Worked hard on creating a thick SW bass here

More HW envelopes here than you might think

This arpeggio is actually only one sound played in loop

From here on I have no "empty spaces left" in the song. All channels play something all the time

Very happy about this effect since it's HW and fades out. Difficult to fade HW out since you can't control it's volume

Effects are slided arpeggios and expressions

Lead instrument is a SW Square with vibrato with a short HW at the beginning

My headphones don't have bass at the moment, but it's pretty incredible even without bass. One of my favorites so far!

My fourth song for the AY-chip.

Previously I have played around some with hardware envelopes but mostly to create interesting bass sounds. This time I wanted to explore if it was possible to use HW for lead instruments and effects in the upper frequencies, mostly because this is more difficult. I wanted this tune to sound "not PSG" so I aimed for non standard sounds wherever I could fit them.

I found out that I could indeed use a small range of 4-5 notes in the upper regions if I detuned all other instruments by 1-3 semi notes. This of course limited the melody a lot so I had to be really creative with how I used the instruments and how I could "hide" the fact that I needed to use more notes than the ones available as HW.

My main concern at first was that since it's only possible to play one HW sound in one channel at a time I needed to create a SW bass that was pretty thick so I took inspiration from Jeroen Tel on the C64 who often used bass sounds that alternate between octaves at an uneven rate and it actually worked surprisingly well with the PSG square waves too.

One fun thing about HW sounds is that most of them sound like rubbish but some of them come alive when adding slides to them which easiest can be heard in the dubstep sections and at the very end of the song. However it takes a lot of time and experimentation to find sounds that work.

My biggest discovery is probably the ending sound heard at the 03.00 mark. This is a cyclic HW sound that actually fades out. This is NOT easy since you can't control the volume of HW sounds.

Big thanks to fellow chip musician Def Danny who has been available during this whole creative process with feedback, suggestions and ideas. I really appreciate it.

So, here it is. Hardy - a pure PSG song without any samples or tricks. Just 3 channels. Should be possible to play with a MSX1, Spectru, Atari ST, Amstrad, etc.

Please listen with LOUD volume ;)

Perhaps the song is a little more style rather than substance and some notes are maybe a little sour but I think I managed to pull it off relatively well and create a tune where the HW-sounds doesn't sound like shit all the time :)

Have fun... and please feel free to write a comment or two.

Hardy - AY-3-8910 version (PSG for MSX, Spectrum, Amstrad, Atari ST)

"Tomten på Tinder" är en nutida julparodi som kombinerar traditionella julelement med modern digitalisering och dating-kultur. Låten använder kontrasten mellan klassisk jultradition och moderna sociala medier för att skapa humor.

Tomten På Tinder

Remake of The Temple Theme from Tusker the C64 System 3 game.
Taken from the 50+ track album box set Reformation Last Ninja 2 by Matt Gray. Available through the Buy Link.

Reformation Last Ninja 2

Tusker - The Temple Theme

Buy Reformation Album

Matt Gray - Tusker - The Temple

I'm an amateur- and somtimes semi-professional musician who composes music basically because it makes me feel happy.

I enjoy challenges. That's why I also create chiptunes for the AY-chip.
Why? Not because it's easy but because it's hard!

Hardy - AY-3-8910 version (PSG for MSX, Spectrum, Amstrad, Atari ST)

Thomas Totta Lundgren

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Thomas Totta Lundgren

Thomas Totta Lundgren

Thomas Totta Lundgren

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