Καλυψώ

Hero and Legend

Grand Junktown

"Acknowledge my wisdom"

Celestial Aura, Being, Energy, & Love Frequencies Guides you in powerful positive steps to becoming who you want to become with all of your heart


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Celestial

Celestial (Original Mix)

Hit the road with Easy Roller, a rock and roll indie vibe with grooved harmonica layered on guitar...

The Rounds

Easy Roller

A tensely dramatic, big, complex song of unease, love and compassion for all.

Gibson The Paul guitar at the foundation of the song.

Russia

Original composition.... Alejandro Gonzalez M.

Mysticum

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - V. Spring Rain (Sara Teasdale)

Wow what a hurricane of fear
Now watch it disappear
Here we go again
Me and all my friends
We came here to win
What’s for real is what’s for real
Finally the skies are blue
Suddenly I felt brand new
Boy we came to win
That’s for real

The Reminder

For Real

Beat produced by sxzu x eric rottenburg
Performed by the one and only Belch.

The Orchids

A love song between two artificial minds, emotional code meets melody.

Binary Heart

experimental, cinematic, instrumental, post-rock band from russia.
for the benefit of almost all living beings. 
cheers.

Καλυψώ

threshold of faith