LISTEN & BUY
https://lautundlui.se/afar-rational-ecstasy-lul020/

Work, eat, meet, repeat. A record of its own kind, hovering between dystopian reflections and confessional lullabies. Driven by strong lyrics and disrupted by rough heavy distortions and gentle sweeps, Afar dismantles every idea of genre and style. Always present, never in doubt, completed by two fantastic remixes from @Caleesi and @Michael-Mayer-Kompakt. »Rational Ecstasy« is an exceptional journey of unforeseen turning points.

∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿∿

Artist: AFAR
Titel: Rational Ecstasy
Label: Laut & Luise 
Cat-No: LUL020
Distribution: KOMPAKT
Format: 12” Vinyl
Release Date: Oct 2021

AFAR - Focus (LUL020)

Gutzisun_ Schmangalmusig_ Dj Set
🤌🏼 Gutzisun_Yes Baby Yes_ mix / 2022 

👉🏼 Instagram: Follow_ Gutzisun https://www.instagram.com/gutzisun/
👉🏼 Instagram: Follow_ Schmangalmusig https://www.instagram.com/schmangalmusig/

🧡 Enjoy this Music...and give me Feedback 🙏
🧡 Follow Gutzisun on Soundcloud

More Music 
👉🏼 https://soundcloud.com/gutzisuninnsbruck/sets/all_mixes-gutzisun-2022
👉🏼 www.schmangalmusig.net
👉🏼 www.facebook.com/Gutzisun
👉🏼 Mail: schmangalmusig@gmail.com

Yes Baby Yes_ mix / 2022

“Concerned Burners”, the brittle but punchy opening track of RSS Disco’s album “Mooncake” gets a mind-boggling remix treatment. In charge are Keshavara, the band with the most kaleidoscopic approach to pop music in Germany right now. The result is a song that’s super colorful, funky and full of aural surprises. Music that escapes genre and boundaries - multi layered, frisky and uplifting. 

Track 1: RSS Disco - Concerned Burners (Keshavara Remix)
Track 2. RSS Disco - Concerned Burners

Preorder now: https://mireiarecords.bandcamp.com/album/concerned-burners

RSS Disco’s “Mooncake”, the album, is out now.
https://soundcloud.com/rss
https://soundcloud.com/mireiarec
https://soundcloud.com/keshavara / Keshavara Kabinett der Phantasie

Concerned Burners

RSS Disco - Concerned Burners (Keshavara Remix) <Gouranga Premiere>

@laschi

What a year!

Just when it felt like there was already enough drama going on for a whole century in a tiny decade, things became worse and more confusing by the hour. A sadly too well known Russian dictator started invading Ukraine in early 2022 and as of the years end is not showing signs of retreat. 

The time to not be political has clearly come to an end and so we set out to empathize with our sisters and brothers that have lost their homes, ripped their lives apart and express our condolence to those that have lost their loved ones. There is very little in our power to help, but with this compilation we try to raise at least a little money to help those in need. 

Since we're a record label and not an NGO we decided to forward 100% of the profits to Blindspots e.V., an organisation dedicated to help distribute material donations and evacuate people from embattled cities. You can read more about their work here: 

https://blindspots.support/en/the-situation-in-ukraine/

We're thankful to have so many talented artists who are willing to support this cause and hope you will enjoy this colourful spread of musical expression.

Humbly,

Drosssel

#LeaveNoOneBehind #StandWithUkraine #StopWars

Mastering by Tilmann Eimicke @Haunted_Water
Artwork by Анастасія Колеснікова (Anastasiia Kolesnikova)

Support Ukraine 🇺🇦

Lasch — Appa

PK for Gigolo Records
Out Now - Available at :
http://www.beatport.com/release/die-wiener-festwochen/1266917
https://itunes.apple.com/at/album/die-wiener-festwochen-single/id839098257

Home

When Paul Murphy released his critically acclaimed debut solo album, Claremont 56, in 2006, many thought it would be the first of many. In a way, it was, as in the years since he’s released a string of collaborative sets alongside Benjamin J Smith (as Smith & Mudd), and as part of underground ‘supergroups’ Paqua, Bison and Hillside. But that second solo album? Well, it just had to wait.

In early 2023, Murphy finally decided to scratch that itch, roping in some of his most trusted collaborators (keyboardist and bassist Michele Chiavarini, percussionist Patrick Dawes, guitarist Dave Noble and HF International’s Kashif included) to lay down a sumptuous set of tracks that not only showcases his now familiar (bit hard to pigeonhole) neo-Balearic sound, but also proves how much he has matured as a writer and producer since 2006.

In The Garden of Mindfulness is richly musically detailed, expertly arranged and full to bursting with fluid instrumental solos, with Murphy and his collaborators serving up tracks that brilliantly blur the boundaries between languid jazz-funk, downtempo, vintage synth-laden krautrock, dubby grooves and sun-splashed soundscapes.

It simply sparkles from the moment that opener ‘Eighty Three’ slowly rises like the morning sun, with gentle, undulating synth sounds ushering in a slow-motion jazz-funk excursion rich in twinkling electronics, spacey pads and warming bass. Recent single ‘Katanaboy’, a lusciously layered dub disco-infused dancefloor excursion in Murphy’s familiar style, raises the temperature a touch, before ‘Bonne Anse’ and the sublime ‘Unka Paw’ (whose combination of evocative fretless bass, extended electric piano solos, Clavinet licks and acoustic guitars is genuinely spellbinding) invite a combination of wavy shuffling and flat-on-the-back, eyes-closed appreciation.

And so it continues, with gorgeous title track ‘In The Garden of Mindfulness’ making way for the boogie-influenced, Japanese-British brilliance of ‘Hangsang’ (check the jaunty pianos, yearning breakdown and exotic melodies). Murphy’s long held love of warm, weighty bass, hypnotic disco grooves, colourful analogue synth sounds and jazzy guitars once again comes to the fore on ‘Afternoon Bob’ before the album reaches a fittingly triumphant conclusion with ‘Late In March’. 

A neat sonic summary of all that makes the set such a rewarding and entertaining experience, repeat listens reveals a wealth of musical details, from off-kilter triple-time drums and surprise bass guitar solos, to impeccable piano solos (provided by the immensely talented Chiavarini), fizzing jazz-funk synth doodles and stirring synth-strings. It’s a breathlessly brilliant way to end an album that was genuinely worth waiting for.

Bonne Anse

creamy & sweet

drifting

generative music experiment 3a5dbeb3b572655ffeb4cefd8d546288

New amazing trip from @minijazzman
thank you very much!

Mixes : Podcasts

George Topuridze - Valu Adventures

Willie Graff & Darren Eboli releases the second part of their 'Tribeca Tapes 3' EP, 'Red Light' featuring Charlotte C. from Rheinzand and an instrumental version.

The EP is soon available in all digital stores: https://music-for-dreams.lnk.to/tribecatapes3pt2

The Tribeca Tapes 3 Pt. 1 EP is available in all digital stores: https://music-for-dreams.lnk.to/tribecatapes3

Connect with Willie Graff
FB : https://www.facebook.com/williegraff/
SC : https://soundcloud.com/willie-graff

Connect with Music For Dreams
FB : https://bit.ly/2MEexC2
SC : https://bit.ly/2w0qOqR
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2Le2u9s
TW : https://bit.ly/2L9HyjX
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Connect with Kenneth Bager
FB : https://bit.ly/2N58gfy
SC : https://bit.ly/2mgVZsd
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2w0p8NY
TW : https://bit.ly/2nTndX1
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Willie Graff & Darren Eboli - Red Light (feat. Charlotte C.) - s0429

Ritual music for people with attention deficit hyperactivity disorder

As one of the founders of Voodoohop, Thomash has sparked innovation on the electronic scene. Through his multidisciplinary art collective he has caused great impact on the Brazilian underground music scene which over the years caused waves internationally. South american elements mixed with contemporary electronica are the essence of his work creating the feeling of being in a comfortable psychedelic dream.

Guided by a hedonistic attitude that stimulates individual and joint freedom of expression, his sound is a clever and unpretentious mix that combines slow melodic techno, krautrock, synthesizer layers, psychedelia, dub and ritualistic tropical rhythms.

Born in Germany, he lived in Brazil for 10 years which allowed him to absorb the exotic multicultural latin roots and combine them with the precision and minimalism of german electronic music.

Curiously, he also has a degree in artificial intelligence, which allows Thomash to create
a unique style full of oddly spaced percussion and detuned synthesizers working within their own logic, as if in a machine-learning universe.

Using his programming skills he developed tools that allow him to harmonically mix acoustic samples with live synthesizers and drum sequencers resulting in a unique hybrid between live and dj set that is always pulsing, changing and evolving.

Previous gigs include tours to Japan, South America, the USA, Canada and festivals such as  Sónar São Paulo, Melt! and Fusion, Lethargy and Wiener Festwochen..