Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

Booking & Promos: falscherhase@hoerverlesen.de

Ich mache Menschen mit Musik glücklich.

Hier könnte eine typische Biografie stehen. Ist aber nicht so. Ich habe keine Schallplattensammlung geerbt. Meine Eltern waren keine Musiker. Ich habe nie ein Instrument gespielt. Ich habe nie produziert. Ich habe kein Label. Ich habe keine Booking-Agentur. Ich bin kein DJ. Ich liebe Musik und empfehle sie weiter. Ich erzähle damit auch gerne eigene Geschichten. Musik sagt mehr als tausend Worte. Sie soll mich nicht reich machen. Und nicht berühmt. Nur glücklich. Das ist alles. Und das ist auch gut so.

★★★ Termine ★★★

31.12.2025 (MI) 806qm, Darmstadt

Tickets & Infos: https://linktr.ee/falscherhase

★★★ Auszug vergangener Highlights ★★★

3000Grad Festival, Feldberg
A.R.M., Kassel
Bahnwärter Thiel, München
Breidenbach Studios, Heidelberg
Castello Festival, Debrznica
Circle of Leaves Festival, Odenwald
Cocoon Club, Frankfurt am Main
Docks, Hamburg
Dora Brilliant, Frankfurt am Main
Douala, Ravensburg
Eulenflug Festival, Rothenburg
Fluc & Fluc Wanne, Wien
FREUD, Frankfurt
Fuchsbau Festival, Springe
Groovestation, Dresden
Habitat Festival, Hohenlockstedt
Hafen 49, Mannheim
Harry Klein, München
Heinz Gaul, Köln
Hive, Zürich
Hotel Shanghai, Essen
Ikarus Festival, Memmingen
Kabinett der Kuriositäten Open-Air, Offenbach am Main
Katzensprung Festival, Kerpen
Klunkerkranich, Berlin
komm schon Alter, Amsterdam
Kosmonaut, Berlin
Kowalski, Stuttgart
Kuddelmuddel Festival, Offenbach am Main
Kreisen Festival, Hamburg
Loft Club, Ludwigshafen
Love Family Park, Mainz
Magdalena, Berlin
Mauerpfeiffer, Saarbrücken
Moyn Festival, Oyten
MS Dockville Festival, Hamburg
Musikbunker, Aachen
Odonien, Köln
Pangea Festival, Pütniz
Paula, Dresden
Pratersauna, Wien
Rave on Snow Festival, Saalbach Hinterglemm
Reineke Fuchs, Köln
Revier, Zürich
Ritter Butzke, Berlin
Rocker33, Stuttgart
Rote Sonne, München
Rummelfest, Offenbach am Main
Rummels Bucht, Berlin
Silodom, Saarbrücken
Sisyphos, Berlin
Südpol, Hamburg
Station Endlos, Halle
Tanzhaus West, Frankfurt am Main
Time Warp, Mannheim
Tresor, Berlin
Übel & Gefährlich, Hamburg
Weidendamm, Hannover
Wilde Möhre Festival, Drebkau
Zuparken Festival, Kägsdorf

https://hearthis.at/p9ny6whb/
https://youtu.be/EUCmTQUkVS8
https://www.youtube.com/@steffanstorreich775
https://www.mixcloud.com/Eden23/storreich-live-malta-08092012/

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© WE ALL SPEAK TECHNO™

"The second most popular game, that we played as children is... HOUSE."


SUBWOOFER, FAT SOUNDS LAB, HAT, TEKSESSION RECORDS
Contact: markmaris@hotmail.fr

http://www.beatport.com/artist/mark-maris/369831

 https://www.facebook.com/MarkMaris1979

All the sets on AudioBeats: http://www.audiobeats.net/artist?id=7590-mark-maris

FULL POWER PSYCHEDELIC BLAST

Booking via Facebook & Psyonara

)))thoughts((( is following