Catchy chorus and excellent instrumentation

Lovely Bob Dylan tribute song. Amazing production. Nicely crafted.

Really great sounding song with excellent instrumental and vocal performances. You guys play and sing really nicely together.

Great catchy vocal lyric track..great guitar..perfectly executed..captivating & passionate harmonization..excellent mix & recording production! Love hearing from "The Beatles" country!

This is fantastic Stanleys. Vocals are amazing

Revised mix of our first demo inspired by various alt-country songs we’ve hummed along to over the years

Fading Suns

This is an homage to all the cultures that have contributed to my musical journey so far. It is also a bass solo sandwich. Most of the track is a soup of different loops I found on loopcloud. I take credit for the production and the playing of the double bass. The composition is original. All rights reserved. I have a license to use the loops in the composition.

The bass you are hearing is a Shen SB 80 Fully Laminate with 39.5" scale length. It's a 5/8 size. The strings are all Savarez Corelli Medium long scale. The G string is a nickel wound unlike the others which are steel. I recorded the bass with a RODE NT1 Signature Series condenser facing the center of the top approximately 2 feet from the bridge tip. The mic is fed into an SSL2 audio interface with the 4K emulation engaged. There is some subtle eq and a little reverb on the bass track. No compression or limiting on the bass track. There is light compression on the overall mix.

All is One

music words and performance by Camille Ellyce Bordelon

DEATH OF A SALESMAN

I Love All of Her


[Verse 1]
There’s a part of her that tends the clock
wants to freeze the world before it breaks
a child with eyes too wide to defend
hoping time might pass her by

She curls up safe to avoid the fall
I see her there—I love her all
not for who she used to be
but for the way she still believes

[Verse 2]
There’s a part that wakes and breathes just fine
laughs like pain was never near
she lives in moments light and clear
unburdened with thoughts of fear

She lets the sunlight touch her skin
and I don’t ask what hides within
I take her joy however brief
and savor her quiet relief

[Pre-Chorus]
She is not too much to hold
she is not too sharp to soothe
every version she becomes
I will still choose

[Chorus]
I love all of her
the girl who hides the one who runs
the one who freezes when it's done
the fire that fights to stay alive
each part of her is still just right
and I won't walk away
I won’t ever walk away

[Verse 3]
There’s a part that flinches at a sound
who looks for exits scans the ground
fear behind her worried face
I know the shape of that escape

She doesn’t have to say it loud
I’ll read her silence in the crowd
I’ll stay right here I’ll keep her close
and let her breathe when she needs it most

[Bridge]
And then the one who won’t retreat
who guards her heart with sharpened teeth
she’d burn it all before she breaks
I see the love behind the ache

[Final Chorus]
I love all of her
the child who froze to stay alive
the one who smiles just to survive
the fear the flame the ones that hide
she’s whole in every single side
and I won't walk away
I won’t ever walk away

[Outro]
She doesn’t have to choose which one to be
I see them all
I’ll take them all
and I stay always

I Love All of Her

Fly On Wings

Grace of Eleon

WER WE GOING

Bob Dylan's "Roll On John" is an elegy to John Lennon, inspired by a public minibus tour Dylan took of Lennon's childhood home in Liverpool in 2009. The song explores themes of fame, aging, and mortality, contrasting Lennon's tragic death with the enduring legacy of St. John the Apostle, another "John" who suffered but whose "light" shines on. 
The Stanleys come from Liverpool and initialy made this cover  from a jam session as John Lennon has always been a big influence. 
The Beatles tour starts at a near by place called The Picton Clock and Dylan’s visit is well known here in Wavertree Liverpool. Our take on this song which is over 5 minutes may have a difficult time getting heard for obvious reasons. Recently it was pointed out that all the songs on Rubber Soul are around 2 minutes long. To get the full experience of this production it’s important to listen to the end. We hope you do that and enjoy the version. Kind regards The Stanleys : Ged, Ste and Tom. Peace…make music not war!


Roll On John 1 (Cover by Ged Smith ,Ste Power and Tom Mcguinness .. The Stanleys)

FLY, WHILE YOU STILL CAN DREAM - An autobiographical song

This song was created and written by: 
J J Samuel
The production, music and vocals were done: 
J J Samuel

#Pop #LoveBallad #Jazz-Pop #Gospel #Soul #Redemption #1960sVibe #Remix2025

A heartfelt love ballad to show my devotion to my partner, owning my mistakes and pleading for redemption, this Elvis like track, is a tribute is to Elvis Presley, the King of Rock ‘n’ Roll 👑🎙️ Blending 1960s gospel-soul, jazzy pop, and subtle pop rock,  I wanted to bring back the old sound completely remixed for 2025 with cinematic flair ✨, it’s a goosebumps-inducing ode to love’s healing power, echoing Elvis’s timeless charisma. So much research was done to get these results and
I wanted to write something special in the way Elvis would sing it ✍️ but with my own words. 🔥🙏.

❤️ I CAN’T LIVE WITHOUT YOU! 🎸

Cold air creeping in
Breath like smoke it spins
Whispers linger thin
The moon hides its grin

Shadows embrace the night
Hold me close
Hold me tight
Lost in the pale moonlight
Shadows embrace the night

Branches scratch the sky
Stars blink then say goodbye
The silence starts to cry
A ghostly lullaby

Fingers trace the unseen
Chilled and sharp
Serene

Shadows embrace the night
Hold me close
Hold me tight
Lost in the pale moonlight
Shadows embrace the night

Dancing with the dark
Flames flicker
Then depart
My heart beats a question mark
Where does the light embark

Roll On John 1 (Cover by Ged Smith ,Ste Power and Tom Mcguinness .. The Stanleys)

tom mcguinness

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