we r demons
contact: coclair333@gmail.com
mgmt: coclairmgmt@gmail.com

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Booking & Management: info@lazyflow.fr

BIO: For French producer and DJ Lazy Flow, dancing is not at all a trivial matter. It is a demanding art, which sows beautiful madness in the genre, connects all styles of dance-floor history, and is a one-way flight to a future that perfectly reflects what is becoming of his generation. As a lover of the Ballroom scene as much as a passionate proponent of Shatta, the icon Gala and Baile Funk, he toys masterfully with the sounds of the African Continent, the US East Coast, South America, England and the West Indies, all-the-while speaking to a gender fluid, diverse youth, doing so in the most universal, compelling language: that of energy.

Lazy Flow’s DJ sets are celebrations, collective catharsis, led by dancers who follow him everywhere and push their bodies to the limit to do justice to his music.

His secret is perfect mastery of rhythms inherited from the pioneers of House, the icons of Ballroom (to which he upholds law of the land like no one else), the jerking of Baile Funk, Afro, UK Bass, Bouyon, and Jersey Club. This technical virtuosity, combined with hard daily work in the studio, gives his performances something tantalizing, rare, both demanding and unifying.

As a true, blue boy of his generation, he is inhabited by curiosity, by this incandescent passion which makes his path perfectly unique. His audience knows it, they follow him, celebrate him in France and around the world, and exponentially grow in figures, fill the gaps, and do away with excess in front of his turntables, with which he alone knows how to converse so well.

A set by Lazy Flow is utterly electrifying, familiar, easy to follow, and wonderfully confusing.

His productions, little grails that DJ’s trade to enlighten the dancefloor, are not to be outdone. His edits of hits, or his own finds, are incredibly modern deconstructions, and his compositions never let go, like his pieces produced with/for Yamê, Marina Satti, Vladimir Cauchemar, Pongo, Meryl, Maureen, Disiz, Féfé, Jarreau Vandal, Kiddy Smile,… All the feelings are merged, and the dance must never stop.

Lazy Flow’s latest EP, Paris Bouillon Club, conceived and crafted when clubs around the world had to shut down due to the pandemic, encapsulates his influences and his journey. As eclectic, bold and open-minded as its creator, it’s infused with Baile Funk, Afro-Trap and Vogue beats. Lazy Flow’s productions are enhanced by stunning vocal performances from Congolese singer Popaul Amisi, English-Japanese performer Shala, and European ballroom scene legend Matyouz. The EP is also a tribute to LA CREOLE, the feverish Parisian party Lazy Flow was a resident for the last five years.

Lately, Lazy Flow has put together The Lazy Flow Show, along with a powerful MC and two limitless dancers. This unique live experiment, inclusive, festive and educational, is the perfect extrapolation of a universe like no other and It’s taking over more and more festivals across Europe.

It’s always when you feel like nothing is happening in music that unique and unexpected phenomena appear, black swans, as if from nowhere. Lazy Flow is one of them. Don't miss out.

By Ariel Wizman

Music has been removed due to Soundcloud moving to use user data to train LLMs.
https://meauxdal.bandcamp.com/
https://elle-band.bandcamp.com/
https://www.youtube.com/c/meauxdal
Elle’s music link emporium: https://docs.google.com/document/d/1PsR9748Xq0Ib6UXVoh3t5uKVy73qR6pjI4J6boMx5_E/edit?tab=t.0#heading=h.dp3uor27zicd

Huxley XIII (pronounced Huxley Thirteen) is a Los Angeles-based producer and DJ carving his own space in the electronic music scene. Blending the raw energy of bass music and drum & bass with the infectious grooves of house and EDM, Huxley XIII crafts sonic journeys that ignite dance floors and transcend genre boundaries.  Having shared stages with heavy hitters like GRiZ, Big Gigantic, Rusko, Baauer, Gordo and Audien, Huxley XIII's dynamic style immerses listeners in a highly energizing and unforgettable experience.  With a slate of EPs ready for release in 2025, Huxley XIII is one to watch.

Booking: huxleyxiii@gmail.com

DIP (n) new genre
1. All songs contain the word DIP
2. All beats go "boom diddy boom diddy boom"
DIP is also the name of this band that performs DIP music

Synth-Laden City Slicking Southern Pop Lackeys

DIP is following