Written by Matt Longo + Paul Longo
Mixed and Produced by Aady Pandit and Matt Longo 
Mastered by Joe Lambert @ Joe Lambert Mastering

Engineered by Aady Pandit
Additional Engineering by Nolan Thies, Carlos Fonseca, and Jake Lummus

Matt Longo: Vocals, Guitars 
Jonny Lam: Pedal Steel 
Dan Fagen: Saxophone 
John Raymond: Trumpet 
Andy Roninson: Piano; Fender Rhodes; Wurlitzer 
Yaniv Taubenhouse: Mellotron 
Paul Longo: Additional Guitars 
Brad Koegel: Drums 
Yonatan Levy: Bass

I’ll survive as a child
All hungry and wild
Life overwhelming is life at the start
I’ll rise up in my youth
Seek personal truth
Fiction alone to fill up my heart

Soon I will wake in the morning and open my eyes
And say, "Oooh, summer day
The dawn of my life"
Soon I will drown in an evening of lovely black sky
And say, "Oooh, summer day
The dawn of my life"

Yes, I’m grinning again
Here with all of my friends
Grace without witness is death on the vine

Acting selfish for years
To be perfectly clear
Giddy with freedom and flush with my time

Soon I will wake in the morning and open my eyes
And say, "Oooh, summer day
The dawn of my life"
Soon I will drown in an evening of lovely black sky
And say, "Oooh, summer day
The dawn of my life"

Death in a Field

Psychedelic Indie Folk 
love longing loss alienation 
nature spirituality dying transformation
Produced with Cubase on Focusrite Scarlett 2i2 
and MuseScore for digital sounds and sheet music

“Wooden Cave -- easily one of the best, if not the best album of this horrifying year so far -- does what so many of the best albums do. It creates a unique artistic statement that's a pleasure to hear from start to finish but includes plenty of ugly truths and harsh realities. Matt Longo isn't immune to the horrors of the world, but he knows how to wrap them up in gorgeous, lush, sophisticated songs.”
-Chris Ingalls, PopMatters (9/10)

“That Thin Lear album is amazing.”
-Robin Hilton, NPR Music

Free exclusive downloadable releases by Last Day Deaf.
https://www.submithub.com/blog/last-day-deaf
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¶ •  Bringing underground music to the surface.  
¶ •  “The most important thing I look for in a musician, is whether he knows how to listen.”  — Duke Ellington. 
¶ •  Projekt hudebních ocenění je veden “snahou najít nejvíce inspirativní a obohacující hudební zkušenosti posledních 14~ti měsíců.” Zde nikdo není outsider. Abigail je Music se reálně nachází v epizodě 16. Původní myšlenka však sahá až do roku 1965, prvního alba od Berta Jansche. Inklinace k tmavším a méně pop–orientovaným věcem vytvořila pomyslný polštář pro další alternativní touhy v hudební oblasti. Dalším milníkem byl rok 1968, Majáles s koncerty kapel, uvědomování síly písně. Dále, rok 1976 — vězeňská kapela v pevnosti Ilava. Byl to první “terénní” a mimořádný dotek vnitřního osvobození.

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