43 Weekly Beats 2024 Move On Back From You

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is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " sun fix  "

credit : plugdata, 
date:18-11-2024
https://trampelfad.bandcamp.com
https://www.youtube.com/watch?v=Qz4emDQOOWI

The powerlessness of chance 

It's strange but the search for creative freedom often comes from a false starting point  pre-printed. We think that crossing boundaries is an effective means of gaining new knowledge and every structure created in this way can be a path to new music. There are no limits of music but the boundaries in our thinking and that usually remains rigid and influences our new thinking
Just like our old one. We don't need new border crossings, we should have borders as a formative factor question element. What is a composition? What are the specifications? Why does music have to be repeatable and therefore preserveable? Is fidelity to musical works even possible over time? Where is the potential, why new?Do we even have the power to recognize something new? Is new things always visible to everyone? Are freedoms? that we don't know to even question, lose, notice?

An example from electronic music:

A musician's self-disempowerment begins when he surrenders all musical parameters to chance and only his own cutting the length represents the decisive intervention. What is produced in terms of pitch and length is in the hands of one, two or more random generators that independently modulate and produce sound events. You can now deal with the result and examine what has been created like a stone find on the beach. That's what I do in this moment with my mood of the day I bring a special perspective to the beach and something catches my eye there today.What would have been overlooked by me yesterday shows that perception is also influenced by chance. Even those Conscious search for a certain form is influenced by many parameters and is never completely in our "power".
So what do we lose if what we are essentially concerned with is not in our power to be brought about? Can we know in advance that what we do today will be treated as a “great new discovery” tomorrow?  No and that is where its potential lies. It is the distance that is really important - yesterday what I invented as new was missing I haven't yet because it wasn't there yet. Today my invention has changed my perspective and when I think about it to save time, I even change an era. But that doesn't mean that anyone else will ever notice. It is my personal biography and my private era.

How can something that is not in my control be influenced by me - only through my perspective. I simply can overlook it or hide it from my perception - and our brain does that all the time anyway.
That's what makes us capable of surviving. In the end, short and long-term memories are the big judges of our perspective anyway on the value of our experiences. But that means: Beauty is in the eye of the beholder. This old rule is complete great. I am only as innovative as my inner limitations allow. I can expand my perception potential.That's the only thing that opens access...so it's much more important than what I do or have done....

[automatically translated]

No step Nova 3 Aleatoric Structure Music

liquid flowers hum
each donning Dali’s moustache -
Narcissus shatters
 
Enjoy the accompanying visuals at https://youtu.be/CSlIkpO5Vmw

This is an audio-visual meditation on Salvador Dali's Metamorphosis of Narcissus; one of my absolute favourite paintings. Find out more about the painting at https://en.wikipedia.org/wiki/Metamorphosis_of_Narcissus ... The haiku grew out of my playful collaboration with AI art and video tools. Watch the painting spring to life in various ways!!

Haiku by Darren Bourne

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF surreaL [naviarhaiku568]

More on the 673rd weekly Disquiet Junto project, Switch Back — The Assignment: Make the quiet part loud, and vice-versa — at https://disquiet.com/0673/

It's Cold (disquiet0673)

More on the 673rd weekly Disquiet Junto project, Switch Back — The Assignment: Make the quiet part loud, and vice-versa — at https://disquiet.com/0673/

As well as the more obvious switches, this track also features the wonderful Sumu plugin from Madrona Labs ... https://soundcloud.com/madronalabs ... Hot out of the workshop, having just been released as version 1.0, after an extended beta testing phase ... As you can hear, it doesn't disappoint! https://madronalabs.com/products/sumu?locale=us

You'll be hearing more unusuaL Sumu sooooon 😁❤️

more halF unusuaL

halF switcH [disquiet0673]

6Dec24

My naviarhaiku570 track 
https://naviarlab.tumblr.com/post/768930810231472128/naviarhaiku570-washing-up-the-mountain
:D

waters unseen [naviarhaiku570]

Vocation

Track notes are here: https://llllllll.co/t/disquiet-junto-project-0675-arc-of-the-drone/69838/23

**Disquiet Junto Project 0675: Arc of the Drone**  
The Assignment: Record a drone that goes from simple to complex to simple.

Step 1: You may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Now think about what makes a drone simple and what makes a drone complex.

Step 3: Now record a piece of drone music that begins simple, gets complex, and then gets simple again. And note: The simple drone at the end needn’t necessarily be the same sort of drone with which the piece opens.

Disquiet_Junto_0675] Short Dazzle

Disquiet Junto Project 0676: Sub Melody

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

More on the 676th weekly Disquiet Junto project, Sub Melody — The Assignment: Bury a slow melody deep inside a drone — at https://disquiet.com/0676/

disquiet0676_waving_craving

This was my contribution for Disquiet Junto Project 0676: Sub Melody. The assignment: Bury a slow melody deep inside a drone.

Here’s a copy of my post on the Disquiet Junto 0676 discussion thread on Lines:

I really enjoyed these drone projects. Wanted to create a minimal atmospheric vibe with this one. Tried to keep the melody as low key and simple as possible. 

Created in Ableton Live using Slate + Ash Choreographs, along with some samples. Valhalla Delay, Valhalla Supermassive and Output Portal were the effects used. Photo taken in San Francisco in 2008, back when I used to live in the SF Bay Area.

More on the 676th weekly Disquiet Junto project, Sub Melody — The Assignment: Bury a slow melody deep inside a drone — at https://disquiet.com/0676/

Resonant Spaces [disquiet0676]

the fourth—I think!—collaboration between as.dB and ANSOUND (Thomas Sander)

scrip

What's the last thing the drummer said before being kicked out of the band?

"Let's try playing one of my songs."

Here are my songs.

43 Weekly Beats 2024 Move On Back From You

John Wright

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