deep house / world music / organic / disco

former @soul-potion & 1/2 of @fdvm

Yoann Lemoine aka Woodkid, is widely regarded as one of the most creative and exciting artists working in the contemporary music, as witnessed by his hugely acclaimed videos for Global superstars Lana Del Ray and Drake & Rihanna amongst others. Woodkid is the musical artist, the songwriter/singer/lyricist/producer, who has made this beautiful record. The visual aspect remains hugely important with Woodkid directing all his own videos and turning his live performances into a spectacle rarely seen in the world of pop music. Together with a 30-piece orchestra, he turned the venerable Le Grand Rex theatre in Paris into a place of ecstasy in front of 3,000 adoring fans last September. “When I started playing my own music, I wanted it to be as tall as a skyscraper. Images can achieve that. A really big orchestra can also achieve that.” 

This creative ambition and artistic freedom have allowed Woodkid to make such a unique sounding and powerful album as The Golden Age.  “It’s all about that time of passage between adolescence and adulthood, into that confusing hyper-reality,” Woodkid notes. 

Woodkid "The Golden Age" - out March 18th 
https://itunes.apple.com/fr/album/the-golden-age/id596461150

contact: mail@biasbeachrecords.com
Bookings:
tobias.klose@goodliveartists.com (GSA)
simon@primarytalent.com (Europe & ROW)

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Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

I'm a French Singer-songwriter who started writing songs in the box room of a posh 5-story-house when I was a nanny in London. Influenced by my four idols, Fiona Apple, Cat Power, PJ Harvey and Feist, my lyrics are in English and in French and unveil the ups and downs of my life. My songs recipe: a bunch of heartbreaks marinated in a folk guitar and garnished with a velvety voice. Blend with pop, folk and a dash of rock!

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Thibaud Colubi is following