Name: Just Percussion Disquiet0636 by John Wright
Duration: 3 min 20 s
Description: More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Reminds me of the hours I'd spend in front of my childhood home's electronic organ's rhythm section. It also has a similar feel to Matthew Herbert's early, Manifesto-drivven work under his Radio Boy alias.

This is a nice track. I am going to need to consult the master spreadsheet to see who mixed it up with you on Week 2 and then maybe I will take a crack at it on Week 3.

Basically I found older jingles via the Internet Archive and decided to arrange the jingles piece by piece in its chronological update order.

Also yes! This is inspired from Stuart Carlson's ReelWorld One Update Recap that he does when the New Years arrive, so yeah, props to him also!

Unfortunately I do not have data over News/Weather/Traffic Beds, but if you do have some, just let me know and I'll make a second revision for this. Some cuts are either featured as Ramps and Basic IDs

January - Unleashed (AM Show) [Inspired from Shawn Mendes - There's Nothing Holdin' Me Back]
February - Tower Power (Legal)
March - In The Dark (Core)
April - Curves (Core)
May - Cloned (Core) [Inspired from The Chainsmokers & Coldplay - Something Just Like This]
June - Green Lite (Core)
July - Platter Shatter (Core)
August - Deja Vu (Core)
September - Tough Luv (Core)
October - Insatiable (Core)
November - Eternal Joy (Holiday)
December - Traditions (Holiday - not featured, unfortunately)

Disclaimer: As usual, I do not own these jingles and they're under copyright by ReelWorld Productions (Seattle, WA) and it's only presented here for entertainment and archiving purposes only.

ReelWorld ONE AC 2018 [Recap]

Disquiet Junto Project 0635: ’Round the Bend
The Assignment: You’re in a duo, and your bandmate is a train.

This is a remix of a track by @horsthelmood based on a recording of a czech railway staff member serving food and drinks in a train. Thanks for providing the original track for remixing.

The image associated with this track is a photograph by Todd (Toaster) Elliott, who also provided the field recordings of the train. Thank you for that.

More on the 635th weekly Disquiet Junto project, ’Round the Bend — The Assignment: You’re in a duo, and your bandmate is a train — at https://disquiet.com/0635/

Train Mantra - HorsthelMood vs. Bot (disquiet0635)

Disquiet Junto Project 0636: Left (1 of 3)
The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three weeks, you can participate in any or all three of those parts.



Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece would appear panned to the left in the finished recording, after three weeks.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and then after that.

===

Track notes:

One of the few things I haven't been doing much of this year is playing guitar, which is my 'primary' instrument. However, since late last year the one guitar (within reach) has been a Danelectro electric 12-string, stripped back of its thick strings to only six strings and put through through a variety of modal open tunings. A few years ago I listened to Lee Renaldo talk about this kind of retrofitting, which was called an Angel Hair guitar and was pioneered in the 1960s by country guitarists to create a light, jangly accompaniment, that in some ways is reminiscent of a pedal steel guitar's upper timbre.

I don't know how much open tunings figured at this time, but I could certainly appreciate Lee's attraction to all things unconventional and open-tuned. My current set up for this guitar is a D-A-C-E-A-E tuning, which gives it a kind of pentatonic, suspended tonality. Given the unconventional order of string gauges from bottom to top, the unison notes have an especially interesting appeal. From a fingerpicking approach, it all opens up the guitar in unexpected ways, since a regular picking technique can be inverted by the string gauge order and also feels quite different too.

So with this in mind, I recorded a repeated fingerpicking figure which exploits the unique qualities of this setup, such as the unisons and harmonic attributes of the tuning. The main guitar (soft left) is run through an EHX Holy Grail Reverb with a smidge of spring reverb, whilst an accompaniment (same guitar and tuning) is on the soft right, also run through the Holy Grail, but with the weird 'Flerb' reverb, which is a kind of modulated effect.

It's at 72bpm and runs just a shade over 2 minutes, starting a fade at the 1:46 mark.

[Disquiet_Junto_0636] Epochs (Left 1 of 3) 72 BPM

Recorded, mixed & mastered 09 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Process notes
This is my Danelectro 12-string electric guitar in four similar variations in Live 12 Suite.

Each variation is through Live's 2x12 Near On-Axis amp preset and my own channel strip, including compression, sometimes high. I quantized these pretty close to whatever grid I was using at 76 bpm, if that matters to anyone. Use them as you would like!

Variation 01 - three notes, stretched out a bit in the Texture warp mode, with one note stretched a bit more. Live's overdrive is on here at mid-high frequencies.

Variation 02 - five notes, I think I left the speed alone here. Just put it through Beat Repeat in mix mode, my second-gen deconstruction of their Deconstruct preset with some fading decay, a 12 tone octave  and almost 100% chance of glitching.

Variation 03 - sped this up, slowed it back down and re-quantized this a few times. Then I used the newer Live distortion device, Roar, and edited/adjusted their Alien Symphony preset.

Variation 04 - I left the speed alone but applied reverse and fades to this one. This one is through the Redux at 4 bits and 11.7 kHz at a modest 20% wet.

Further variations will probably work their way into a future Heatsink track when I am ready to compile my next album under that name. 

Artwork: From the LIRR or somewhere in NYC or the Upper East Side, 09 Mar 2015 

©2015,2024 Jim Lemanowicz - music distributed under CC BY-NC-SA 3.0 DEED

This original version of "Four Variations for Left" was submitted as part of Disquiet Junto Project 0636: Left (1 of 3). The Assignment: Record the first third of a trio

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More on the Disquiet Junto at: disquiet.com/junto

Subscribe to project announcements: https://juntoletter.disquiet.com/

More on the 636th weekly Disquiet Junto project at https://disquiet.com/0636/

Four Variations for Left (disquiet0636)

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Just Percussion Disquiet0636

Disquiet Junto Project 0636: Left (1 of 3)

The Assignment: Record the first third of a trio.

Please note: While this project is the start of a three-part sequence that will unfold over the course of three weeks, you can participate in any or all three of those parts.

Step 1: This week’s Junto project is the first in a sequence intended to encourage and reward collaboration. You will be recording something with the understanding that it will remain unfinished for the time being. Your part will be done, but more will happen. Read on.

Step 2: The plan is for you to record a short and original piece of music using any instrumentation of your choice. Conceive the piece as something that leaves room for something else — other instruments, other people — to join in. (Keep in mind that your piece would appear panned to the left in the finished recording, after three weeks.)

Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2.

Step 4: This is important: be sure to make your track downloadable because it may be used by someone else in the next Disquiet Junto project, and then after that.
More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Left The Drums disquet0636

Left The Drums disquiet0636

This week's prompt was to record the first part of a trio.

I recorded some street musicians this weekend and did some tweaking in Ableton Live. At first, a little bit of tweaking. Then, a lot of tweaking!  81 bpm - I hope someone chooses this to be a left-panned rhythm!

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

1 Left (Disquiet0636)

Key: C
BPM: 103

More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/

Lucky Link (disquiet0636)

Fionnuala

Here's a bunch of jingles (and sweepers with jingle elements) from WOCL De Land/Orlando, better known as 105.9 Sunny FM.   JAM have produced a huge variety of jingles for them, ranging from Positron to Z World to PAMS Series 31, with lots of sonovox!   There's even a few "meta-jingles" for morning guy/PD Rick Stacy.

105.9 Sunny FM - Over 6 minutes of jingles!

What's the last thing the drummer said before being kicked out of the band?

"Let's try playing one of my songs."

Here are my songs.

Just Percussion Disquiet0636

John Wright

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Jimmy Lem

337is (three three seven is)

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