(The Onewheel Ride Playlist) for people who got raycons or earphones and that Travel a lot

NEW MUSIC - Part 1

Warp Records DISCOGRAPHY - part 4

Warp Records - Part 1

// - Female Demands

Prefuse 73 - Southerners (Interlude)

'Faith In Strangers' is the title track from Andy Stott's forthcoming album, due for release via Modern Love on November 17th/18th.

Andy Stott - Faith In Strangers

This one goes out to all the fellow broke mothafuckas on pay day. 

$ $ $

w/ @kid-yumi

[Kid Yumi]

bungalow // kid yumi - in the air

sean price - onionhead rmx

Made with Max/Msp, Logic

Samples used from:
Junior Senior
The Weekend
Joni Mitchell
Frou Frou
Stereolab
Nelly
Steve Miller Band
YG Feat. Tory Lanez
Drake
The Beach Boys
Aaliyah
The Doobie Brothers

Cybele's Reverie, Stereolab (DJ Recut)

Prefuse 73 - Why I Love You [Jae Emory's MaML ReDuX]

alright

Andy Stott - New Romantic

☁ ☁ ☁ It's my birthday, so here's a funky beat. Also, thanks to everyone that's been coming out to my shows so far ☁ ☁ ☁

download: https://www.toneden.io/iambungalow/post/do-it-to-em

☮ ☮ ☮

follow me:
twitter.com/iambungalow
instagram.com/i.am.bungalow
facebook.com/iambungalow

[☁ download ☁]

do it to em

Move D - Eastman

Ex-Aquarium

Cut It Upwards

Warp Records Sampler 2010

AM/FM

Body Riddle

Matthew Unburdened

Compass (Red Dead On Arrival Version) - Jamie Lidell

The Hundred In The Hands

Pigeons

The Hundred In The Hands - Pigeons

First single taken from the album 'Church With No Magic' on Warp Records.

Window

dlo - különböző helyeken

full album->
https://ahalozat.bandcamp.com/album/k-l-nb-z-helyeken

dlo - Hétköznapi záporok (The Drumlord remix)

Apologies

Perverted Undertone (Prefuse 73 cover)

Beat Edit By Kenses Projects (K-Remix / KSenses)
-Free Download-

Choking You
Speed Up // 320Kbps
Enjoy!!

Prefuse 73 - Choking You (Speed UP By KSenses)

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

Cosmogramma

MmmHmm (feat. Thundercat)

https://throttleclark.com

Management | greg@thefullspectrum.org
UK & Europe Bookings | debbie@lb-agency.net
North & South America Bookings | twalker@outermostagency.com  
Press | duncan@9pr.co.uk

Matthew Unburdened

Clark