Singer-songwriter and electronic music producer. To many that might sound like two very different aspects of modern sound culture - which in turn makes Monolink a fascinating character, because he's both rolled into one. His style seamlessly connects the narrative structure of a song with the compelling forward thrust of electronic rhythms. Guitar chords merge into synthetic pad sounds, hypnotic bass vibrations meet emotional vocal parts, passionate physicality meets sublime stimulation for the mind.

WORLDWIDE BOOKING
Alex Becket & Roman Trystram 
Monolink@caa.com 

MANAGEMENT
Jesse Flemming & Matt Jagger
jesse@thedolab.com & matt@europamusicmanagement.com

Bookings worldwide:
marco@futurism.agency
Management:
management@adriatique.ch

Located in downtown Montreal, Stereo is a nightclub and afterhours spot meticulously designed to achieve the best in sound quality and acoustics. With three-feet thick walls to isolate and proof sound and a dance floor equipped with shock absorbers to ease clubber fatigue, Stereo is built to provide the ultimate comfort and ease for dancers both physically and aurally. 

Situé dans le centre-ville de Montréal, le Stéréo est un club afterhours conçu pour d’atteindre le summum en matière de son et d’acoustique. Avec ses murs de trois pieds d’épaisseur pour isoler et insonoriser ainsi que sa piste de dance munie de ressorts absorbants pour contrer la fatigue des adeptes du dancefloor, le Stéréo est construit de façon à procurer le confort et l’aisance ultime pour les danseurs autant sur le plan physique qu’auditif.

For Bookings: 

mike@thickasthieves.com.au

The Journey Bio 

Embracing electronic music’s poignant zest, The Journey are delivering studio output supported by pioneers and humble music enthusiasts equally.

Built to keep dance-floor hearts full, the Melbourne based duo have knelt to electronic devotees on one knee, gracing stages at the iconic Rainbow Serpent Festival, Pitch Music & Arts, Subsonic and Strawberry Fields Festival, while having cemented solid tours throughout Europe in 2018 & 2019 and again in 2022.  Delivering ammunition for festival, club and afterparty, The Journey have earned themselves a place on some of the world’s finest labels such as Stil Vor Talent, Bedrock & Einmusika whilst also being remixed by some of the industries elite in Bebetta, Tim Engelhardt, PARIS, CIOZ, Re.you, Rafael Cerato and Florian Kruse, the list goes on.  The Journey have added their own flavour to a number of world class artists, remixing the likes of Super Flu, Bebetta, Betoko, Sharam Jay, Luke Chable and Quench’s 1993 anthem, ‘Dreams’.

Their remix for singer-songwriter Running Touch on ‘My Hands’ acquired a well-deserved spot on the 2019 Ministry of Sound Annual.  The Journey also attracted prodigious recognition after remixing the iconic ‘Treaty’ by Yothu Yindi resulting in them being nominated for The Age’s Music Victoria Electronic Artist of The Year alongside Dom Dolla, Client Liaison, Harvey Sutherland and KLLO.  Their original works, collaborations and remixes have amassed three ARIA Club Chart #1’s, and a handful of Beatport top 10’s in their respective genres whilst being played and supported by the biggest names in the industry.

The road ahead derives inspiration from the last year’s vibrant success - musically on some of the world’s most celebrated record labels, amidst stacking shows across the Australian summer and looking ahead will be no doubt entering new territories.

Enquiries: rene@artistlogistics.com
Booking NA/SA: rob@spinartistagency.com
Booking Asia: rory@supermodifiedagency.com

www.spencerbrown.live

Stream Patterns:
https://sym.ffm.to/patterns

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Nick Arbutus is following