Sound Signature: A symbol or icon defined by things heard. No sound is wrong. No sound is too elusive to escape arrangement, one's signature.

Sound Signature: An event, emotion, or feeling described by sound, but not limited to it. Expression given a direction. A focus through arrangement, our personal language at any given moment. No one can duplicate your signature, your mark, your life.

The difference between imitation and emulation is specific experience. No one else has walked your path, lived your vision.

There is no right or wrong way, only different ways as there are different people. We will learn reverence from each other through expressing our symbols, our hieroglyphs. This is my attempt to share mine.

Theo Parrish
Detroit 1997

Lo-Fi Store
Enter The Lo-Fi Zone
(East) 18 Howard St, Perth WA 
(West) 15 Howard St, Perth WA
WWW.LOFISTORE.COM.AU

Wildly disparate sounds, for the diaspora.

Bookings & Enquiries: julian@submersemusic.com

South African born singer/songwriter.

I acknowledge that I create and thrive on stolen land. I pay my respects to the Wurunjeri and Boonwurrung people of the Kulin Nation. I pay my respects to Ealders past, present and emerging. 

sovereignty was never ceded. 

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Clams 7" (2015)
https://moontown.bandcamp.com/album/clams-7

S/T Cassette (2014)
http://moontown.bandcamp.com/album/thhomas


…
🦎 🧝🦎 🧝
…

subterranea on rtrfm every sunday 11pm-1am

Full time human being.

'Your Hair Looks Good Today' out now:
https://karyme.bandcamp.com/album/your-hair-looks-good-today

call me
1800Karyme

Naarm/Melbourne-based Close Counters’ diverse soundscape sits at the crossroads of house, neo-soul, broken beat and disco. Their 2023 Music Victoria Award-winning album, ‘SOULACOASTA II’ secured their spot as one of the top talents in their class, with the duo tirelessly sourcing niche samples from films and records on trips across the globe. The LP was touted by tastemakers Gilles Peterson, Folamour, Jamz Supernova and landed Album Features with Australian stations Double J, 3RRR, PBS and 2SER. Breakout singles from the pack were originally released by Melvo Baptiste’s The Remedy Project, an imprint of Defected Records.

Their collab 'Rollout' with Young Franco, Scrufizzer and Jay Prince, won over fans across the globe and was added to the Official Soundtrack for acclaimed video game FIFA 23, and have been synced for Apple’s recent iPhone campaign. In the past year the band have also performed for triple j, 3RRR, Defected Radio, FBi Radio, Soho Radio NYC, Baked, and interviewed on BBC Radio 1Xtra on tour recently, and when hotly tipped as their ‘After Dark Discovery’ and ‘EP of the Week’ (‘FLUX’, 2022).

The duo expands up to a 7-piece tour-de-force with live-mapped visuals, dancers and featured musicians and vocalists from their wider collective and they’ve continuously sold out their hometown Naarm/Melbourne dates, notching impressive shows at Sidney Myer Music Bowl, sold out dates at 170 Russell, Corner Hotel, The Night Cat, and packed-out rooms across Australia’s east coast. Support duties have flowed from Madlib, Sofi Tukker, Crazy P Soundsystem, Tall Black Guy, to local mates Confidence Man and The Jungle Giants, betwixt bucket-list festivals Splendour in the Grass, Falls Festival, Let Them Eat Cake, Strawberry Fields, Meredith Music Festival, MONA FOMA, Party in the Paddock and showcasing at BIGSOUND, Electronic Music Conference and three sold-out Melbourne Music Week events.

The band recently finished their UK & EU summer ticking off Lost Village Festival, Manchester Jazz Festival, Defected Malta and Cabaret Sauvage. In London, they sold Ronnie Scott's, did 180 tickets at Ninety One Living Room, packed out Hootananny Brixton and landed a sold out Jazz Café support for Somewhere Soul's showcase with Cotonete. The band have also played packed sets in Berlin, Paris, Amsterdam, Monaco, Brighton and featured behind the decks at ADE, Defected Croatia, Reflektor in Belgium with A-Trak, and are returning for Brick Lane Jazz Festival in April 2025.

Thhomas is following