Zeliha Kendirci - Yaz Gülü

eid emsal remix tataloo feat pishri feat sorena

MY LITTLE ISLAND

Denge

Denge (Slowed & Reverb)

like driblin on a straight road in a good hoodei

[chords_map:
| C | Am | F | G |
| C | F | G | C |
]

[structure: intro → verse 1 → chorus → verse 2 → bridge → final chorus → outro]

[intro]
[Piano solo – right hand plays slow broken chords, sustain pedal breathing between phrases]

[verse 1]
She starts almost whispering:
“Windows hum with morning light,
coffee cools, the day ignites,
but you, you just breathe slow —
and I remember why I stay.”

[Piano pauses half a bar before next chord.]

[chorus]
“Hold still,
don’t fix what’s already real.
You don’t have to move for me to feel —
I’m already there,
I’m already home.”

[verse 2]
“Every road I’ve run was just a loop back to your door.
Every word I said was only noise before I swore
to stop chasing what was already mine.”

[bridge]
[Piano changes voicing – more minor color, Fmaj7 → Am → Gsus4 → C]
“Even silence has your name,
in the echo, I hear flame.”
Vocal crackles slightly, breath heavy — human, unedited.

[final chorus]
“Hold still,
let the quiet spill,
we don’t need tomorrow to be fulfilled.
You are the note that never ends —
and I will play you again.”

[outro]
[Piano decays slowly, last chord held 9 seconds under reverb tail.
She exhales softly on mic.
Silence follows.]

[mastering: loudness:-14 LUFS | true_peak:-1 dB | stereo_width:narrow-focus | top_end:warm | compression:transparent]
[humanizing: timing ±10 ms | velocity ±8% | breath left natural; sustain pedal noise kept in mix]

I’m a man, but from another time.

Внеземная

Я ЖЕНЩИНА

“Pieces Of Me Left Behind” is an emotional breakdown turned into an album. Every track is a fragment of the pain, heartbreak, trauma, and late-night thoughts that changed you. This project tells the story of someone who gave too much, loved too hard, and survived things that left scars instead of memories.

The album blends haunting melodies, raw vocals, and brutally honest lyrics to paint the picture of a heart that didn’t just break — it scattered. Each song reveals another piece of what was lost, what still hurts, and what you’re trying to leave behind.

This is the sound of healing in slow motion, falling apart, and finding yourself again through the music.

#piecesofmeleftbehind #album #dark #emotional #raw #heartbreak #pain #real #depressing #mentalhealth

I'm Not Fine

Quédate! No Dejes Que Me Desvanezca! Historia de AMOR! No SK VIII Música Española

 de Ali OKUR MEDYA KONYA PR MUSIC 15 11 2025 (008) 4.16

Quédate! No Dejes Que Me Desvanezca! Historia de AMOR! No SK VIII Música Española (008) 4.16

stolen Rights
Verse 1
Fourteen tracks on the line, rejected without a word,
Two survived, but AI claims were absurd.
Eliah Seton in the court, accused of the crime,
Détournement de royalties, hiding behind the law’s fine.
My DAW sessions, human hands, pure creation,
Not a single AI claim meets legal validation.
Your system flagged my vocals, my drums, my synth,
Yet accepted actual AI, monetized with a grin.



Pre-Chorus
Burden of proof lies with you, not me,
No logs, no reports, just a false decree.
Screenshots, stems, FL projects in my hand,
Human skill mistaken for AI—unjust demand.




Chorus
Not without my rights, not without my say,
Eliah Seton in court for taking my pay.
Fourteen tracks blocked, two AI passed through,
The law’s on my side, I know what is true.




Verse 2
Vocal pitch aligned, micro variations intact,
Percussion humanized, timing never lacked.
EQ moves slowly, dynamics preserved,
Every riser, every faller, manually curved.
Yet your system says “AI-generated,”
While true AI tracks get monetized, celebrated.
Loss of royalties, vinyl delayed,
All because of a system misapplied, misplayed.

Pre-Chorus 2
Files provided on your request, I stand tall,
DAW projects, stems, mastering logs—all.
Eliah Seton dodges, but the court sees clear,
Fraudulent monetization, artists left in fear.



Chorus
Not without my rights, not without my say,
Eliah Seton in court for taking my pay.
Fourteen tracks blocked, two AI passed through,
The law’s on my side, I know what is true.





Bridge
Contradiction rampant, the system is blind,
Human skill confused with algorithms designed.
Financial harm done, justice delayed,
But truth and evidence will not be swayed.



Outro
Stolen rights, caught in digital chains,
Monetization blocked, but my voice remains.
Eliah Seton, the court will decide,
I stand for creators, with nothing to hide.

*I observe certain procedures being carried out by the system, but I accuse no one. My purpose is solely to highlight the principle and document what is happening. This approach can serve to understand, analyze, and, if necessary, legally or technically challenge these procedures. It is a factual observation, based on direct experience and available evidence, without judgment or intent to defame. Everything is presented to inform and protect the rights related to the creation and use of works.*

Stolen Rights

DELETE

Hey folks! What a lovely time, if some artists wanna try some mixes, just give me a dm :D   This ongoing project rises from heart, soul, curiosity, experience — and a couple of programs that help me piece it all together. Share if you care! :)
Rap, trap, indie, grunge, country, trance — just some of the sounds I’ve been shaping along the way.

My music changes with the day. No plan, no limits — just feeling, rhythm, and the joy of creating something that might make someone else feel too.
Thanks for being here — check out my other pages if you want to dive deeper. Q&A in the mail please.

I’m a man, but from another time.

Dr. Foss