Siyanda Makanya, often called ‘The General,’ widely known as ‘DJ Kabila’ is a true inspiration on the dancefloor, and his sets, no less. I’m excited to yield the floor to the talented DJ/Producer from Durban for some atmospheric House vibes this weekend. The Durban-based visionary’s golden hour is glorious and gleaming. Radiating his contagious love for music, this brilliantly-curated set of gems will get those feet moving. And more than that, your heart and mind will be dancing along too. Close your eyes, drift with sublime beats, let the rhythm touch you and with each riff, feel your soul smiling. We may not be able to hold on to this hour forever, memories may fade. But hear that bliss? Don’t be surprised if it lingers.

Dj Kabila Guest for MoRadio 19.06.2021

shanti.

Instagram:
www.instagram.com/spectralist.artist

Spectralist ▬ [शान्ति]

Second and last part of my set, this one during night time.
Thank You for the support and for your energy, looking forward to see you on the dancefloor soon!
May music and love be always with everyone!

Sunset Closing Set @ Woodstock 10 Years Part 2

Welcome to my exclusive podcast for Klangextase! Hope you will enjoy it during the first warm and sunny days in spring 2014. Feel free to leave comments!

For booking requests, just contact: booking@freundchen.net   
Facebook: https://www.facebook.com/timo.jahns.official
  Labelpage: www.freundchen.net

some love

Timo Jahns  |  Bon Voyage  |  www.klangextase.de

🌌 Beauty Of Nature ✨

I´m happy, if u enjoy the sound 🔊🎶☺️❤️💬🔁

#giveothersagoodtime #andereneinefreudemachen 

Set was ➡️ live ⬅️ mixed in March 2023 with #djmv10 & #cdj3000, #tracksfromusb by

Arnie
https://linktr.ee/arnie.nrw

arnie.nrw@gmail.com

Mixer:
https://www.pioneerdj.com/en/product/mixer/djm-v10/black/overview/

Players:
https://www.pioneerdj.com/en/product/player/cdj-3000/black/overview/

This track is not intended to infringe any copyright laws in any way. This is for the sole purpose of entertainment; no profit is gained from this. It is the copyrighted property of its respective owner(s) Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

✨🌌✨

Beauty Of Nature_24-7-365 Music #64

Tracklist:

1- Impression - Traffic Beats (out Feb 25 on @Around-Midnight-records )

2-To The … - Traffic Beats (Unreleased)

3- Doneforno - Traffic Beats ( Unreleased)

4-Black Bird - Traffic Beats ( @Briquerouge records 2019)

5-Ericeira - Traffic Beats ( Unreleased )

6- Taketak - Traffic Beats (@Roze Rmx) (out Feb 25 on Around Midnight )

7-Edit Portisheads Roads - Traffic Beats edit 

8- Sample Roads - (Julian M allias Traffic Beats ) ( @Catwash-Records 2014)

9- Edit Rebeka Del Rio @Davidaugust - Traffic Beats Edit 

10- Give Me - Traffic Beats (Unreleased )

11 - Run away from My head - (Julian M allias Traffic Beats ) (So cycle records 2015)

12- Edit Onset Music Group Fatela - Traffic Beats Edit

13- Au Fond Des Bois - Traffic Beats ( Brique Rouge Records 2021)

14- Last Level - Traffic Beats (@Donotsit records 2024)

15-Morep - Traffic Beats ( Unreleased) 

16- Impression - Traffic Beats ( @ElMundomusicpage Rmx ) (out Feb 25 on Around Midnight)

17-Venivre - Traffic Beats (Brique Rouge records 2020)

Enough Podcast - Traffic Beats

Neomenia // 2025

The Spacejam was a fun clash of genres. I had the best time playing this set. This recording is just a try at reproducing the energy in the Astral Alchemy Space Lounge that night. Magical moment ill never forget 😍. #techhouse #house #electro #afro #indie

Hattr - Neomenia 25 - Spacejam

This is synesthesia evolved. 

Big thanks to everyone who joined us for the second installation of Chromesthesia — a new immersive audiovisual experience. In a space where color and sound fuse into hypnotic 'liquid patterns', algorithm architect Mossy (IG: @mossy.xyz) and I (IG: @djmoxxiie) are creating fluid sonic journeys that ignite the senses. More to come!

A very special thanks to Matt (@mattemmi) for creating the container and sharing his space (@onebutton__), John (@jfagan88) for facilitating the journey and integration, and Elodie @elodie_perrat) for all of the behind-the-scenes logistics magic. 

With gratitude to the listeners and featured artists:

Shelter - Sasha
Vapour Trails - Sasha
Glastacy (Intro / Outro Mix) - Sasha, Sentre
Stellar Drift - Just Her & Nolan
L.O.V.E (Nico Stojan Remix) - Magit Cacoon, Kadosh (ofc)
Juno Love (Original Mix) - Nico Morano, MeWhy
Foolchella - Rico Puestel feat. Rico Friebe
I Was Lost (Original Mix) - CENKK
Hey Kid (Claudya Mix) - Claudya, Ripperton
I Wish You Were Here (Martijn ten Velden Remix) - John Creamer & Stephane K. Feat. Nkemdi
The Most Beautiful Boy (Felsmann + Tiley Reinterpetation) - The Irrepressibles
Early Morning (Original Mix) - Cornucopia	
Remember Me (Original Mix) - Cornucopia
Breathe You - Just Her & Nolan feat. Keisha Mair
Bring on the Night-time	- Sasha
CHI (Original Mix) - Jonathan Kaspar	
Sunrise	- Young American Primitive

Cover Art: A still from the 2D liquid dynamics simulation created by Mossy.

Chromesthesia: Senses Revealed

My set from Studio Spaces E1, Providing the support I opened up room 2, which is safe to say, quickly filled up within a matter of minutes. The crowd was very kind to me, and looked like they just really wanted to dance and have a good time, so the journey started from the go :)

E1 - Stephane Bodzin, Kiasmos (DJ), Edu Imbernon, Luna Semara, Fideles & Antonio De Angelis, with an extra special unannounced live guest closing The Warehouse.

www.facebook.com/deanmir

Dean Mir @ Studio Spaces E1 w/ Kiasmos (DJ), Edu Imbernon, Stephan Bodzin - 2.2.2018

1. Artist Unknown - Track1 [00:00:06]
2. Artist Unknown - Track2 [00:05:16]
3. Artist Unknown - Track3 [00:10:13]
4. Artist Unknown - Track4 [00:15:35]
5. Artist Unknown - Track5 [00:21:33]
6. Artist Unknown - Track6 [00:27:40]
7. Artist Unknown - Track7 [00:33:08]
8. Artist Unknown - Track8 [00:38:14]
9. Artist Unknown - Track9 [00:44:47]
10. Artist Unknown - Track10 [00:52:56]
11. Artist Unknown - Track11 [00:57:55]
12. Artist Unknown - Track12 [01:04:45]
13. Artist Unknown - Track13 [01:10:39]
14. Artist Unknown - Track14 [01:15:24]
15. Artist Unknown - Track15 [01:20:53]
16. Artist Unknown - Track16 [01:27:14]
17. Artist Unknown - Track17 [01:32:50]
18. Artist Unknown - Track18 [01:40:29]
19. Artist Unknown - Track19 [01:44:48]
20. Artist Unknown - Track20 [01:49:28]
21. Artist Unknown - Track21 [01:54:46]
22. Artist Unknown - Track22 [02:00:46]
23. Artist Unknown - Track23 [02:07:21]
24. Artist Unknown - Track24 [02:13:28]
25. Artist Unknown - Track25 [02:18:58]
26. Artist Unknown - Track26 [02:24:01]
27. Artist Unknown - Track27 [02:27:50]
28. Artist Unknown - Track28 [02:33:56]
29. Artist Unknown - Track29 [02:40:18]
30. Artist Unknown - Track30 [02:41:06]
31. Artist Unknown - Track31 [02:46:30]
32. Artist Unknown - Track32 [02:52:01]
33. Artist Unknown - Track33 [02:57:37]


DJ Set John Reed 21-02-19

'Music was my first love', that's definitely true for me. Long before I discovered the beauty of female attraction, arts and good food, I perceived the emotional excitement of good music. I grew up with progressive rock in the 70s with the likes of Pink Floyd, Genesis and Supertramp. Beginning of the 80s Philly Sound brought me to Soul and Funk. The Street Sounds Collection opened my mind for Disco Music and House. Inspired by the beatmixing Mixtapes of the DMC (Disco Mix Club) in the early 80s I decided to start a DJ career, which I unfortunately was forced to stop after a few weeks. I had my first residency in the club ‘Veritas’ in Neuss for owner Dieter Scharper. They did not understand the concept of beatmixing at those days and refused to provide Technics 1200 or Thorens turntables. Instead, they forced me to play with Panasonic turntables without a pitch option, degraded me to a jukebox. I kicked the job after three weeks and focused on a business career.

In 2005, after years of inspiring party events on Ibiza, me and my wife created the party circle 'privatemonkey.com' to bring a high level electronic and 'non posh' party to Düsseldorf. Being a booker for this event for more than a decade developed my music expertise and brought me back to the place behind the Mixer in 2015, when a friend asked me to perform for his new party event.

Since then, I developed my DJ skills and performed for several well known local events including Club102, Silq, PrivateMonkey, Oh Baby Anna, Meshugge Bar, La Rocca, Schwarz and many more.

I am usually booked to play melodic deephouse and techno sounds around 120-125 bpm, but I feel very comfortable playing 125-130 bpm peak time techno or a nice chillout afternoon as well.

Booking: Call (myself) +49 177 8828188

DJ Set John Reed 21-02-19

Thomas Ullrich [DJ]