Ouest Track Radio - mars 2020

This Is The Cramps

NOTSOLONELY - Part 1

1980s Alternative Retrogamer

Electric Ballroom

Facingtrialsofrevelations

100 - Dean Blunt

Remain in Light

Once in a Lifetime (2005 Remaster)

Julian Tomas (Guitarras) - Matias Sorroza Tomas (Bajo) - Guillermo Rodriguez (Voz y Bateria)
Cover de la mitica banda The stooges grabado junto a mi anterior banda.

Search And Destroy (Iggy Pop & The Stooges)

Agents Of Fortune

(Don't Fear) The Reaper

Somebody's Watching Me

The Almighty Defenders

Bow Down And Die

The Head On The Door

In Between Days (Remastered)

Highway to Hell

Off The Bone

Goo Goo Muck

The Sound of the Smiths

The Boy with the Thorn in His Side (Single Version) [2008 Remaster] (Single Version; 2008 Remaster)

The World Won't Listen

Ask (2011 Remaster)

Songs The Lord Taught Us

I Was A Teenage Werewolf (Remastered 1989)

Human Fly

The Way I Walk

Combat Rock (Remastered)

Should I Stay or Should I Go (Remastered)

Bigmouth Strikes Again (2011 Remaster)

Raw Power (50th Anniversary Legacy Edition)

I Need Somebody [2023 Remaster] (Iggy Mix)

Lullaby Versions of Rocky Horror Picture Show

Time Warp

The Curse of Zounds Discography (Remastered)

Can't Cheat Karma

Monster Session

Bikini Girls With Machine Guns

Scary Monsters (And Super Creeps)

Fashion (2017 Remaster)

The Narcissist II

Galice

Dean Blunt - 'The Narcissist' (ft. Inga Copeland)

bury a friend

Human Tetris - Melancholy

Available now on Mr Bongo http://smarturl.it/tyranny20

Taken from the album 'Mantra Moderne' https://www.mrbongo.com/products/kit-sebastian-mantra-moderne-vinyl-lp-cd-cassette

LYRICS

To the sky, to the earth
Witnessing bondage’s birth
Kennedy, God, Caesar
Give your body to the moon and the stars
Although the stars above you,
Shine bright in pain you do too
Words from the mouth you don’t own
To see yourself not alone
 
Now the Gods and pop stars,
Enslave man ruled by tsars,
Charles the Great, urinate
I’m in love with the Soviet state
I feel so lonely, oh no, I feel so lonely
Although the stars above you,
Shine bright in pain, you do too
With marks of exclamations,
Theory turns obligation

Tyranny 20

Kit Sebastian – Tyranny 20

Dean Blunt - as long as ropes unravel fake rolex will travel

Julien Chang's “Of The Past" out now on Transgressive 

Buy/Stream "Of The Past": https://smarturl.it/jchang_otp

On Tour:

10/15 - Brooklyn, NY @ Baby's All Right
10/28 - London, UK @ Bermondsey Social Club
10/29 - London, UK @ Servant Jazz Quarters
10/31 - Brussels, BE @ Botanique Witlof Bar 
11/01 - Berlin, DE @ Musik & Frieden

julienchangmusic.com
twitter.com/julienchangbal
facebook.com/julienchangmusic
youtube.com/julienchangmusic
Instagram: @julienchangmusic

Of The Past

Breeze

Metz "Call of the Wighat" from the various artist compilation album Really Bad Music For Really Bad People: The Cramps as Heard Through the Meat Grinder of Three One G Compilation LP available from www.threeoneg.com
 
Eighteen years ago, Three One G Records flew in the face of Queen purists with the release of Dynamite With A Laserbeam: Queen As Heard Through the Meatgrinder of Three One G, the label’s 20th release. On it, bands like Melt-Banana, Weasel Walter, The Locust, Bastard Noise and The Blood Brothers unapologetically tackled some of the most beloved and universally recognizable music in popular culture and made it nasty, noisy, and brutal-- and they did so with nothing but love and respect. This was followed by an equally bold tribute to Australian avant-garde legends The Birthday Party, entitled Release The Bats. More frenetic energy from the likes of bands like Cattle Decapitation, Das Oath, SSion and Some Girls, more chaotic feedback giving way to unsettling synth lines, and still (knock on wood) not a lawsuit in sight.
 
It is only fitting, then, that Three One G’s one hundredth release be another tribute, this time to an iconic band known for its raunchy and pure punk spirit, all while looking effortlessly cool: The Cramps. For the label’s third comp, the lineup of musicians enlisted to take part is even more diverse, including the likes of Chelsea Wolfe, Daughters, Mike Patton, and Metz, among others-- all members, in some way or another, of the extended Three One G family. Here you’ll hear everything from Cumbia-style Cramps as interpreted by Sonido De La Frontera, to Panicker’s electronic dance-centric distorted version of “I’m Cramped”. Just as The Cramps mastered the art of covering music through their own warped lens, Three One G carries on the torch of re-imagining songs with swagger and style, making it their own while honoring a band whose influence on the label is obvious.
 
This compilation will be the landmark 100th release by Three One G Records. It will be available digitally as well as on limited edition vinyl on May 1st, 2020. Mastered by Brent Asbury at Measurable Harm. Layout and design by Black Moon Design. 
 
Really Bad Music for Really Bad People:
Child Bite “TV Set”
Metz “Call of the Wighat”
Secret Fun Club feat. Carrie Gillespie Feller “I Was a Teenage Werewolf”
Chelsea Wolfe “Sheena’s in a Goth Gang”
Sonido de la Frontera “Zombie Dance”
Qui “New Kind of Kick”
Zeus! feat. Mike Patton “Human Fly”
Retox “Garbageman”
Magic Witch Cookbox “People Ain’t No Good”
Microwaves “Don’t Eat Stuff Off the Sidewalk”
Daughters “What’s Inside a Girl”
Panicker “I’m Cramped”

Really Bad Music For Really Bad People: The Cramps as Heard Through the Meat Grinder of Three One G

Metz - Call Of The Wighat

TTRRUUCES

Artist: Eris Drew
Title: Fluids of Emotion
Label: Interdimensional Transmissions
Catalog: IT 44
Formats: Vinyl & Colored Vinyl with Picture Sleeve, Digital
Release Date: February 14, 2020

A1 Fluids of Emotion
A2 Transcendental Access Point
B1 So Much Love to Give

This is the debut solo release from @eris-drew, featuring 3 new songs meticulously mixed for the maximum impact of the Motherbeat. From the very beginning of the emergence of Eris Drew, we at IT have been blown away by the power of her DJ sets, where she channels the psychedelic energies of rave and love — the music reflects the power of transition and of fully becoming who you are. Part of what was so exciting to us is that her sets find a new path through the sounds and ideas that inspired No Way Back and so many other wonderful things. So we asked her to create an EP for IT that would reflect these ideas, and our favorite ecstatic healer delivered! Here we find her carefully exploring the intersections of House and Breakbeat culture, a proto rave ecstasy music that exudes the Fluids of Emotion, higher consciousness and the conceptual art of the KLF.

Eris has previously released on a compilation on Needs Not For Profit, and a split EP with her equally inspiring partner Octo Octa, but this is her first full solo EP. This EP was recorded at Eris Drew’s parents’ home in Chicago and mixed in the Interdimensional Laboratories in Detroit with BMG.

Fluids of Emotion

Eris Drew - Fluids of Emotion [IT 44]

dean blunt - TROLL (feat joanne robertson & vegyn)

A Reference Of Female-Fronted Punk Rock: 1977-89 [Disc 1]

Amsterdamned - Traditie Amme Balle

Singles

Blue Monday (2016 Remaster)


Three One G is in a sense, a family owned business…and basically a family in itself. I started the label in hopes to better the quality and creativity of things  that I was part of, as well as the music culture that I am part of. Three One G quickly developed into a family of artists who were all intertwined, or on the same page as one another. For me, it is the truest definition of family; people who are of the same breed and people who are from the same way of life. In the beginning, I started off by releasing music by Swing Kids and Unbroken, both of which shared a member, and were part of a musical community that I was submerged in. It was something that I was really a part of and more so, something that was obtainable, tangible, and real. Over the years, Three One G has loosely been related to a band that I’m part of, and better known for, The Locust. The relevance that The Locust had to Three One G brought amazing artists into the picture, either through meeting them on tour, musical collaborations, or other various things that The Locust was doing. This really helped to diversify the label and the sounds that it encompasses up to this day. To me, having bands under the Three One G umbrella like Cattle Decapitation, Arab on Radar, Quintron, Zs, Black Dice, Orthrelm, and so on, all makes sense, regardless of how different any artist's approach to music or their sound may be. We could all conceivably tour together, even sometimes collaborate and share members. To me, this is interesting, bringing so many new avenues of creativity, which are things that the music industry in general has since forgotten. 
The family members who currently make the wheels spin for Three One G, aside from the actual bands and artists are; Sal Gallegos (who also played in Some Girls, which were comprised of members of other label mates such as The Plot to Blow Up the Eiffel Tower, and Unbroken), as well as myself. Over the years we have expanded, not only musically, but geographically as well. Even though Three One G is below the radar of the who’s who of labels, the bands manage to grow and reach out beyond the label’s grasp, giving a glimpse into the all too interesting underbelly of an unrefined culture. The bands manage to amaze, challenge, inspire, and essentially blow minds. The labor of love here shows sincerity, as well as integrity. The family here is solid, legitimate, and is here to stay.
 
- Justin Pearson