"Miserable Man" & “Mr. Forgettable” OUT NOW! mgmt: davidkushnermgmt@gmail.com

Songs for ears
https://linktr.ee/renmakesmusic


contact: renofficial@gmail.com

If you'd like to remix any tracks here get in touch :)

This is the official SoundCloud for the legendary Jamaican reggae artist Buju Banton. Follow and stay tuned in for the latest and greatest releases from Buju!

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Born and raised in Tyler, Texas, Chance Peña is a 22 year old singer/songwriter and producer. Making music from an early age, he has cultivated a unique style of traditional storytelling infused with modern musical influences. He began working with Secret Road Music Publishing as a songwriter at just 17 years old and saw immediate success. Peña continues to cultivate his artistry by writing, producing, engineering and performing his own songs.
 
In early 2019, Peña's dream-chaser ballad, "Up, Up & Away" moved into the spotlight thanks to a placement in the highly acclaimed heartfelt drama, Five Feet Apart. Later that year, Chance released his debut EP, “anxiety & mixed emotions” on September 27th, 2019 which chronicled the personal trials and events that transpired over the course of his waning time in his home town of Tyler, Texas as he prepped for a move to Los Angeles the following year. Entering 2020, Peña secured his first major label cut and later his first Grammy nod with John Legend’s “Conversations in the Dark”, the lead single off his Grammy winning album, “Bigger Love”, having co-written the song several months prior.
 
He has since released an EP titled “The Inevitable” pandering at the idea of life’s inevitabilities, and several singles with friends and collaborators while writing and producing for other artists and projects.

For inquiries and booking information, contact chancepenamusic@gmail.com.

Kentucky-born artist Chris Stapleton is an 8x Grammy, 15x CMA and 15x ACM Award-winner and one of the country’s most respected and beloved musicians. In the past year, he’s been named Entertainer of the Year at the 58th ACM Awards—resulting in the prestigious ACM Triple Crown Award—and Male Vocalist of the Year at the 2022 CMA Awards—his sixth time earning the award, setting the record for most wins ever in the category. The accolades follow Stapleton’s most recent album, 2020’s acclaimed Starting Over, which also won three awards at the 67th Annual GRAMMYs: Best Country Album, Best Country Solo Performance (“You Should Probably Leave”) and Best Country Song (“Cold”) in addition to earning Album of the Year honors at both the CMA and ACM Awards. The album follows Stapleton’s pair of Platinum-certified releases from 2017, From A Room: Volume 1 and From A Room: Volume 2, as well as his 5X Platinum breakthrough solo debut album, Traveller. Known for his electric live performances, Stapleton is currently in the midst of his extensive All-American Road Show Tour and also joins George Strait for select stadium shows this summer. In addition to his work as a musician, Stapleton and his wife, Morgane, are founders of the Outlaw State of Kind charitable fund, which supports a variety of causes that are close to their heart. Latest single, “White Horse” is out now!

Jamar Rolando McNaughton, using the moniker Chronixx, has ignited a torch in people's hearts the world over and is confidently lighting the path for an entire generation of youths to rediscover roots and culture.

Born October 10, 1992, Chronixx was musically nurtured from an early age by his father, the artist Chronicle, and grew up surrounded by the likes of Burro Banton, Norris Man and Gregory Isaacs. This was before 'Little Chronicle' benefited from the mentorship of Danny Browne with whom he recorded his first tune in 2003. His remarkable ascension in the music industry was in full effect when he began harmonizing for artists such as Lutan Fyah and providing production assistance for tracks sung by Konshens, Munga Honorable, Popcaan and others.

Today, Chronixx is a respected artist in his own right after his career was stimulated by the unfortunate passing of both his blood brother in 2007 and his brother-in-arms, Lil' J.O.E., in 2010. He decided during that period of grief to bypass the difficulties of a young producer seeking external talent by, instead, channeling his energy wholeheartedly as a vocalist. Thankfully, early and unwavering support was received from Zincfence Records producer Romaine 'Teflon' Arnett, who was the first to urge Chronixx to sing the lyrics he was writing for others.

The first EP, Hooked on Chronixx, was released in 2010 and immediately put the budding artist on the radar of music lovers and industry heads alike. Among its 7 tracks, 'Start A Fyah,' 'Capitalist' (featuring Infinite) and 'Behind Curtain' stood out as a fan favorites, reaching far beyond Jamaican shores. Meanwhile, 'Warrior' became Chronixx's first official video and served to alert many more to his arrival.

Chronixx toured for the first time in 2013 when he went to Europe with his own band. Soon afterward, he bestowed a name upon this carefully assembled musical crew: Zincfence Redemption. Altogether, their fascinating stage presence has elevated the Chronixx experience to new and ever increasing heights.

Also in 2013, he and his team were Jamaica's only representation in Nairobi, where he performed as a Peace Ambassador ahead of Kenya's general elections. The next year, he found himself in New York City where he participated in a reggae and jazz series together with living legends Ernest Ranglin and Monty Alexander. By this time, Chronixx had established new and renewed working connections with Sly & Robbie, King Jammy, Leroy Sibbles and, again, Danny Browne.

The Dread & Terrible Project was released in April 2014 with seven tracks plus three dub versions, immediately topping both the Billboard and iTunes reggae charts. Neither an album nor an EP, the Project also includes a short film based on one of its tracks, 'Rastaman Wheel Out.' The film was directed by "The Guru" Ras Kassa and has received high critical acclaim. The hit single, 'Here Comes Trouble' can also be found on The Dread & Terrible Project.

With so much accomplished in so short a time, the world is bracing for greater wonders from this young man who walks with an old soul. For Chronixx himself, music is a mission and history is being made everyday still.

"Prepare your minds and hearts for this revolution."


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