At just twenty years old, Cameron Rooks already has gained 4-5 years of composing and producing experience on top of mastering the saxophone and teaching himself piano and acoustic guitar. Recently, I sat down with the producer and composer to talk about his new music.   

Sech: What inspired you to start composing music?

Cameron: I was first inspired to start composing music back in highschool. I felt like music was a great outlet and a positive way to express my creativity.

Sech: Who would you say influenced your musical perspective? Any artist or bands in particular that lead you into a specific genre or style/direction?

Cameron: My musical perspective has been influenced by people such as Michael Jackson, OUTKAST, Swizz beats, Dr. Dre, paramore, Aerosmith, and many more. I can’t find myself focusing on just one specific genre because I want my music to reach the ears of many and I want everyone to be able to relate.

Sech: How many years have you been composing?

Cameron: I have been composing music for about 4 to 5 years. One of my fathers co-workers installed a music production software called, “Fruity Loops” on my laptop and I have been hooked on music composing and production ever since.

Sech: What would you say is the difference between composing and producing?

Cameron: Composing is the way one creates an art or foundation which usually consists of drums, bass, and instruments. Producing usually consist of finalizing steps such as mixing, vocals, and reverb to become closer to distribution of your work.

Sech: Who, if anyone, would you like to collaborate with?

Cameron: I would collab with a number of people whether they are artists, DJs, or producers. Just as long as they are serious about their product and their work.

Sech: Are you currently producing any other artists besides yourself?

Cameron: Yes I am always willing to work with artist and DJs who have the same passion for music as I do and want to distribute music that the world would love.

Sech: What genre do you want to focus on? Out of producing or composing,which would you prefer to do as a career?

Cameron: I can’t really say that I have a certain genre I am interested in for a career because in some sessions I may feel like creating a r&b hit while other sessions I might feel like composing a club, rock, techno, drum and bass hit, or sometimes even a game soundtrack or movie score. It all depends on how I feel.

Sech: You said your music varies on the way you feel,would you say life experiences also affect what you compose?Have any pieces directly inspired another piece?
 
Cameron: Yes life experiences can most definitely alter your work performance; for example if you go through a hardship in your life such as a break up with a significant other or experience the loss of a love one then you will be more likely to create Moody music. That’s why it is best to leave all of your problems at the door when creating music, because you want music people can dance to and be joyful whenever they hear your music no matter what state they may be in.

Sech: How do you go about approaching the hindering, daunting writer’s block that many musicians face?
 
Cameron: Whenever writers block does occur I just take a break because you can always come back later and work. During the break I make sure I relax, listen to some other music, grab a bite to eat, or drink.

Sech: Where do you see yourself as an artist/producer in five years? Ten years? 
 
Cameron: Probably on stage performing, having tour dates, or even on stage receiving an award in front of millions for my hard work.

Sech: You started recording and composing at what some would say is a young age–around the age of 14 or 15–when many teens were just trying to keep up in school or adjust to new responsibilities while struggling with their own identities. You must have a huge variety of songs under your belt! Over the past 4-5 years or so, have you been able to tell a difference in your growth as a musician? Have you broadened your scope in what you write or have you narrowed down what direction you’d like your music to go into? 
 
Cameron: I never try to narrow or limit myself , some say the sky is the limit but I want to go beyond the sky and broaden my musical skills. No matter how many mix downs I do of a song I always feel like it could be bigger, better, and use something else.  Although at the same time I can tell there has been a drastic change in my music since I first started out as a novice. For instance, I tweak all of my instruments using Pro Tools so I can receive a unique sound that no one has heard before. And because of this, I have basically a vault full of beats that I am just waiting to mix and match with the right artists.

Sech: What do you feel sets you apart from other artists and producers?
 
Cameron: What sets me apart is that I am always evolving and inventing new sounds so that I won’t just fall in place with other competing artists and producers. Even if I do use a sample for a song I try to tweak it and put my own twist on it; for instance you will probably never hear me make a beat like Kanye’s and Jay Z’s, “Uncle Ottis” and “Paris”. I couldn’t picture myself just dragging out a couple of plain voice samples as a complete beat. The listeners deserve more than that.

Sech: What song of yours was the most challenging to compose thus far? Any favorites or stand out songs that had/have a huge significance on your life?
 
Cameron: There have been a couple; for example, I am working on a song called “Here We Go” that would fit the classic Justin Timberlake and Lil Wayne [feel] but I am still tweaking the sounds for perfection.

Sech: Are you currently writing anything? 
 
Cameron: Yes I always have several projects I work on at one time so if I get stuck on one song I can always come back to it later.

Sech: Any words (or advice) for your fans?
 
Cameron: If you find something you are good at–that is legal–continue doing it and don’t let anybody stop you. Don’t let a hater ever keep you down like the lead in bullets, just do it.

Check out more on Cameron Rooks and his music: http://www.reverbnation.com/cameronrooks , http://www.beats4tracks.com/CameronRooks// , follow him @cameronrooks

Omid Shabbeh (born 16 May 1989), known by Socinest is an Iranian photographer and filmmaker.

2Qimic is composed by Alberto Sainz and Esteban Albacete. Melodic Techno DJs and producers. 
They have been mixing in the Madrid underground scene for more than 2 decades.
They have played in the best booths in Spain and their sessions will take you to another level. Their mixes go from the most enveloping melodies to the maximum forcefulness that you won't be able to stop dancing. Working on their sets, exclusive productions that have never been released, as well as their famous remixes.
They have shared booth with the best national and international djs of their style such as WhoMadeWho, Hernan Cattaneo, Tinlicker, Amine K, among others. They are also part of important sessions such as Cattaneo on tour, Space of Sound, Nox, Deeper's, their monthly residency at Strong The Club (the most famous gay session in Madrid).
They work with labels from several countries (Germany, UK, USA, Spain, Argentina, Holland, Italy, Brazil, Russia, Greece, France, Iran, etc.). 
They have signed releases with the labels Errorr, Steyoyoke, UV Noir, Iconyc, Astral Rec, Us & Them Records, Beatfreak, Vtopia, Techno Tehran Records, Click Records, among others.
His tracks are remixed by such important artists of the electronic scene as Lake Avalon, Alfonso Muchacho, Mpathy, Voice of Valley, Arnas D., Erly Tepshy among others.
Their tracks are supported by Ruback, 8Kays, AE:THER, Axel Haube, Nick Devon, Adriatique, Erly Tepshi, Oostil, the Element, Paul Anthone, Grammik, Clawz SG.
Owners of the record label 'Music Chemistry', in which they have positioned many of their references in the top 100 of their style.

ATLANTA Made Me
NEW YORK Shaped Me
May The World Appreciate Me

NEW EP, BENEVOLENCE (2025) AND ALBUM, WINDS OF THE EAST (2025) IS OUT NOW!

Instagram: @shirleylymusic

Shirley Ly is a self-taught British female contemporary classical music composer from Greenwich in London, United Kingdom, with Chinese and Vietnamese heritage. She has composed over 50 pieces for solo piano / violin / cello, duets, trios, quartets and quintets. She has produced an EP: Benevolence (2025), and 5 albums: Winds of the East (2025), 9 Lives (2023), Paradise (2023), Blossom (2021), and Impetus (2018) and released multiple singles i.e. Olive Tree (2024), Emerald (2023), and London Strive (2023). Her music has been played around a million times across more than 100 countries around the world spanning six continents, including by BBC radio. Shirley plays the piano in all of her pieces.
​
The pieces in her albums aim to capture her reflections on life experiences relating to nature (i.e., swallows' journeys to their nests, the seasons, swans), living in London, dance, relationships with family and other loved ones, travel (i.e. to Berlin, Amsterdam), and dreams. 

Winds of the East (2025) is inspired by Shirley’s Chinese and Vietnamese heritage, her grandfather who was a distinguished painter and poet in China and her recent travels in South East Asia particularly in areas of natural beauty. 

Paradise (2023) is inspired by her experiences of swimming, diving, sailing, and surfing in the ocean, and she hopes that her music can further emphasise its importance. 
 
9 Lives (2023) is inspired by the beauty, charm and mysteriousness of cats. She lives in London with her five cats, and gain a lot of inspiration from them. This album aims to raise money for animal charities in areas which need support the most.

All works are protected by copyright. Please do not use them without permission.

© Shirley Ly

Marc Stan is a dynamic DJ and electronic music producer hailing from Montenegro. With over 13 years of professional experience, he has established himself as a prominent figure in the electronic dance music (EDM) scene, performing across various prestigious venues in Europe.

Throughout his career, Marc Stan has held residencies at notable clubs, including Maxim’s (2012–2015) and Haussman Paris (2013). His energetic and immersive performances have taken him to elite venues such as Noctis Club, Disqoteq Red Light, Museum, and Platinum Club in Porto Montenegro during the summer of 2016. His ability to connect deeply with the audience allows him to craft sets that resonate with the crowd, delivering an unforgettable experience on the dancefloor.

In the studio, Marc Stan is known for his innovative productions, blending powerful beats with captivating melodies. His most recognized tracks include “Dragon,” “Deep Space,” “Wish You Were Here – Bigroom Radio Edit,” “Voices – Juan Dutch & Antony Larsson Remix,” and “Summer KISS – New Summer Hit.” These releases showcase his versatility, pushing the boundaries of electronic music while maintaining an emotional and energetic core.

On February 7, 2025, Marc Stan released his latest EP, “Acid Generation,” under Redlof Records. This two-track EP features the title track “Acid Generation” and “Carbonic,” both exemplifying his signature techno style characterized by acid leads, grooving rhythms, and hypnotic driving tension. The EP has been well-received, spending 15 days in the Top Beatport releases chart for Techno (Peak Time/Driving), reaching as high as the #11 position.  

Continuing to evolve, Marc Stan remains committed to crafting unforgettable performances and boundary-pushing productions, solidifying his place in the international electronic music scene.

You can listen to “Acid Generation” on various platforms, including Spotify and SoundCloud.

For a visual and auditory experience of “Acid Generation,” check out the track on YouTube

This music shit not serious id rather sit on my ass and hate on bozos

Omer yosef

Don’t stop the madness’ 🌞

Afro melody 🌴

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