(Written by Terry Reeves)
Gary Reeves: Lead Vocal
Terry Reeves: Spoken Vocal
Hans-Michael Albers: All instruments, Arrangement & Production

Video: youtu.be/4t-H-HHpQ20?si=_reTvkVVmF73vkRi

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
My heart is growing smaller by the week

Stood and pointed at hours of darkness
Winds of silence a challenge of their own
Worn out boots a testament to distance
But the misery of counting my toes alone
Sixty three feet behind me as it goes

I have loved being a man of mountains
I hope many will profit from my deeds
I will try to climb just one more mountain
Slide down the other side to save my feet
At the bottom I'll need brand new cleats

This was written over 10 years ago as a George Formby style (Google the name if you’ve never heard of him) ukulele song - a mildly amusing message to Gal to let him know that I was fully aware of the mental health difficulties he was having and that I would always be there if he needed me.

Over the years, we spoke often about the song but nothing much came of it until Gal suggested slowing the tempo and giving it a kind of shuffle beat. As it was about him, I thought he should definitely sing the lead vocal, which I think works rather well. (*Vocalist’s note: It would help if I could still sing…)

You’ll find many personal references to Gal’s life in the lyrics. At the time it was written, he was 63, literally a fatal age for men in the extended Reeves family and he wasn’t having the best of times himself, still wrestling with the grief of a marriage break-up alongside the loss of his big brother and closest friend less than a year before. But even with all of this going on (and not always out of choice) he found there were plenty more mountains to climb.

The transition of the tune from Formby to Albers is a story in itself but suffice it to say that Hans somehow managed to transform it into this rather poignant opus.  He has also made a beautiful film to accompany the piece (see link above). All in all, it testifies perfectly to the reason why Gal’s cleats are somewhat care-worn...and he still has many mountains yet to climb.. (Terry Reeves)

MOUNTAIN MAN - CRIPPLE CLUB

a sense of anticipation emerges

Collaboration
Check out AnandaTuk's music at: @user-11396379

For Some Strange Reason -With AnandaTuk

A while ago...
https://soundcloud.com/bigpapashonan played this awesome violin and designed this wonderful instrumental,  a Big Thank You for that, it was a great pleasure to write and sing along. Please take a listen to the remix of KBS: https://soundcloud.com/bigpapashonan/trickery0228?si=35e45cbd417c4accb2a68553122900b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The lines (translated, edited, retranslated, reedited...) derive from "Philoctetes“ (409 B.C.), a Greek tragedy by Sophocles (496 - 405 B.C.). Mainly it is Ulysses speaking to Neoptolemos (The son of Achilles) in order to conspire against the bowman Philoctetes…

The picture shows a detail of „The Wounded Philoctetes“, a painting by Nicolai Abildgaard, 1775

Trickery

1 
This is how far we have gone 
In the matter (4)
Into the nets
Of our own and others’ steps
That there is no way out
But just the farther

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now
You can leave…
You can leave now…

Bridge
Oh, you have two eyes…
Please, show me my face


2
Easily with twisted tongue
You catch him
Easily we drag him
To the ship -
In this trade 
You are not the first one
Who does, 
What he does’nt want to…
We did it before you 
We did that before…

REF 
What we show here has no morals
You can’t learn anything from life with us,
And, 
If you want to pass,
You can leave now 
You can leave…
You can leave now…

Trickery (wt KBS, raw edit)

EDIT 2025-07-16: I am very happy to announce that thanks to this piece I won first place in this competition! 😍🥂🥳

EDIT 2025-07-07: I reuploaded track because I've messed a little in "original" part. Now "my part" is much more different from the original

No AI was involved in creation of this track.

Track made for Spitfire LABS Discord competition.

At the beginning (up to 0:18) and at the end (from 2:23) – a short fragment of the theme song for the AppleTV+ series "Severance" by Theodore Shapiro which can be heard in its entirety at the link below. I highly recommend it! The opening credits of this series, as well as the entire series, are worth seeing.
https://www.youtube.com/watch?v=NmS3m0OG-Ug
Yes, I know, I've bite off more than I can chew, but whatever... I guess it's worth tackling such a great and catchy musical theme ;)

The idea was to "Write a short piece (1-2 mins) that starts with a recognizable melody in it’s original form, and then take that melody and reinvent it in your own style. Use one or more of the first 10 LABS packs that were released for this, but feel free to incorporate any other tools you’d like."

To made this track I used:
Ableton Live 11 Standard
Spitfire LABS Libraries:
(Original Theme)
Soft Piano
(Reimagined Theme)
Amplified Chello Quartet
Strings
Electric Piano
Intimate Piano
Lap Steel
Wurli
Beside LABS I used:
Strezov Diamond Jazz Trio Freebie
and two MIDI loops (both from Ableton Live packs)
Gravity Werks Kit - 105 bpm and
Shaker Chance 126 bpm

Picture in thumbnail is a part of original poster from the show: http://www.impawards.com/tv/severance_ver2_xlg.html

Severed ("Severance" Theme Reimagined for Spitfire LABS competition)

A collab with 
Midnight pies (Bass)
and Eric57 (Sax , samples , beat , arrangement , mixing/producing)..
Walker Guitars
2025 

2 minutes Mr.Smith (colaboration with The Midnight Pies and Eric57)

Spending summer by the lake in the forest


Forest Lakeside

Elysium

Recorded in Modesto, Ca.   Featuring Godin Nylon Strings Acoustic Guitar solo. Soprano Saxophone solo. Flute solo.  Steinway Brothers Acoustic Piano Rhythm. Godin Nylon String Acoustic Guitar Rhythm. Acoustic Bass Stand-up. Roland Synthesizer Bass. Acoustic Full Drum Kit Set. Percussion Timbales, Cowbell, Ago Go Bells, Tree Chimes.

Ipanema

Feel Free

When I was a kid, I had toys on my brain but now kids today want video games.
***
She says there’s a really overpowered character in in this video game that she likes
There’s a really overpowered character in in this video game that she likes
It’s my favorite game daddy she says please won’t you let me buy it
I say no, no, no, no, no no, no, ten dollars a week that’s too much money to spend
Ten dollars a week five hundred twenty dollars a year
I say no, no, no, no, no no, no, ten dollars a week that’s too much money to spend
Ten dollars a week five hundred twenty dollars a year

When I was a kid I’d ask my parents for toys and a lot of times they’d say no
Cause funds were tight and there were places where the money had to go
And now the shoes on the other foot and I’m starting to understand
I’m not pooping money like Daddy Warbucks
I’m not buying expensive drinks at Starbucks
She keeps wearing me down and there’s only so much I can take
And I know that sooner or later my resolve is going to break
Food clothing and shelter, Maslov had a hierarchy of needs
But if you drill a little bit deeper down into the weeds
There’s lots of other things that we all want
I say no, no, but eventually I’ll give in, cause I’m fighting a battle that I know I just can’t win
I say No no but eventually I’ll give in, cause I’m fighting a battle that I know I just can’t win
I’m fighting a battle that I know I just can’t win

The No No Song

A heartfelt duet of piano by Roberto Guerra and voice by the luminous Oddrun Eikli, composed by Francesco Adornetto.

In a world that often trembles under the weight of conflict and noise, love remains our quiet rebellion.
A gesture, a word, a melody — sometimes that’s all it takes to remind someone they’re not alone.

These tender lines, written and sung by the beautiful soul of Oddrun Eikli, carry that reminder — and borrow from the timeless words of Emily Brontë, who left us far too soon, yet gifted the world with her poetry:

“He’s more myself than I am.
Whatever our souls are made of, his and mine are the same.
If raindrops were kisses, I’d send you showers.
If hugs were seas, I’d send you oceans.
And if love was a person, I’d send you me.”

Let’s keep sharing love — through notes, through silence, through presence.
Because love is the only thing that grows when it’s given. 💙


#HarmonyOfLove #OddrunEikli #FrancescoAdornetto #RobertoGuerra #EmilyBronte #NewMusic #PoetryInMusic #PianoAndVoice #Neoclassical

Harmony Of Love (vocals by Oddrun Eikli)

ThrillMonkey’s love of excitement and danger has evolved into a unique blend of musical styles including hip hop, metal, rock, drum & bass, and rap. Their signature sound is instantly recognized by it’s originality and aggressive presentation.