ohhhh wow, what a superb voice and blues, love it!!

Stormy Monday

Count Basie Orchestra - Shout And Feel It (Quick Step)

Liza Minnelli - New York, New York

https://www.youtube.com/watch?v=5ecqBPamBgw

B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album Completely Well. King's version is a slow twelve-bar blues notated in the key of B minor in 4/4 time. The song's polished production and use of strings marked a departure from both the original song and King's previous material.

This retreat is done with respect to the original by RocknRolla Soundsystem.

Bandcamp

BB King - The Thrill is Gone (RocknRolla Soundsystem Edit

From the soundtrack of the film Lift to the Scaffold, as featured on Jazz on Film Records Original Remastered French New Wave 5-CD Box Set
http://www.jazzonfilmrecords.com

Miles Davis - Au Bar Du Petit Bac (remastered from the soundtrack to 'Lift to the Scaffold')

This is one of my original tunes and I hope that you enjoy it!

Another Cross to Bear

Verão do clássico do mestre B B king - By Bee Scott e Amigos

Stormy Monday - B.B.King

I'd Rather Go Blind

After watching the film Cadillac Records (twice in a week), this for me was the stand out track, but it was a little too short, so here's my extended version  - added a kick low in the mix too.

Little Walter - My Babe (Spaghetti Legs Re-Jiggle)

Perception Productions, a New York based label that ran from the late 60s through until 1974, was a strangely eclectic affair. Its roster stretched from a radical Afro-American poet through to the pop band King Harvest whose hit ‘Dancing In The Moonlight’ became a massive hit for the UK band Toploader a couple of decades later. The inbetween points covered jazz, funk, vocal harmony soul and proto-disco. In fact distilled down into this compilation the label provides us a view of Manhattan’s black music scene of the period, from the established greats to the fresh young things who would make their mark in the coming years. The two men who ran the label, President Terry Phillips and Boo Frazier burned brightly for that half a decade before almost entirely disappearing from the music scene.

Matrix - Dizzie Gillespie

Midnight Screams

Eight to the Bar - You Call This Swing - White Rabbit

For the full story see http://bit.ly/XUx2xT

Produced by Tom Hambridge  
Recorded at Sound Stage Studio, Nashville TN  
Engineered by Jim Cooley and Nick Autry  
Mixed &Mastered by Tom Hambridge and Michael Saint-Leon at The Switchyard, Nashville TN
Executive Producer: Bruce Iglauer  

Additional Recording by:  
Shane Baldwin at Elevated Basement, Savannah GA  
Stuart Sullivan at Wire Recording, Austin TX  
Brendan Muldowney at Carriage House, Stamford CT   

Photos by Christopher Durst, christopherdurst.com 
Packaging design by Kevin Niemiec 
Alligator logo by Michael Trossman  

Booking: The Rosebud Agency, www.rosebudus.com 
Management: jacklyn@jamescottonsuperharp.com
jamescottonsuperharp.com  

James Cotton plays and endorses Seydel Harmonicas (seydelusa.com) 
Tom Holland endorses Delaney Guitars (delaneyguitars.com) and GHS Strings (ghsstrings.com) 
Jerry Porter endorses Sabian Cymbals (sabian.com), Smith Drums (myspace.com/smithdrums) and Evans Drumheads (evansdrumheads.com)  

Gregg Allman appears courtesy of Rounder Records 
Joe Bonamassa appears courtesy of J&R Adventures 
Ruthie Foster appears courtesy of Blue Corn Music 
Warren Haynes appears courtesy of Stax Records 
Keb Mo appears courtesy of Yolabelle International/ILG 
Darrell Nulisch appears courtesy of Severn Records

Cotton Mouth Man

Order from Alligator

James Cotton - Mississippi Mud (w/Keb Mo)

Stormy Monday ( T-Bone Walker Cover )

Close To My Fire

Freddie King- Ain`t No Sunshine When She`s Gone

Thirty Tracks band was born in April 2011
, when the components Marco Casavola on the electric guitar, Alessandro Gerini on the voice and blues harp, Roberto Lapucci on the bass guitar and Andrea Sciarra on drum, coming from different musical experiences, found themselves united thanks to a deep passion for the "Devil's Music".
So they started to propose and electric and modern set, ispired by great names as Joe Bonamassa, Jeff Healey Band, The Black Crowes, John Mayer, Kenny Wayne Sheperd and Jonny Lang.

So they recorded their first live studio session.

In november 2012, Matteo Bruni joined the group on the keyboards, and in January 2013 with the entrance of the vocalists Lucilla Fossi and Lisa Graps the band was finally formed.

Acquired a new, whole sound, Thirty Tracks have recorded their second live studio session on the Musikalmente Studio's in April 2013. Good Listening.

In May 2013 Tommaso Cecconi take the place of  Matteo Bruni on keyboards. 

Blues Bless You

°°°ITALIANO°°°

I “Thirty Tracks” nascono nell’aprile 2011, quando i componenti Marco Casavola alla chitarra, Alessandro Gerini alla voce e armonica, Roberto Lapucci al basso e Andrea Sciarra alla batteria, provenienti da esperienze musicali piuttosto diverse si scoprono però accomunati da una passione ormai decennale nei confronti della “musica del diavolo” .
Propongono quindi un set elettrico che è un omaggio ai più grandi nomi del genere; da Stevie Ray Vaughan a Jeff Healey Band , fino ad artisti più recenti come John Mayer e Joe Bonamassa.
Registrano così la loro prima demo presso il "SonicStudio" e cominciano ed esibrisi in diversi locali della realtà musicale toscana.

A novembre 2012 fa il suo ingresso alle tastiere Matteo Bruni ed a gennaio 2013 la formazione è finalmente completa con l'ingresso delle vocalists Lucilla Fossi e Lisa Graps.

A Maggio 2013 Tommaso cecconi subentra a Matteo Bruni alle tastiere.
I Thirty Tracks acquisiscono così un sound più completo; registrando a fine Aprile 2013 presso il Musikalmente Studio il loro secondo live EP.

Stormy Monday ( T-Bone Walker Cover )

Thirty Tracks

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