Thomas Joseph: Sample Playlist of live performances and readings.

Thomas Joseph (Sample Playlist)

ThomasJosephMusic

Dominion Fanfare for Wind Ensemble premiered at Willett Hall by Old Dominion University's Wind Ensemble (originally called Fanfare 2013). 

Dominion Fanfare for Wind Ensemble

Suite for Brass Quintet preformed by Old Dominion University's Brass Ackwards.

Suite For Brass Quintet

Live recording of "Fanfare 2010" by the Eastern Virginia Brass Quintet on February 4, 2013-- concert at Virginia Wesleyan College.

Fanfare 2010 for Brass Quintet

Preludes and Fugue is a four-movement antiphonal work-- specifically three preludes and a triple fugue-- written for three contrasting quartets: a double reed ensemble consisting of oboe, english horn, bassoon, and contrabassoon; a clarinet ensemble consisting of soprano clarinet, basset horn, bass clarinet, and B-flat contrabass clarinet; and a modified string quartet consisting of violin, viola, violoncello, and double bass. The first three movements are preludes designed to foreshadow the fugue. Each prelude isolates one of the quartets and explores one of the impending fugue subjects in contrasting atmospheres and styles.
 
The first prelude explores the initial motive of the third subject, performed by the double reeds. Stylistically, the prelude is of a light and playful character that one normally would identify with the bassoon. This fragment of the third subject is passed around humorously from one instrument to another.
 
The second prelude of the string quartet explores the first subject of the fugue but with much more subtlety. Specifically, the initial leap of a major 7th in the first subject, as well as its minor 2nd inversion relative, is developed in harmonic fashion rather than melodically. This movement explores darker emotions, spanning a lament to an ill-fated romance.
 
The third prelude develops the second subject with much more stylistic contrast in comparison with the first two preludes. The clarinet quartet showcases their wide range of possible color combinations. The prelude begins aggressively, then lightens in accompaniment, yet juxtaposes itself with a rustic, penetrating B-flat contrabass clarinet solo. A lyrical section follows, a peculiar section follows later, then the prelude ends with a light-hearted and playful section.
 
The finale is a triple fugue of the three subjects, involving all three quartets. The fugue begins traditionally but slowly opens up to experimentation with more modern representations of counterpoint. Each subject is introduced separately with its own exposition, played by its respective quartet. However, after all three expositions conclude, the three ensembles unravel and then intertwine as one mass ensemble. At one point, all the bass voices are vertically stacked on top of each other and each act as an individual bass--in an interesting moment, the B-flat contrabass clarinet overtakes the double bass as the bottom voice. Then the other voices interact over each of these basses in their respective harmonic regions, creating tri-tonality within the confines of the fugal setting.

Preludes And Fugue- II "Strings"

Hypnic is an art song for solo soprano and piano
Original Poetry: Josephine Cariño
Soprano: Kirstie Mosher
Pianist: Thomas Joseph
Composer: Thomas Joseph

Hypnic (Live-raw) Kirstie Mosher(Soprano), Thomas Joseph(Composer/Piano), Josephine Cariño (Poetry)

Scatter Plot is a work for Pierrot Ensemble (Flute, Clarinet, Marimba, Piano, Violin, and Violoncello. 

Scatter Plot does not directly rely on common thematic material between instruments. Like the accompanying poem, performers are to seek correlation and a line of just fit for themselves, however tangible or intangible, direct or indirect those things may be.

This recording is a reading performed by American Modern Ensemble on February 23, 2017 during their residency at Shenandoah Conservatory. Recording and mixing by Christopher Fenton. Much appreciation and thanks to them.

Scatter Plot (Reading)

Temper, Sigh, Release (Sinfonietta Reading)
April 10, 2017, Shenandoah University

Temper, Sigh, Release(READING)

Choir Reading, Excerpts, Shenandoah Conservatory.

Helium Flash treats the choir as an instrumental ensemble, exploring timbres, tension filled sororities and textures.  It is based on a pinch-burst gesture, or small bursts of condensed pressure that build over time. Eventually the bursts reach a climax and unravel into a less structured environment before returning to its original atmosphere.

Helium Flash: Reading/Excerpts (Choir SSSAAATTTBBB)-- Thomas Joseph

Composer, Conductor, Music Instructor. 
MM: Music Composition from Shenandoah Conservatory. 
BM: Music Composition from Old Dominion University.

Preludes And Fugue- II "Strings"

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