
Three One G is in a sense, a family owned business…and basically a family in itself. I started the label in hopes to better the quality and creativity of things  that I was part of, as well as the music culture that I am part of. Three One G quickly developed into a family of artists who were all intertwined, or on the same page as one another. For me, it is the truest definition of family; people who are of the same breed and people who are from the same way of life. In the beginning, I started off by releasing music by Swing Kids and Unbroken, both of which shared a member, and were part of a musical community that I was submerged in. It was something that I was really a part of and more so, something that was obtainable, tangible, and real. Over the years, Three One G has loosely been related to a band that I’m part of, and better known for, The Locust. The relevance that The Locust had to Three One G brought amazing artists into the picture, either through meeting them on tour, musical collaborations, or other various things that The Locust was doing. This really helped to diversify the label and the sounds that it encompasses up to this day. To me, having bands under the Three One G umbrella like Cattle Decapitation, Arab on Radar, Quintron, Zs, Black Dice, Orthrelm, and so on, all makes sense, regardless of how different any artist's approach to music or their sound may be. We could all conceivably tour together, even sometimes collaborate and share members. To me, this is interesting, bringing so many new avenues of creativity, which are things that the music industry in general has since forgotten. 
The family members who currently make the wheels spin for Three One G, aside from the actual bands and artists are; Sal Gallegos (who also played in Some Girls, which were comprised of members of other label mates such as The Plot to Blow Up the Eiffel Tower, and Unbroken), as well as myself. Over the years we have expanded, not only musically, but geographically as well. Even though Three One G is below the radar of the who’s who of labels, the bands manage to grow and reach out beyond the label’s grasp, giving a glimpse into the all too interesting underbelly of an unrefined culture. The bands manage to amaze, challenge, inspire, and essentially blow minds. The labor of love here shows sincerity, as well as integrity. The family here is solid, legitimate, and is here to stay.
 
- Justin Pearson

International Punk/Hardcore ⚡️ Fan Label
Obsessed since '01
passiononplastic.com

KLBP 99.1 FM DJ in Long Beach LIVE Sundays 2-4PM PT!

Former KUCI 88.9 FM in Irvine DJ 
On the air since the year 2000!

producer behind: BLVCKFUSE, CELLAR DOVES, UNAMERICAN IDOL, GHOST OF HEARTS, SACRED OBJECTS

Twenty five years ago I bought my turntables with my high school graduation money, and still got’em. Best therapists money could buy. Bass-Head or whatever that kills it. DnB, minimal dubby dubstep, glitch mid-tempo bass, bass funk, tech house, acid, electro, garage, and two step of course. I can trap yah, scratch and beat juggle too. Crunk is cool! Right now remix tracks into new. Blues with a ragga jungle ridden, hip hop acapella on DnB, heavy bass breaks with techno, flipping the stylus upside down and blowing your mind as I get it to play flipped and fucked with. I love to work while I play. Not perfect sometimes intentionally, but not always. It’s ok, I know how to operate all the controllers and CDJs too, and I enjoy mastering and sound design. I am novice with full start to finish production as I am learning to read script music because it’s badass when people record them playing the different instruments as building a track. Thats work. Ciao!

P.S. I need to record more vocals…accepting acappella artists. HMU

Followers of Three One G