great, fresh and also deep and hot style ;)))))

Great arrangement, cool rhythm track, awesome vocals!

Buenas voces,buenos coros y un sonido genial!!

another older track I'd like to try to expand on some day. Just didn't have the playing chops at the time of recording it. Still don't  :O)

This track was also used (temporarily) as a middle section of an alternate, slower and extended version of ‘Jazzy Ditty’, one of my favourite tracks. But I hope to eventually replace it with something that fits better. 

Artwork is a variation I did (added guitar strings) on a well known Matisse print.

Comments always appreciated, but don't feel shy to give critical feedback - always trying to get better!

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Belle Curves Blues

A Song about having High Hopes for Life's Journeys !

In Scenes to Follow

Deep Cuts

Deep Cuts -with AnandaTuk

Dreaming in Colour

Cover
You started Laughing - Supertramp - Rick Davies -1975

When you're in heaven what you gonna do?
You're gonna sit around a cloud and say
"Hey what a lovely view"

Is there a reason why you're like you are?
Is there a reason you'll be leaving?
Is my love out of season?
I wouldn't mind but to me that is treason

You started laughing
When I held you in my arms
You started leaving
When I told you of my charms

I was in love with you
And then you said we're through
And then I said boo hoo

Was my tie not on straight?
Was it something I ate?

You Started Laughing

"One day blooms, the next day blusters—spring keeps us guessing and growing."
this quote would perfectly describe my Lovely Niece 🪴😊
Happy birthday to my dear 'Iren'. ❤️

mix & mastering by @bahram-dashtii

Buy/Stream

Iren, the Spring Girl

Cast of Characters:
Didier Burli-- @didierburli — acoustic guitar, main vocals, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom organ, Roland piano, Paul Reed Smith cutom SE electric guiar, Warwick four string fretless bass, vocal harmonies
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar

This song began with Didier coming up with it on his acoustic guitar. However, when he first sent it to Josh, he had played electric guitar, bass, keys, and drums on it, because he is a very talented multi-intrumentalist. This song passes the stool test, though, which is the question of whether it sounds good with someone just sitting on a stool with a guitar, playing and singing it. So, when we asked him to give us a version that we could add to, it was already a great song that he sent us with just him singing over his acoustic guitar. 
  Tez was the first one up on this one, adding the fiery fills throughout, as well as the co-solo at the end. Ken entered the fray next, adding his rock solid, dynamic drums. Once the drums were down giving him something to play against, Josh added his fretless bass to the song. Being very excited about this one, he also added piano, organ, and eventually the lead guitar solo at the end. He also went in and added all the vocal harmonies throughout. Stephen then brought up the rear with some really cool textural guitar throughout. 
  Once we had it in the bag, we asked Tez to produce and mix it for us, which he did in his usual expert fashion. 
  This is our first song with Didier, but we hope it's just the beginning of his new inclusion into the Eclectic Collective family. He has a lot of great music on his page, which is worth checking out, too. We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Didier Burli:
I wish I could stay awake but I need to sleep
Thunder is on it's way but I don't hear it
I don't fear the ghouls, and I don't fear the creeps
And with this dancing zombie, I don't know what to do with it
And I just get too much information....
in the middle of the night, when everything is silent....

(chorus) And the noise rises up
From all those things, that mankind does, that makes you want throw up

(chorus) And the noise rises up
From all those things, that mankind does that makes you want dream of

(chorus) And the noise rises up
From all those things that makes you scared of

(chorus) And the noise rises up
From all those things that mankind lost

And I just get too much information....
in the middle of the night, when everything is silent....

The Noise Rises Up-Didier/Eclectic Collective

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

"Riktig man" är en högljudd, stökig och kaxig raggarrockhymn som är fulladdad med energi och attityd. Låten sätter omedelbart tonen med ett överstyrt gitarriff, pundande shuffle-trummor och ljudet av motorvrål och burnout. Texten är en humoristisk och frispråkig skildring av den klassiska raggarlivsstilen – snus, bärs, sladdar och total brist på respekt för konventioner, allt levererat med stark prestation och perfekt uttal. Produktionen är ren och balanserad, vilket ger en skarp kant till den annars råa energin. Höjdpunkterna inkluderar ett vilt rockabilly-gitarrsolo med tydligt slapback-eko och de råa backing-sångerna ("Helvete, här kommer kingen!") som skapar en känsla av samhörighet. Låten är en oemotståndligt trallvänlig och aggressiv rockdänga som kulminerar i ett roaring gitarr-slut och ett utskrikit farväl till en natt fylld av däckskrik och supande.

Riktig man

Hard  driving 3 pice rock ,Electric blues Heavy 

Unkle Mo

Freight Train

Theme: Industrial blindness.
A furious opener with heavy guitars and mechanical drums — describing a civilization that confuses progress with suffocation.
Lyrics compare city skylines to “iron lungs” that keep a dying world breathing for profit.
Emotion: Anger and claustrophobia.


Age of Smoke

ThrillMonkey’s love of excitement and danger has evolved into a unique blend of musical styles including hip hop, metal, rock, drum & bass, and rap. Their signature sound is instantly recognized by it’s originality and aggressive presentation.

Deep Cuts -with AnandaTuk

ThrillMonkey

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