passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !
"This mix was recorded in July 2021 at an indoor club in Omotesando, when lockdown was briefly loosen and was allowed to party at night little bit (maybe for about 2 weeks). It’s an excerpt of that all nighter set I have played, everyone wearing mask so was not able to see their faces but seemingly people were having a good time."

Kinkeshi doll made by Katchan

Passing it clockwise (0:30 - Powder)

It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

Another mix from the recording of May PACIFIC MODE. 003 marks the swift return of YELLOWUHURU (@yellowuhuru), the founder of the Tokyo-based party collective under the concept of House & Experimental “FLATTOP”.  This set started at 5am for closing of the night. He is finding his updated DJ style as “Future Deephouse” defines trippy collages but also freshness into the morning that makes both body and soul dance.
Mastered: A Psychic Yes (@apsychicyes)

5月のPACIFIC MODEの録音から、もうひとつのミックスをお届けします。
003は、PACIFIC MODEともコラボし、"HOUSE & EXPERIMENTAL"のコンセプトのもと東京を拠点に活動するパーティーコレクティブ "FLATTOP"主宰のYELLOWUHURU（@yellowuhuru）が早くもカムバック。
このセットは、夜明けの午前5時に始まり、パーティーのクロージングを飾りました。
彼は今、自身のDJスタイルをFuture Deephouseと定義しつつあり、トリッピーなコラージュ感と朝の新鮮な空気を融合させたサウンドを追求した体も心も躍るセットになっている。
Mastered: A Psychic Yes (@apsychicyes)

PACIFIC MODE mix003 - YELLOWUHURU

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

RA.1009 Shinichi Atobe

XDB & PLO Man at Waking Life 2025

Loco Dice b2b Vladimir Ivkovic at Draaimolen Festival 2025

A statement mix from the Dutch artist also known as A Made Up Sound, 2562 and ex_libris. 

What makes something sound like Dave Huismans? His music carries a signature you can't quite name, a tension which has defined every chapter of his career. And unlike most producers, he really does operate in phases. 

A man of many monikers, Huismans resurfaced this year after nearly a decade away with two new aliases, ex_libris and In Transit. His latest ventures, though sonically a world away from the work under his most recognised projects, share the same slipperiness, intricacy and disregard for tidy genre borders. 

"Naiveté and a lack of prejudice… a really wide-eyed type of open-mindedness," Huismans once told RBMA, recalling his youthful forays into dance music and that ethos is alive and well on RA.1015.

Huismans's second RA Mix is as equally thrilling as his first one 15 years ago, traversing a map of influences from Madlib and Gyrofield to Prince and Autechre.  There's no shortage of atmosphere (Losoul's "Sunbeams and the Rain" is one particular highlight), but the throughline is groove: soulful, vocal deep house into driving techy depths, walls of glitchy drums and frantic percussion into guitar funk. 

"I got carried away a bit," Huismans says of RA.1015 below. And that's no bad thing. It sounds like someone enjoying himself again, and perhaps, after letting a few old skins fall away, Huismans is ready to shift shape once more. And if it's anything like the last time, a lot of good music awaits. 

Find the tracklist and interview at ra.co/podcast/1034 
@2562amadeupsound

RA.1015 Dave Huismans

El Llanto

Japanese DJ and producer Powder rightfully debuting and delivering a mix of mirth house and techno on a sunny day.

Dekmantel Festival 2018

Powder at Dekmantel Festival 2018

Our 700th podcast is a masterclass in entrancing grooves.

Read more: https://www.residentadvisor.net/podcast-episode.aspx?id=700

@thinner_groove

Resident Advisor podcast

RA.700 Powder

00] Hole In One - Spiritual Ideas For Virtual Reality
[09] The Primitive Painter - Levitation [Klang Elektronik - KLANG 1]
[18] Dubtribe Sound System - Sunshine's Theme (Sunshine's Remix) [Organico - ORG 004]
[23] State Of Flux - Mercury [Finiflex - FF1009]
[29] The Primitive Painter - Cathedral [Klang Elektronik - KLANG 1]
[36] Ebi - Chuu [Space Teddy - ST 007]
[43] Some Other People - Astralise [Infinite Mass - MASS 018 T]
[52] The Primitive Painter - Invisible Landscapes [Klang Elektronik - KLANG 1]
[58] Squid - Emprisoning Sound On A Piece Of Wax [Apollo - APOLLO 16]
[64] The Keyprocessor - Feary Tales [Eevo Lute Muzique - EEVO 008]
[68] State Of Flux - The News [Bold! Stars - BR 2009-1]
[71] Ian Pooley And Alec Empire - Untitled (Pulse Code E.P. Side A) [Mille Plateaux - MP 3]
[83] Ebi - Sou [Space Teddy - ST 007]