steve von till

Teefies

insekt

singing toward the blade

Fuck yeah

Darien's Hammer& Sock

pain

RATS EYES "Dickheads Guide To Asshole Island" from the "II" 7" EP available from www.threeoneg.com

RATS EYES "Dickheads Guide To Asshole Island"

RETOX "The World Is Ending And It's About Time" from "Ugly Animals" available from www.threeoneg.com

RETOX "The World Is Ending And It's About Time"

Exterminate

Struggle was an Political Hardcore band from San Diego formed in 1990. As an angry & youthful band, their aggressive sound was heavily influenced by the likes of Downcast and Rorschach. The Anthology CD, “One Settler, One Bullet” includes the S/T 7″, the S/T 12″, the split EP with undertow. They broke up in 1993 and members went on to be in The Locust, Tarantula Hawk, Creepy Creeps, Swing Kids, Bread and Circuts, Yaphet Kotto, Baader Brains, All Leather, Crimson Curse, Holy Molar, Head Wound City, Retox, Unbroken, & Black heart Procession.

"PAIN"
Sludge of yesterdays sorrow drips from the pale sky bleeding. With a knife I will carve out my skull for a world that has forgotten how to love. Silver moons float above insignificant to the world below. My brain has split into two condemned to this hell of money and death. A heaven of greed. Can you smell the flesh burning in the air, melting of their bones. Misery and despare.

STRUGGLE. "Pain"

Malakwa "Monster" (Leg Lifters "Heil a Cab" remix)

RETOX "This Should Hurt A Little Bit" from the split 7" EP with NARROWS available from www.threeoneg.com

“THIS SHOULD HURT A LITTLE BIT”	
Who needs a virus? Or a missile crisis? Fill out plus sizes and 
shit reverse niceness. Hear more with tinnitus while ass sells bias. Bland diet, be quiet. Shit here, hope it will disappear. 
Hang myself and reappear? Nothing is sturdy here. Jesus came on leap year. I’ll die old, I’ll volunteer. Are we all clear? With tinnitus I can hear a sore loser cheer. Shall I be insincere? Toilets diet, race riot.



RETOX "This Should Hurt A Little Bit"

Off the upcoming LP "Lonely Twin"  available 6/7/11 via Graveface Records

Love or Death

Phantom Limb

“A serious condition with respiratory failure that usually requires hospitalization and intensive care.”

“Causes: Breathing in smoke or poisonous chemicals. Breathing in stomach contents while throwing up (aspiration). Near drowning. Pneumonia.”

Search for the phrase “Wet Lungs”, and this is the type of information you’re going to find. No cliché album reviews, dick-sucking summaries praising how the band “totally fucking shreds”, or music videos followed by lowest common denominator teenage YouTube comments about what qualifies as music or who in the thread is “such a faggot”. No, look up Wet Lungs and you’ll get nothing but ominous medical jargon and threats of fatality— and, really, it’s the perfect ode to the band and its blunt, matter-of-fact brutality.
There is something enigmatic about the band; Frankenstein’s latest monster made up of equal parts The Roller, The Locust, utter mayhem, and pinpoint precision. Part of the obscurity might stem from the fact that Wet Lungs’ presence has been relatively transient, breathing diseased life into the Austin, TX hardcore/metal scene beginning in 2013 and indefinitely incapacitated by 2014. Until Three One G’s digital release of previously stowed away tracks, less than nine minutes of music were available to the public by way of a self-titled 7”, every second a pendulum hurtling between Pete Brown’s heavy sludge-then-grind guitar riffs, Mike Morowitz’ infernal snarls, and intensified tenfold by diabolical bursts of Gabe Serbian’s signature machine-gun drumming.
 Three One G’s release of the “Vile Hobbies” EP reveals tracks in the same vein as their previous release in terms of length and overall intensity, but interspersed with everything from extraterrestrial guitar distortion at the outset of opening track “Cool Beach”, to malevolent surf style on the aptly titled “Surf Nazi”. Tracks are all vim and vigor, succinct sonic whirlwinds clocking in at around 1:30 at most.
Still, Wet Lungs have no trouble getting their point across in short spans of time. Even with limited material for audiences to diagnose, the message is clear, and their outlook is dire.

-Becky DiGiglio


WET LUNGS "Space Garbage"

Street College

Magrudergrind - Conditioned Minds (Crusher, 2010, Bones Brigade)

Frigid

From the LP  "DYI" on Happy Happy Birthday to Me records

White Ego

Samples the Daughters tracks "Recorded Inside a Pyramid," "Feisty Snake Woman," "The Ghost With the Most," "Fur Beach,"  "Daughters Spelled Wrong," and "Cheers, Pricks!"

Also briefly samples the 1986 'DIC' bumper.

Because Daughters is/was a criminally underestimated, noise-metal hit machine.

Recorded Inside Feisty Ghost Beach, Pricks (Daughters Mishmash)

Justin Pearson / Gabe Serbian "Old Age Lasts Too Long" 

Original music from the film Incompresa by Asia Argento, available from Three One G

JUSTIN PEARSON / GABE SERBIAN "Old Age Lasts Too Long"

This Comp Kills Fascists Vol. 1 is a compilation album released by Relapse Records focusing on grindcore and powerviolence bands. The LP was released by Deep Six Records. A limited edition box set of 7 7" records was released in January 2009.[1] The album features 14 bands, 51 tracks and has a total running time of 57 minutes and 4 seconds. The album was compiled by Scott Hull of Pig Destroyer/Agoraphobic Nosebleed fame.
Many song titles and lyrics are politically charged (including the album title), mainly speaking against capitalism and fascism, some claiming that America is a fascist country. The CD artwork features a picture of George W. Bush's head with four L-shaped penises coming from his ears, mouth and top of his head that form to resemble a swastika.

MAGRUDERGRIND- 'Burden'

Second cover up. Share if you like :D 
Vocals - Mohini Mohandas 
               Kinan Hakkim 
Guitar - Kinan Hakkim

Apologize - Cover by Momo and Kinan

Public Service Broadcasting are pleased to present a brand new track – Korolev.

Sergei Korolev, or “The Chief Designer” as he was referred to at the time, was the talismanic figure spearheading the Russian Space programme and the lead designer of Sputnik. His untimely death in 1966 had a huge impact on the outcome of the Soviet battle with the United States to be the first nation to land a man on the Moon. 

The band have a major UK tour planned for November, starting out in Edinburgh which has already sold out and taking culminating in the biggest date of their career with a Brixton Academy headline show on Sunday 29 November.
Tickets here: 
http://bit.ly/1KvA6rz

UK TOUR
17th November – Queens Hall, Edinburgh *SOLD OUT*
18th November – University Refectory, Leeds
19th November – 02 Academy, Liverpool
20th November – Rock City, Nottingham
21st November – OPEN, Norwich
26th November – Great Hall, Cardiff
27th November –02 Guildhall, Southampton
29th November – 02 Academy Brixton, London


Public Service Broadcasting - Korolev

"Megalomania (Herbert Mullin)" from "Master Of Brutality".

Church Of Misery "Megalomania (Herbert Mullin)"

"I, Motherfucker (Ted Bundy)" from "The Second Coming".

Church Of Misery "I, Motherfucker (Ted Bundy)"

The Vanity Set - No Regrets

EMA - Butterfly Knife

Vessel - Villaine

LOVE LIFE "Hex It Out" from the S/T single available from www.threeoneg.com

LOVE LIFE "Hex It Out"

THE LOCUST "Coffin Nails" from the "Follow The Flock, Step In Shit" EP and the split 5" with Jenny Piccolo available from www.threeoneg.com

THE LOCUST "Coffin Nails"

Nick Cave And The Bad Seeds - We No Who U R


Three One G is in a sense, a family owned business…and basically a family in itself. I started the label in hopes to better the quality and creativity of things  that I was part of, as well as the music culture that I am part of. Three One G quickly developed into a family of artists who were all intertwined, or on the same page as one another. For me, it is the truest definition of family; people who are of the same breed and people who are from the same way of life. In the beginning, I started off by releasing music by Swing Kids and Unbroken, both of which shared a member, and were part of a musical community that I was submerged in. It was something that I was really a part of and more so, something that was obtainable, tangible, and real. Over the years, Three One G has loosely been related to a band that I’m part of, and better known for, The Locust. The relevance that The Locust had to Three One G brought amazing artists into the picture, either through meeting them on tour, musical collaborations, or other various things that The Locust was doing. This really helped to diversify the label and the sounds that it encompasses up to this day. To me, having bands under the Three One G umbrella like Cattle Decapitation, Arab on Radar, Quintron, Zs, Black Dice, Orthrelm, and so on, all makes sense, regardless of how different any artist's approach to music or their sound may be. We could all conceivably tour together, even sometimes collaborate and share members. To me, this is interesting, bringing so many new avenues of creativity, which are things that the music industry in general has since forgotten. 
The family members who currently make the wheels spin for Three One G, aside from the actual bands and artists are; Sal Gallegos (who also played in Some Girls, which were comprised of members of other label mates such as The Plot to Blow Up the Eiffel Tower, and Unbroken), as well as myself. Over the years we have expanded, not only musically, but geographically as well. Even though Three One G is below the radar of the who’s who of labels, the bands manage to grow and reach out beyond the label’s grasp, giving a glimpse into the all too interesting underbelly of an unrefined culture. The bands manage to amaze, challenge, inspire, and essentially blow minds. The labor of love here shows sincerity, as well as integrity. The family here is solid, legitimate, and is here to stay.
 
- Justin Pearson