Collaboration

Check out Ramixjoe ♈︎ music
https://soundcloud.com/josef-schweinzer

Move Yourself

Move Yourself -with Ramixjoe ♈︎

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

Walking though the hill top forest.

Words and Music Dave Rose.
A slow blues tempo for the current situation we find ourselves in.
Bit of a dodgy vocal unfortunately, I might do it again.
Headphones essential 🎧
Lyrics
How’ve we let it get to this, it really seems ridiculous 
These gangsters criminals fanatics and lunatics 
Drag us into the abyss 

So tonight let’s just put that all aside and let the music play 
And if this should be the last song for you and me
Then let’s just sway

Or am I just being pessimistic should I be more optimistic 
And maybe I’ll see that history won’t simply be repeating itself 

So tonight let’s just put that all aside and let the music play 
And if this should be the last song for you and me
Let’s just sway….

But the moon 🌙 still turns the tides
And day follows night
We awake to find a brand new day 
And this doesn’t have to be the last song
And life still goes on 
Life still goes on…….

The Last Song

You can use this track for whatever you want or need. 
I made this with a YamahaCs80 Synth
I will appreciate your help in my profile. 

2025 Creative Commons

YamahaCS80 - Nostalgic Future ( you can use this track for whatever you want or need)

Phone recording 10.8.25

Not that I've always got the light. But I've always got the light, to get. 

It's a good job that I don't have any pride
'Cause we're being taken for a hell of a ride
They take our freedom they may take our homes
Throw me in a well I wouldn't be alone 
I have always got the light
I have always got the light
The sins of us adults do the children harm
Old McDonald's got to sell the farm
Sweet indifference causes cancer too
I've got no time to loose I don't know about you
I have always got the light
I have always got the light
Mercy mercy mercy please have mercy on me 
Sweet Lord have mercy on me
I have always got the light
I have always got the light

Always Got the Light

QUE FONT NOS DIRIGEANTS

Taken from the forthcoming album: My Sweetheart The Liar

A song about the vultures circling and waiting to pick at the carcass of a dead relationship. 

Did you know: Vultures have evolved strong immune systems and highly acidic stomachs that allow them to eat decaying flesh without getting sick from the harmful bacteria and pathogens present in it.

Every day is a school day. I'm happy to learn and learn from my mistakes.

LYRICS:
So look out Mr Waiting In The Wing
Desperately trying to type the right thing
Waiting on your big chance
With her second hand romance
You circle like a vulture
You hover and you linger
And drum impatient fingers
On keys of plastic and ivory

It's just a warning

So look out Mr Waiting In The Wing
You think you're going to be an exception
To her deceitful ways
Questioning everything she says
And will she ever attest
You're always going to be second best
To a ghost on a pedestal
That haunts her lonely final days

It's just  a warning

There's addiction she has to feed
Should she desire, should she need to
Enjoy it while it lasts
You're never going far
Don't ignore red flags
She'll look you in the eyes
And never think twice while she's spinning lies
Don't rush and don't move too fast
You've gotta dig deep, don't ignore her past

Do you think you can trust this woman?
Do you think you can change her?
Do you think you can trust this women?
Do you think you can tame her?

She's not trustworthy
No accountability

Do you think you can trust this woman?
Do you think you can change her?
Do you think you can trust this women?
Do you think you can tame her?

Mr Waiting In The Wing

Sick of Waiting

Dial It Back

Gravelheart Relay tears forward with sixteen indie-rooted rock tracks that hit like boots against asphalt—loud, charismatic, and charged with raw-motion energy. The album carries the crunch of overdriven guitars, the punch of a live-room drum kit, and the human urgency of voices that don’t hide behind polish. Each track leans into momentum: riffs that rev like engines, basslines that rumble with soldered confidence, and choruses that ignite without warning. It’s an album soaked in sweat, amplifier heat, and that irresistible sense of running toward something just out of reach. Nothing drifts here; everything drives.

Iron Palm Avenue

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