’ – to create an infectious vortex of panic.

After a night of experimenting in a studio and uploading her first track on Soundcloud, Pinkman Records stumbled upon the profile. She released twice on Pinkman which is known for having a third ear out for the very finest sounds of tomorrow.

Sophie du Palais’ and Identified Patient’s haughty, somewhat punky track ‘Crush On You’ caught fire with the burgeoning international crowd and her stony vocals similarly lined up with their Dekmantel release “The drip” a year later.

A series of early productions on various artists compilations were scattered throughout 2020.

While dance floors were going wild from Sao Paolo to Moscow and India, Du Palais was finalizing her debut EP. This collection of clubby productions with new wave sensibilities will be released on BFE Records in July 2021.

Follow artist - https://soundcloud.com/vrouwefataal

136⚡Sophie Du Palais

In ancient Greek mythology, Zeus was the king of the Olympian gods and the supreme deity. Zeus was the god of the sky, lightning, thunder (Κεραυνóς / ΚΕΡΑΥΝΟΣ), law, order, and justice. The Cyclopes were three, orb-eyed, immortal giants who forged the thunderbolts of Zeus. The lawless Titans, encouraged by Gaia (Γαῖα/Γη/earth), tried to wrestle control of the world from the olympian gods in a ten-year battle known as the Titanomachy. The Titans were the brothers and sisters of Cronus and it was only through the help of the Cyclopes (who made Zeus his thunderbolts) and the hundred-handed giants or Hecatoncheires (Briareos, Cottus and Gyges) that Zeus was finally able to imprison the Titans in Tartarus, the deepest part of the underworld. Making himself ruler of the skies, Zeus then gave dominion over the seas to Poseidon and of the underworld to Hades.

KEΡΑΥΝΟΣ was one of the most powerful symbols in ancient Greece – if not the most powerful. As contemporary science proved, the thunder that dominated the earth before the creation of life gave birth to the primordial substances by enhancing the production of nitrogen and thus amino acids which are essential for the production of proteins and life. In numerous civilisations they believed that the overlord of thunder was a deity.

In Celtic mythology, Taranis was the god of thunder. In Slavic mythology it was Perun and in Scandinavian it was Thor. In India, the god of thunder was Indra and in Finland it was Ukko. In China, Lei Gong was worshipped as the deity of thunders and in Rome the people who died because of a thunder were considered as blessed. Inkas believed that thunder was the son of the sun and the moon and in Christianity thunder is the voice of god.

The music of » ΚΕΡΑΥΝΟΣ « was composed by using environmental sounds and field recordings from the five continents: 

OCEANIA | Tarkine Rainforest
ASIA | Okinawa
EUROPE | Ancient Olympia and Iceland
AFRICA | Uganda, Botswana and Namibia
AMERICA | Amazon Rainforest and Niagara Falls 

» ΚΕΡΑΥΝΟΣ « will be released on occasion of our 25th anniversary in 2021.

ΚΕΡΑΥΝΟΣ

Novi_sad »Europe« taken from »ΚΕΡΑΥΝΟΣ«

Песни со второго этажа от Hair Del. Bossa. Что-то нова. 

99% VINYL.

@hair-del-records @m-rble

Вечеринка «‎Тигрики» от КРЮК, 3 января 2022, Изич.
Фотка: Anastasia Tailakova.

autoparty: Hair Del. Bossa (03.01.2022)

Ivan Pavlov aka COH pubblica su Noton il suo disco WYGG, un album che gioca su tessuti ritmici e l'interazione tra elettronica e rumore. La traccia "Gear Chill Spell" traccia un equilibrio tra melodie ricercate e suoni minimali.
Artwork by Carsten Nicolai
Buy Link https://noton.info/product/n_002/

WYGG [While Your Guitar Gently]

CoH-Gear Chill Spell-Noton [PREMIERE]

Ex Ponto - In A Quarry… - OFFEN 021

Artist: Ex Ponto
Title: In A Quarry...

Track list:
1. In A Quarry...Far, Far Away (15:34)
2. Golden Hours (07:28)
3. Shed 14 (03:38)

Australian musician, composer and producer Ex Ponto aka Ivan Mašić has self-released dozens of albums with improvisation collective, Council of Elders, and experimental no-wave band, Wunderlust.

On his Offen Music debut Ex Ponto is constructing an alternative civilization of grace, post-sarcasm and intuitive response. 

„In A Quarry...Far, Far Away“ is a 15 minutes long wandering with Joseph and August Norster around The Quarry, Beech Forest, Victoria, Australia, January 27, 2020. 
Life affirming „Golden Hours“ is an alternative to the general wait for extinction and completition of a suicide program out there. An ode to the moments when sunlight turns magical.
„Shed 14“ is a personal reminiscence of the legendary club in Melbourne. 

„Ex Ponto respectfully acknowledges the Wurundjeri and Boon Wurrung people of the Kulin Nations as the sovereign owners of the country where I live and work. I recognise that sovereignty has not been ceded and pay my respects to all Elders, past, present and emerging.“

https://exponto.com.au/portfolio-item/the-sublime/
https://www.theprojects-quarry.com/

Credits:

Field recording on In A Quarry…Far, Far Away taken from a conversation between Joseph and August Norster (father and son) 
The Quarry, Beech Forest, Victoria, Australia, January 27, 2020.

written and produced by Ivan Mašić
mastered by Enrico Mercaldi 
cover photo by Joseph Norster
graphic design by Percy

Offen Music 2022

In A Quarry...

1. Ex Ponto - In A Quarry, Far Far Away... - OFFEN 021

Phase Group continue their exploration of the fringes of contemporary electronic music with a release that brings together two separate projects born from analogue hardware improvisations. 

‘A Given Moment’ presents the dub-laden, mind-bending and noise-driven music of Brussels-based artist and Vastechoses label head Lostsoundbytes, and the lo-fi, early morning lysergic experiments of Lowspace, an unearthed, forgotten collaborative project by French DJ and musician Low Bat and Dresden-based producer Heninspace.

This is music that takes you deeper into the vortex, made for dark and smoke-enveloped clubs and cosmic day-break afterparty moments. On the A-side, Lostsoundbytes continues his prolific output of masterfully crafted bass-heavy and dub-wise analogue machine jams, while the B-side presents two lost psychotropic experimental recordings by Lowspace made in 2016 upon a visit by Low Bat to Heninspace’s Dresden studio.

Tracklisting: 
A1. Lostsoundbytes - In 1000 Years
A2. Lostsoundbytes - Fou De Croire
A3. Lostsoundbytes - Brain's Rewind 
B1. Lowspace - Sonntag Gibt Milchkaffee
B2. Lowspace - Dance For The Underwear Hour

'A Given Moment' will be out on Phase Group in December 2022

Artwork by Andrija Čugurović
Mastered in Glasgow by Murray Collier.
Professionally dubbed to cassette in Prague by Headless Duplicated Tapes.

Lostsoundbytes / Lowspace - A Given Moment (Preview)

White Noise.Music for relaxation.The track is infected with white noise.

viktor-kozachenko-music

White Noise

White Noise.Music for relaxation.

Comess

Usery

Asyncronous' 'Shinkansen' on their new Pangaea Nova EP for Phonica Special Editions. 

Order here: https://www.phonicarecords.com/product/asyncronous-pangaea-nova-ep-pre-order-phonica-records-special-editions/167133

More info: https://thevinylfactory.com/news/phonica-new-ep-asyncronous-pangaea-nova-vinyl/

Pangaea Nova EP

PREMIERE: PHONICA: Asyncronous – Shinkansen

Philipp Otterbach's sound is a fluid stream of open endings, of beginnings too shy to take a definitive shape. His remix of Exhausted Modern's 'Pineal Gland' is ethereal and evasive: a nuanced concatenation of thoughts that haven't been thought to the end, of dreams that don't dare revealing themselves.

Philipp's is just one of the remixes in Endless Illusion's last release, a collective reinterpretation of Exhausted Modern's 'Year Of The Rat' that includes NVST, Poperttelli, Ayaz and Annechoic. 

@philipp-otterbach
@endless-illusion
@exhausted-modern

Premiere: Exhausted Modern — Pineal Gland (Philipp Otterbach Mix)

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PREMIERE: PHONICA: Asyncronous – Shinkansen

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