Very cool sound, great instrumentation in a nice arrangement with cool vocal delivery.... Catchy and melodic... 🤘✌️👊

Song is awesome, lyrics are amazing, beat goes hard too

DUB INNA SYSTEM

DUB INNA SYSTEM (KRT Production)

Introducing 'Formations', the summation of the first chapter of the Cavedweller story. I feel as though each of these songs allowed me to discover something about myself as a musician. You will find plenty of experimentation here not just with world instruments and electronic sounds, but with grooves and genre as well. I invite you to explore this album like one would explore a series of caves, each with its own acoustics and characteristics, but all connected by a common passage. Out now via Raw Doggy Records!

Say hi on Instagram: https://www.instagram.com/cavedwellersound/

www.rawdoggyrecords.com

Cover art by melodyforthesun (https://www.instagram.com/melodyforthesun/)

Formations

5 - Cavedweller - Dum Dum Dum

In the heart of a world where music genres blend and transform, I stand as an artist who treasures the essence of post-rock. My journey through the realms of electronic and rock music has been an initiation of the world of the music industry. Yet, as I release my new track, it's a homecoming to the profound and personal style of post-rock that truly defines me. This piece isn't just another song; it's a testament to my evolution as an artist. It reflects a return to my roots, embodying the intricate layers and emotional depth of post-rock music. It's an invitation to lose oneself in the expansive soundscape I've created, where each note and silence tells a story. As you listen, I hope you find within this music a reflection of your own journeys, emotions, and dreams. Join me in this adventure, and let's explore the depths and heights of what music can be when it's crafted with passion and sincerity.

Resilience

Rainflower Blues

Lyrics and vocals by Annie Dieu-Le-Veut
Copyright © Annie Dieu-Le-Veut, May 2024, all rights reserved

Music by Paul Foss
Copyright © Paul Foss, May 2024, all rights reserved
Email: paul@paulfossmusic.com

Words:
You sent me the colours of a summer’s dawn 
On the morning of Solstice, last year. 
Wedding band gold and Bridie’s slipper pink,
Just one small, shy honeysuckle flower…
But it was enough to make your feelings clear. 

The bloom then faded, and it followed the Sun 
On its passage down to the Underworld, 
I looked every day, but no more have come. 
Yet your passion for me will last and last, 
For long after this life’s romance is done. 

You make love to me in every dimension, 
In every realm, but not, it seems, this one. 
I know you’re there, hiding in your creation 
Your love song, your maya simulation 
That masks you from the sight of my heart.
The juggler, the trickster, the mercurial mixer
Of this Venetian carnival’s Commedia Dell’arte. 

Sometimes you leave me tiny dew-drop diamonds 
To show you care, to show you’re really there 
In my night garden at dusk; then at midnight 
You come in my dreams to spirit me away
And up the stairway to paradise, 
To paradise … and your Divine Play.

Divine Commedia Dell'arte

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

90's inspired rock, made in Metro Detroit.

Lyrics:

I don't want to know. Smiled at all the things you said, I did it all for show.
And all that claim to be, and those of you who disagree, we heard it all once again. My "give a fuck" is on the mend.

Stop searching for the good in everyone, thinking they'll find a way. I might just wreck my world today.
Stop caring. Forward thought has come undone. I've got some bills and hell to pay. I think I'll wreck my world today.

Why grow up, it's all in who you know. Tired of hearing random names. It lost it's charm ten years ago.
Don't think. Don't rest. Come on down and do your best. Don't freak. Don't lie. Why show up or even try.

Stop searching for the good in everyone. Sick and tired won't go away. I might just wreck your world today.
Stop caring. Forward thought has come undone. Another game for us to play. I better wreck your world today.

And it's all going down now.
And it's all coming  down now.

Break

Blue Collar

I'm A Man (feat. Steve Bolanos)

High Wire Love is an original song by Hope Street from their latest album - Dead Already Power

High Wire Love

Someone who has 'Gone By' haunts you but makes those memoirs of her worth reliving differently, leaving a sense of a little wonder. Making up the way to release 'Gone By', this time featuring a talented pianist and friend Analise Mifsud. This drops here soon. 
📸📹Cher Camilleri
🎬🎧Mirko Galea

Blue Collar

The White Orchids

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