Hologram – – Synthesizer: Anna Martinova / Tulpa Dusha

Forge[t] Everything

About 15 minutes into this week’s TANK mix, a low drone appears, as if emanating from the core of the earth. Two male voices appear, one musing on the Buddhist disciple Milarepa, the other in what sounds like a religious chant, as the rumble beneath them swells and shifts. Although the piece in question is by Éliane Radigue, it neatly mirrors the artistry of Atkinson, whose output straddles ambient and ASMR without ever fully aligning with either format. The artist, who also runs Shelter Press, creates soundscapes of disquieting intimacy and pure timbre. Naturalistic textures - rain, birdsong, low whispers - conjure an ambiguous sense of space, suggesting the depths and mysteries of the world we inhabit. When TANK asked her about what inspired this mix, she shared the following Frank O'Hara poem:

TODAY by Frank O'Hara

Oh! kangaroos, sequins, chocolate sodas!
You really are beautiful! Pearls,
harmonicas, jujubes, aspirins! all
the stuff they’ve always talked about

still makes a poem a surprise!
These things are with us every day
even on beachheads and biers. They
do have meaning. They’re strong as rocks.

[1950]

Tracklist:
Marisa Anderson Tara Jane O Neil : You’d be so nice to come home to
BBC archive of a waterfall
Claire Rousey & Patrick Shiroshi: silent moon
Eliane Radigue: Songs of Milarepa / Elimination of desires
Morton Feldman: Last pieces
Luc Ferrari: Presque Rien avec filles
Harold Budd: L’Enfant Perdu
Félicia Atkinson: If there is no Where ( Music piece for the Riga Biennale)
Kassel Jaeger: Shifted in dreams

photo credit: Eleonore Huisse

TANK Mix: Félicia Atkinson, "harmonicas, jujubes, aspirins! all"

Dusk

Open Dialogue: Fuck You Soundcloud, Choke On This AI

Heidrun Schramm and Nicolas Wiese have been working together as a duo for twenty years - about as long as they have been a couple in their private lives.
Since then, the focus of their collaboration has mainly been on live performances, spatial installation works, and film/video/multimedia soundtracks.
"Out Of Glass" is the duo's first album release.

"Glass Refixed" recorded and mixed at Quiet Cue 2024

Mastered by Cedrik Fermont at Syrphe

Artwork by Nicolas Wiese

© 2022-2024 Heidrun Schramm & Nicolas Wiese

heidrunschramm.net
nicolaswiese.com
released December 6, 2024

ndlb#201
all rights reserved

Glass Refixed (Track 2 off the album 'Out Of Glass' ndlb#201)

Malady of Knots - Resident mix #10: A ghost of the interstellar quotidian

between

from 'Eventual'
901 Editions (Italy) (9ED031)
CD + digital / edition of 300

OUT NOVEMBER 14, 2025

Los Angeles-based sound artist, composer and LINE imprint curator Richard Chartier returns to 901 Editions with Eventual, his first solo album for the label. This work follows two collaborations with fellow American artist Yann Novak (Undefined, 2013), and Dutch harpist Gwyneth Wentink as Pinkcourtesyphone (Elision, 2016). Eventual probes the nuanced interrelations between sound and silence, engaging audiences in attentive listening and a heightened sense of spatial and temporal perception. Chartier shapes a terrain of vanishing tones and subtle variations, a quiet tension that dwells within sound’s slow unfolding.

—

Formed & recorded 2024-2025 by Richard Chartier.
Mastered by Giuseppe Ielasi.
Design + photography by Fabio Perletta.

Thank you to Fabio Perletta, Asmus Tietchens, and Robert Eckhardt.
Published 2025 Touch Music/Fairwood Music UK Ltd.

BUY ON BANDCAMP

'Eventual (a)' [excerpt]

Der Wind und ich

Clarity

Thomas Fleischhauer (* 1954 in Hamburg; pseudonyms: Alice Freshmouth, Relais, GaTo with Gareth Mitchell (London), Whisper Machine with Gunnar Schmidt (Hamburg) and Gareth Mitchell, collaboration with Asmus Tietchens on Klanggalerie (Vienna)  
https://gatomusic.bandcamp.com/ 
https://whispermachine.bandcamp.com/
https://klanggalerie.bandcamp.com/album/lumi-res

between

Thomas Fleischhauer

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