A dj set recorded after the one from Dave Clarke at Rockerill, Charleroi on april the 30th, 2022.
A proper banging techno set !

Fabrice Lig -  DJ Set Rockerill 30 Avril 2022 Dave Clarke Night - Proper techno explosion !

'With his third release on the label, Kevin Reynolds follows up his 'Come On Then EP which featured a few singles from the upcoming album “Come On Then” alongside some heavy hitter remixes.'

Read The Full Interview: https://whenwedip.com/2022/10/interview-kevin-reynolds/

Follow: @jon_dixon // @kevinreynoldsdetroit // @yoruba-records

Premiere: Kevin Reynolds - Riverfront (Jon Dixon Remix) [Yoruba Records]

My contribution to this year's festival, following on from a magic set by MaryLou before Steevio & Suzy B, Shackleton and Batu closed out another unforgettable Sunday night in room 1. 
A true privilege to be a part of it.

Joe Ellis Freerotation 2024

Dynamic Forces is a duo from Rome, Italy. Devoted and taste for characteristically uncompromising techno, they continue on the heritage of electronic music of the early 2000's and 90's characterised by tougher groove, incisive rhythms and Detroit’s souls. 

Pushing forward their vision of electronic music of the golden years. They’ve just recently release music on labels such Dolly, Tar Hallow, Kazerne, Planet Rhythm, Be As One Imprint, Emerald, Hardgroove and 2 EP collabs with the legendary duo Exium on Nheoma Records.

Releasing music under the B R 1 0 0 2 moniker since 2015, they are owners of Overstep Records, on wich they released music from many techno legends like Regis, Exium, Loktibrada and Dj Boss. The duo are also residents for Silencio events in Rome, a seminal night that has hosted a lot of great artists.

Tracklist via
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Dynamic Forces

#SlamRadio - 615 - Dynamic Forces

Marco Shuttle's dj set recorded live on Sunday, 11th of August 2024 at Paral·lel Festival, Port del Comte, Spain.

Marco Shuttle @ Paral·lel 2024

Batu closing Outburst on Saturday night at Houghton 2024.

Recorded at Houghton - Batu (2024)

DJ Chris Case was a regular at many Tokyo chill-out rooms in the 1990s, including the legendary Odyssey parties at Club Token. One of the older faces on the scene, he represented a connection between the psychedelic 90s and the psychedelic 60s, and he offered a lot of arcane knowledge when it came to music theory. 
Chris passed away last year, and I’m uploading this mix in his memory.. I don’t keep a lot of DJ mixes, but I’ve had this CDR for 30 years now, and remarkably it still played. I’m not sure exactly when Chris mixed this, but I would guess late 1995. Most of the music is from Silent Records, which was one of the premier ambient labels based in San Francisco in the 90s. Much of this stuff is completely out of print, but if you’re looking to get more sounds like this, there’s still a lot of it available at:  https://silentrecords.bandcamp.com/music

TRANQUILITY (Rhythmic Ambient mix by DJ Chris Case, 1995)

21st century electro-futurism, Helsinki style. 

Sometime around a decade ago, electro started to surge onto dance floors again. A new generation of DJs, from Helena Hauff and DJ Stingray, brought the sci-fi, cyborg funk to new audiences, as a modern retool of the style began enjoying the ubiquity of its four-to-the-floor cousins. And few embody its future for our current decade like Sunny Seppä, AKA Sansibar.

Cutting his teeth in Helsinki's underground with residencies at Kaiku and Post Bar, Seppä's sound draws from a broad range of influences far from the Finnish capital. His first releases channeled the high-definition Motor City school of electro, but he has since evolved.

Not one to be confined by the narrow confines of any genre, the Finnish producer and DJ's discography has steadily begun to encompass a wider palette of influences, including releases with fellow new-gen electro artist Reptant.

It's no wonder Seppä has found a home on Kalahari Oyster Cult. Sans Musique was released by Rey Colino's label, and both are united by a love for an amalgamation of gritty and ecstatic sounds of the '90s. As Colino put it himself, the Cult espouses "nostalgia with a modern sound design."

You can hear that peppered throughout Seppä's RA Podcast. From Simulant's stone-cold classic "Wav.Form" to shades of tech house from the late '90s and early '00s (as well as some of his own unreleased material), the full vision of his broad sound world comes alive on RA.976. You won't technically hear too much electro in this mix—but underscoring many of the selections is the retro-futurism that electro elicits, that bleary-eyed optimism of dance music's halcyon era.

@sunnysibar
@sin-sistema-sin

Find the interview and tracklist at ra.co/podcast/976

RA.976 Sansibar

DJ Shufflemaster ends his US tour that was organized by local renegade crew OUTLAW with an hour at the lot. Shufflemaster, from Tokyo, was a Tresor resident in the early 2000s, and has been shaping the sound of techno with his productions since the 90s. 

https://www.instagram.com/____outlaw_ 

https://soundcloud.com/shiki-kyokai?ref=clipboard&p=a&c=0&si=c6ff84df815f41d6af8b02637377e806&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing




outlaw presents: DJ Shufflemaster @ The Lot Radio 02-23-2025

Full Tracklist: https://bleep.com/bleep-mix-297--sandwell-district

For our latest Bleep Mix instalment, Sandwell District come through with a hefty programming of dark rollers fulfilling that promise of reinvigorated purpose they mentioned before: “Having a good time”. And with a wealth of exclusive unheard material it’s hard to refute the mission statement. Dropping straight into the cavernous environs of an unreleased Regis side Frosty Jack’s, the selection rides a restrained line building tension through a number of Nastia Reigel tracks deployed with utmost precision before upping its stride with Luke Slater’s Planetary Assault Systems and quickly landing first peak from The Wizard himself, with Jeff Mills' slamming ‘93 cut Step to Enchantment (Stringent). Taking in a track from their comrade Surgeon’s forthcoming album, as well as the simmering acid of their own tune Hidden, Sandwell District bring it back round full circle via two further unreleased reworks of heroes Meat Beat Manifesto providing a breakbeat singed rupture to close out the proceedings with the vocal snatches of MBM’s Helter Skelter summing it all up really: “It's in my brain now. This is it!”

Bleep Mix #297 - Sandwell District

WLS aka We’ll Share - How Long I Had To Wait.

We’ll Share are a unique duo comprising Luis Sequeira aka B.Riddim (drum programming, programming, keyboards), from Portugal, and Angéline Morand (vocals/voice sound processing) from France. Luis, as B.Riddim has released a series of incredible eps on London’s Third Ear Recordings. His dub sensibilities and bass frequencies underpin beautiful melodic lines and sonic investigations. The unique twist is Angéline Morand’s vocals, which are reminiscent of both Erikah Badu and Tina Turner.. yes, Tina Turner. How long have we had to wait for a band as unique and as exciting and with so much potential as WLS. Check the videos on Vimeo.

Title: How Long I Had To Wait
Artist: WLS aka We’ll Share
Label: Third Ear Recordings
Release Date: 20th October
Formats: Digital only

How Long I Had To Wait

How Long I Hard To Wait

Record label. What is the Third Ear sound? Music made primarily but not exclusively with computers synthesisers and turntables/controllers as the musical instruments. Nearly all the music we release is with DJs in mind. If we're feeling it we want to release it.  Go to www.third-ear.net for more releases with full track preview and podcasts.
                                                        
If you want us to listen to your music, please leave us a message with a SOUNDCLOUD link. If we have the time to listen to your music, we will. If we like it, we'll reply.

How Long I Had To Wait

third ear recordings

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