Going Rogue With Caitlin Johnstone

41 Episodes of this incredibly well written, directed, and acted series known as Fort Laramie. Norman MacDonnell created and produced this series. He insisted on historical accuracy of the names, places, authentic native American practices, military terminology, etc.  I guess you could sum it up in saying the program "payed attention to detail" This is the 17th episode posted in the "Fort Laramie" playlist on this podcast.

Fort Laramie - Epi 17 - Sgt. Gorce's Baby  May 27, 1956  - Western Adventure Series

I love how everyone's just pretending the Afghanistan Papers never happened and the Taliban takeover is some kind of shocking tragedy instead of the thing everyone knew would happen because they've been knowingly lying about working to create a stable government this entire time.

Reading by Tim Foley.

Stop Believing US Military Invasions Have Noble Intentions

Do you remember a time when wars were cold and people fought them in the shadows? It was a time of spies and secrets with each side trying to outdo the other using any means necessary. Join us as we drop in on a highly classified meeting at the Pentagon in Washington D.C., where even the uncanny is not off the table, in the play "Spooky"!

Tonight’s episode was written by Josh Horowitz 
Produced by Aimee Pavy
Sound edit and sound design by Josh Horowitz
Heard in tonight’s play were: 
Josh Horowitz as the KGB Scientist and Spy 2
Lena Horowitz as Katya
Bob Telford as Colonel Sweeney
Michael Carnegie as the Military Aide
Brett Stillo as Agent Lansing
Audra Wolfmann as Agent Meadows
Regina Yermus as Vasimovna
Edward Champion as Deputy Director Cartwright
Aaron Seymour as Agent Gusterson and the Doctor
Beth Damiano as Patty
Aimee Pavy as the Room Service Lady
Landon Hood as Spy 1
Dana Kelly Jr. as the President’s Aide
And JFK as the President, courtesy of NVIDIA Natural TTS Synthesis and Tacotron 2

Music and sound effects from FreeSound.org
Additional music arranged and performed by Josh Horowitz 
Episode cover by Peter Wiberg from Pixabay 
Logo design by Michael Dern 
And yours truly Josh Horowitz

Learn more about the show at www.twelvechimesradio.com.

And a shout out to podcast friends of the show: The Mysterious Old Radio Listening Society, Breaking Walls: The Podcast on the History of American Radio, The Gray Area, the Narada Radio Company, and our new friend Horror Shop Radio!!  

If you enjoy our plays, please subscribe and leave a review on iTunes or wherever you listen to podcasts. Or drop us a line via email (twelvechimesradio@gmail.com). We’d love to hear from you. Thank you for listening and hope to see you again...at midnight.

25 - Spooky

La Jolla, California. 1947. We’re at 6005 Camino de la Costa at the home of Raymond Chandler. It’s been three years since the fifty-nine year-old wrote a full length novel. Instead he’s worked on two screen plays. Chandler co-adapted Double Indemnity with Billy Wilder, and penned The Blue Dahlia. Both earned him Academy Award nominations.

Looking for more income, his agent has negotiated a deal for Chandler to help bring a thirteen-week summer series to NBC. It’ll sub for Bob Hope on Tuesday nights. 

The main character? Chandler’s detective Philip Marlowe. To date Marlowe had been the focal point of four novels and four films — including two almost simultaneously released this past winter. 

This will, however, be the first time that Philip Marlowe comes to radio’s airwaves in a regular show. Tonight, we’ll go back in time and spotlight that summer’s highest-rated replacement series The Adventures of Philip Marlowe, starring Van Heflin.


___________

Raymond Chandler was born on July 23rd, 1888 in Chicago, Illinois. He spent his early years in Nebraska until his father, an alcoholic railway civil engineer, abandoned the family. In 1900 his Irish mother Florence moved with Raymond to England. 

Chandler went to Dulwich College in London. In 1907 he became a naturalized British subject and took a job as an Admiral, but resigned. He grabbed a reporter position at the Daily Express and later the Westminster Gazette. Unhappy in England, Chandler wanted to be a writer, so he returned to America in 1912. He  settled in San Francisco, where he took a correspondence course in bookkeeping. His mother joined him there soon after.

They moved to Los Angeles in 1913, where he strung tennis rackets, picked fruit, and found steady employment with the Los Angeles Creamery. But then, The U.S. and Canada finally joined World War I.

In 1917 Chandler enlisted in the Canadian Expeditionary Force. He saw combat in the trenches in France and was twice hospitalized with Spanish flu. He was in flight training with the Royal Air Force when the war ended.

He returned to Los Angeles and began a love affair with Cissy Pascal, a married woman eighteen years his senior. She amicably divorced her husband in 1920, but Chandler's mother disapproved of the relationship and refused to sanction the marriage. For the next four years Chandler supported both. His mother passed away in 1923. Raymond married Cissy on February 6th, 1924.

Having begun in 1922 as a bookkeeper and auditor, by 1931 he was a highly paid VP at the Dabney Oil Syndicate. But he suffered frequent mental health breakdowns. He drank too much, skipped work, was promiscuous with female employees, and he publicly threatened suicide. Chandler was fired in 1932.

Detective and suspense shows had been on radio since the medium’s inception. They were often similar to dime store novels. Sherlock Holmes began in 1930. 

Chandler taught himself to write pulp-style fiction by analyzing a novelette by Erle Stanley Gardner. His first story, "Blackmailers Don't Shoot", was published in Black Mask Magazine in 1933. His lead character was called “Mallory.” It took him five months to finish the story. Erle Stanley Gardner wrote entire stories in three or four days.

He later said, “Wandering up and down the Pacific Coast in an automobile, I began to read pulp magazines. This was in the great days of Black Mask. It struck me that some of the writing was pretty forceful and honest, even though it had a crude aspect. I decided that this might be a good way to try to learn to write fiction and get paid a small amount of money at the same time. I spent five months on an eighteen-thousand word novelette and sold it for one-hundred-eighty dollars. After that I never looked back, although I had many uneasy periods looking forward.”

BW - EP130—001: Philip Marlowe Comes To Radio—Who Was Raymond Chandler

YOU TREAT ME LIKE I DON’T EXIST
>
I’M NOT QUITE SURE
WHERE OR WHEN
MY LIFE TOOK THE FIRST
OF HER MANY WRONG TURNS
>
FOR DAYS OF SADNESS
SEEM TO MINGLE
BLURRING IN MY MIND
THE FINE LINE
THAT DIVIDES
ALL THE GOOD TIMES
FROM THE BAD TIMES
ALL THE HAPPY
FROM THE SAD
>
YOU TREAT ME LIKE I DON’T EXIST
YOU TREAT ME LIKE I DON’T EXIST
>
ALTHOUGH MY DAY
BEGINS WITH TEARS
AND WORKS IT’S WAY
THROUGH ALL MY FEARS
SOMETIMES I’M LIFTED
FROM THIS GLOOM
WHEN SHAPE AND SHADOW
FILL THE ROOM
>
BUT LONELY MINDS
TORMENT WITH TRICKS
MENDING HEARTS
THAT NEVER FIX
BRINGING HOPE
WHERE DREAMS ARE STONE
TILL ONCE AGAIN
YOU’RE LEFT ALONE
>
YOU TREAT ME LIKE I DON’T EXIST
YOU TREAT ME LIKE I DON’T EXIST
>
DON’T I EXIST IN THE EYES OF THIS WORLD
AM I AS NOTHING TO EVERY GIRL
AM I THE WEAKLING
RIPE FOR THE PICKING
LONELY PARIAH
IN A UNIVERSE OF KINGS AND QUEENS
IN A UNIVERSE OF TWO EXTREMES
NEITHER ONE OF WHICH WAS MEANT TO BE
A PLACE WHERE EVERYONE EXISTS BUT ME

TO BE TRUTHFUL
THINGS BEGAN TO FALL APART
LONG BEFORE
MY LIFE DID START
>
DESTINED FOR ONE THOUSAND YEARS
BORN TO BE WHERE NO ONE CARES
MAYBE I WAS MEANT TO BE
A FAILURE AND A NOBODY
>
SOME MIGHT SEE THE IRONY
THE UNDERBELLY COMEDY
HAVING WON THE RIGHT TO LIFE
I LOST THE WILL TO LIVE
>
YOU TREAT ME LIKE I DON’T EXIST
YOU TREAT ME LIKE I DON’T EXIST
>
IT’S SO HARD TO COME TO TERMS
WITH THE FACT YOU’RE NEVER HEARD
AND YOU’RE ONLY EVER SEEN
AS A WASHED UP NEVER-BEEN
>
PEOPLE PASS YOU BY
NEVER LOOK YOU IN THE EYE
CAN’T AFFORD THE TIME OF DAY
WAIT UNTIL YOU GO AWAY
>
EVEN THOSE WHO SAY THEY CARE
WITH A CUSTOMARY TEAR
MUCH LIKE FRIENDS OF WEATHER FAIR
ONE BY ONE DO DISAPPEAR
>
YOU TREAT ME LIKE I DON’T EXIST
YOU TREAT ME LIKE I DON’T EXIST
>
DON’T I EXIST IN THE EYES OF THIS WORLD
AM I AS NOTHING TO EVERY GIRL
AM I THE WEAKLING
RIPE FOR THE PICKING
LONELY PARIAH
IN A UNIVERSE OF KINGS AND QUEENS
IN A UNIVERSE OF TWO EXTREMES
NEITHER ONE OF WHICH WAS MEANT TO BE
A PLACE WHERE EVERYONE EXISTS BUT ME

YOU TREAT ME LIKE I DON'T EXIST old recording

Etoile

Random Facts for Friday 8-5-2022

Kat Epple's musical description of an Osprey in flight. 

Flight Of The Osprey

Since about the 1830s until today, there has been a tradition of telling ghost stories on Christmas eve. In the spirit, ha ha, of this tradition, regular cast member Crystal Why tells us a ghost story, told on location from a haunted house on Russian Hill in San Francisco. Turn off your lights and bring out the candles. Do you hear a noise? Did that candle move? Tune in and find out what happens! Happy Holidays!

Written/Produced: Aimee Pavy (yep, it's completely scripted!)
Voices: Crystal Why "interviewed" by Aimee Pavy
Holiday Music: “Carol of the Bells” by Jill Tracy from her Christmas album "Silver Smoke, Star of Night."

Thank you for listening and supporting audio drama podcasting!

Find us on iTunes, Podchaser, Stitcher, TuneIn, Spotify, wherever you find podcasts. If you enjoy our plays, please SUBSCRIBE and leave your review on iTunes or wherever you listen to your podcasts. And please drop us a line via email at twelvechimesradio@gmail.com and check out our website www.twelvechimesradio.com. And thank you for listening!

Twelve Chimes It's Midnight

19 - Christmas Ghost Story

George Hicks D-Day excerpt

Wouldn’t It Be Nice

A demo tape I did in June 1991.  I did this on a hunch in the pre-internet days when I heard there were stirrings in Hollywood to revive the great Jay Ward cartoon characters. It worked!! And I got the job of voicing immortal characters like Bullwinkle J. Moose for 20 wonderful international years. Thanks to Bill Dowling from the old Top Spots studio for recording this nearly 30 years ago.

Keith Scott  Jay Ward Voices Demo DE - BEEPED

This Halloween 1944 episode of the Chase and Sanborn program starring Edgar Bergen and Charlie McCarthy featured Orson Welles. It aired on October 29th, 1944 on NBC. 

Welles was then heavily campaigning for President Franklin D. Rosevelt's third re-election. Election day was the following week.

10/29/44, episode 340

The Charlie McCarthy Show: Guest Orson Welles—10/29/1944

Jay - Z - People Talking (Nas Diss)

When her girlfriend is kidnapped by bandits, Cordelia sets out on a journey to rescue her true love. But when she comes across the town of Oxgate, Cordelia is confronted with an injustice she simply can’t ignore. Will she be able to save the local lesbian saloon from a corrupt Sheriff and his band of thugs, or will she fall short — losing a chance at reuniting with her soulmate in the process?

Out Skirts (Teaser)

Breaking Walls: The Podcast on the History of American Network Radio Broadcasting.

BW - EP130—001: Philip Marlowe Comes To Radio—Who Was Raymond Chandler

The WallBreakers

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