Name: TTRO III by Tom Bateman
Duration: 4 min 31 s
Description: This is me in a lift in an airport holding a had looking at someone pensively as they take a photo.

I love what you made. 3 musics listened in a row and all sounds very well for me :)

1840-50; < Italian: literally, one string, since depressing the soft pedal shifts the hammers so as to strike only two (orig. one) of the strings provided for each note. Though the detail varies slightly from rite to rite, the dialogue's structure is generally threefold, comprising an exchange of formal greeting between priest and people; an invitation to lift the heart to God, the people responding in agreement; and an invitation to give thanks, with the people answering that it is proper to do so. The third exchange indicates the people's assent to the priest continuing to offer the remainder of the Eucharistic Prayer on their behalf, and the need of such assent accounts for the universality of the dialogue.

purana draco

The basis of the twelve-tone technique is the tone row, an ordered arrangement of the twelve notes of the chromatic scale (the twelve equal tempered pitch classes). There are four postulates or preconditions to the technique which apply to the row (also called a set or series), on which a work or section is based:

1. The row is a specific ordering of all twelve notes of the chromatic scale (without regard to octave placement).
2. No note is repeated within the row.
3. The row may be subjected to interval-preserving transformations—that is, it may appear in inversion (denoted I), retrograde (R), or retrograde-inversion (RI), in addition to its "original" or prime form (P).
4. The row in any of its four transformations may begin on any degree of the chromatic scale; in other words it may be freely transposed. (Transposition being an interval-preserving transformation, this is technically covered already by 3.) Transpositions are indicated by an integer between 0 and 11 denoting the number of semitones: thus, if the original form of the row is denoted P0, then P1 denotes its transposition upward by one semitone (similarly I1 is an upward transposition of the inverted form, R1 of the retrograde form, and RI1 of the retrograde-inverted form).

marvin blotto

This is me in a lift in an airport holding a had looking at someone pensively as they take a photo.

TTRO III

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I make instrumentals, experiments, mixes, masters etc. 

I enjoy Max/MSP/Jitter, gabber and other stuff.

TTRO III

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