Name: WBEEZA Wise Root by third ear recordings in Fill My Head With Music ♯ 1
Duration: 7 min 39 s
Description: Wise Root from Wbeeza's Mo Bella ep. Wise Root is a slow burner, only revealing its full force after nearly 5 minutes of keeping the dance floor locked in.

First album in a new compilation series from Third Ear focusing on the variety in the catalogue. One of reasons why Third Ear is renowned is because of the 'No Boundaries No Genres' aspect of the label. The Fill My Head With Music compilation series will bring together tracks that wouldn't normally be found in the same playlist. Raising awareness of some lesser-known gems is also a part of the idea. We hope this series fills your head and your heart and your soul with music.

Fill My Head With Music ♯ 1

Why Sheep? is Japanese electronic musician and sound sculptor Gaku Uchida. The Radiation ep is Why Sheep?'s response to the Fukushima nuclear disaster.

Fill My Head With Music ♯1

Radiation #2

WHY SHEEP Radiation #2

Wise Root from Wbeeza's Mo Bella ep. Wise Root is a slow burner, only revealing its full force after nearly 5 minutes of keeping the dance floor locked in.

Wise Root

WBEEZA Wise Root

Coast Spotting, from Wbeeza's Bagwag ep, is a relentlessly building peak-time transition track taking the dancefloor up. A classic. One of Wbeeza's most highly regarded productions.

Coast Spotting

WBEEZA Coast Spotting

Jason Hogan's High-Grade For Plain-Ass from his Age Of Scrap LP for Third Ear is a psychedelic, woozy, hip-hopper demonstrating his unique talent for blending genres seemlessly to create immediately identifiable, astounding music.

High-Grade For Plain-Ass

JASON HOGANS High-Grade For Plain-Ass

November is from Demetrio Giannice's Slow ep, the follow up to his astounding Talk ep for Third Ear. The Slow ep is 4 deep cuts that will continue to build the Zurich-based producer's reputation.

November

DEMETRIO GIANNICE November

The gorgeous blissed-out opening title track to Benjamin Brunn's first album for Third Ear, A Sun Life. It's all in the title.

A Sun Life

BENJAMIN BRUNN A Sun Life

(tracklist below)

This is part 3 of 3 of the recording from my set at Nowadays Nonstop on April 7, 2024.

I played from 9am-3pm, between JASSS and Bearcat, and it was one of the most creatively fulfilling sets I can remember playing – one of those sets where the audience, environment, atmosphere, tech setup, phase of the moon, whatever, all somehow lined up for a full 6 hours. And happily, the recording is maybe my favorite I’ve managed to capture to date. Huge thanks to Kristin for inviting me and to everyone who was there that morning.


TRACKLIST – PART 3  – 1pm – 3pm

DubGuy – Not Massive
EDM – Chaos Engineer (Tom Mix)
Osheyack & Nahash – Temperance
Oyubi – Taiko160
Low End Activist – Look Up
Sun People – Tell Me Something
Holsten – Odlum
DJ Die – Reincarnations
Krust – Vibration
John Rolodex & Jungle Drummer – Serve No Kings
Type – Hummer
Homemade Weapons – Lingchi (with Artilect)
Kiril & Was A Be – This!
Xsetra – Testudo
Halogenix – Jump Suit
Instra:mental – Shine
Mike Parker – Radioactive Fire
Sam KDC – Decimate
69db – Night Life
NPLGNN – Sirens Steppa
Anna Funk Damage – Tom You Was A Good Player
CAN – Oh Yeah
Balil – Parasight
Coil – The Snow (Answers Come In Dreams II)
Plastique de Reve – Your Future
Head High – Break Away
Studio X – Los Kings del Mambo
Jamie Anderson, Solid Groove, Jesse Rose, No Comment – You Know Beats
Clara!, SKY H1, Pearson Sound – Gotas
Al Wootton – Vitus
Dope Module – We Bring It
Doubt – Brain Zap (Drums)
The Chemical Brothers – Hey Boy Hey Girl (Extended Version)
Actress – Gershwin
Dawl – Break It Down
BFC – Galaxy
Renegade Soundwave – The Phantom
BANDULU – Guidance
Autolux – Plantlife


Artwork by Brodie Kaman

Live at Nowadays 7 April 2024

Live at Nowadays 7 April 2024 - Part 3

Next up on the GROOVE Podcast is Blake Baxter (@blakebaxter). Go to bit.ly/BaxPod for interview and track list.

GROOVE Podcast 454 – Blake Baxter

There’s a rhythm to how the festival unfolds. Thursday opens slowly, almost like a breath in. By Friday night, the pulse is stronger, but not too heavy. Monument festival had settled into its rhythm, and Kia and Polygonia stepped into the wooden dj-booth together.

The forest floor was vibrating, the crowd fully present. Their set matched the moment—playful, warm, and alive. It felt like Friday was always meant to sound like this. Varden became their playground.

This was more than a strong back-to-back. Two years earlier, they met here, both playing solo, both part of the Monument line-up for the first time. This night marked an anniversary of their friendship. From solo artists to close friends, now creating something special together.

Follow:
https://soundcloud.com/kia-sydney
https://www.instagram.com/kiasvs/

https://soundcloud.com/polygonia
https://www.instagram.com/_polygonia_/


Monument Festival 2024 : Kia b2b Polygonia

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Recorded at Houghton - Alex Downey (2024)

Samantha Blackburn - Live @ Otherside

south african amapiano type beat
► 📲 Spotify : https://open.spotify.com/playlist/7hKmkI8hwQy3smPFYP919t

Play More

south african amapiano type beat - New YORK

BENJI B RECORDED LIVE AT SOULECTION IN THE PARK 2025

EXOS
https://instagram.com/exos_____
https://soundcloud.com/exos
https://fr.ra.co/dj/exos

RAWCAST266 • Exos

This is a recording of my 3rd & final set at the amazing Splore festival in New Zealand . Feeling pretty spaced out and happy with all the sunshine,beach & good vibes going round :-) Enjoy ! I surely did :-) One Love xxx

Splore Sunday Spaced out closing session

Record label. What is the Third Ear sound? Music made primarily but not exclusively with computers synthesisers and turntables/controllers as the musical instruments. Nearly all the music we release is with DJs in mind. If we're feeling it we want to release it.  Go to www.third-ear.net for more releases with full track preview and podcasts.
                                                        
If you want us to listen to your music, please leave us a message with a SOUNDCLOUD link. If we have the time to listen to your music, we will. If we like it, we'll reply.

WBEEZA Wise Root

third ear recordings

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