A playlist converted by Soundiiz from another music platform ! http://soundiiz.com

Farewell Kabarista Hydric

this way to the egress

for you too

This Way to the Egress Stuff

The third full length album released by This Way to the EGRESS.
Great Balancing Act recorded and produced at 366 Visions Factory by Roger Greenawalt.

To be released May 19th 2015

Not Around

Devil's Breath

You Never Know

Earworm

So It Goes

Let's Not Pretend

‘A Lo-fi Cinematic Landscape’ is a collection of primarily instrumental recordings that would form the soundtrack to an unfinished short film I began work on back in 2013. Although the script was never fully conceived and no footage was filmed, these recordings accompany the story as I imagined it would be told.

You can PRE-ORDER 'A Lo-fi Cinematic Landscape' EP by The Underground Youth on Limited Edition Cassette now -> http://www.fnordtapes.com/?p=2089

FN002 - The Underground Youth - Scarlet Room (taken from ‘A Lo-fi Cinematic Landscape’)

The fourth album from the band This Way to the EGRESS

Chopped Down

Mark Of The Beast

Cinematic Savior

Voodoo

Lay It on Me

Call If You Need Me

Nation of Two

Take Your Time

Over My Head

No Place Is Home

Indestructible

Bar Isole/Tocatta e Caravan (Live - "Mischief Night" CD)

11 River Song

13 Granada

This Way to the EGRESS cascades onto the stage in a breathtaking explosion of sound and color that’s equal parts unruly vaudeville, ebullient world beat band and three ring circus. The six-person troupe plays a swooning, crooning, swinging amalgamation of styles that catapults the audience through time and space with unexpected shifts of styles, costumes and time signatures. Confetti snowstorms, tuba farts, Balinese chanting, fire wielding evangelists,  and puppets sweep across the stage creating a jubilant, anything goes atmosphere, anchored by the band’s superlative songwriting skills and sterling musicianship. Accordion, violin and tuba aren’t instruments you usually find fronting a rock band, but This Way to the EGRESS uses them to give the music unexpected textures, while retaining a propulsive beat and generating enough energy to light up a small city.

“We always have a hard time figuring out what genre we fit into,” says Taylor Galassi, the accordion wielding bon vivant who founded EGRESS, with the help of his partner, piano plunker, fiddler and leading lady Sarah Shown. “We’re surfing on a hard-hitting wave of many colors. Gypsy, punk, ska, ragtime, Klezmer, blues and Balkan beats all wrapped up into one crazy foot stomping good time. We let the music take us where it will, regardless of genres and geography.”
