'Snake Mountain (Instrumental)' by Throw The Fight. 

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Written by Ryan Baustert, Jeff Baustert, Kade Kastelitz, Kris Weiser (ASCAP)
https://throwthefight.com

Produced by Jeremy Turek at Knightfall Studios
https://knightfallstudios.com

Snake Mountain (Instrumental)

Listen Everywhere

Irritated

Glass Tides - Irritated

"Cover Your Tracks" by Throw The Fight, taken from the forthcoming album, "Strangeworld," available June 30th.
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LYRICS:
Inject the poison, repeat after me
From now on, you will do what we say
Don’t fight back, we don’t like that
Out come the wolves
Prisoners out in the street strike back 
All played for fools

Society is on my side
Make way for the victim
Make way for the victim
Nowhere for anyone to hide
When will we step aside?
Make way for the victim

Cover your tracks
Make way for the victim
Victim

Pick your poison and cover your tracks
Put a nail in the coffin, leave no evidence
Don’t fight back, we don’t like that
Out come the wolves
Prisoners out in the street strike back 
All played for fools

Society is on my side
Make way for the victim
Make way for the victim
Nowhere for anyone to hide
When will we step aside
Make way for the victim

Society is on my side
Make way for the victim
Make way for the victim
Nowhere for anyone to hide
When will we step aside?
Make way for the victim

Cover your tracks
Make way for the victim
Victim

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Written by: Ryan Baustert, Kade Kastelitz, Jeff Baustert, Kris Weiser
Produced by: Josh Gilbert & Joseph McQueen

Cover Your Tracks

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SHOP & INFO https://redfield-records.com/pages/thedisasterarea

LYRICS
Tell me how it feels to play pretend 
Your lies hit a dead end to nowhere 
Are you feeling it? 
Left me to rot inside the walls 
Tell me how you did it all for us 
You‘ll see when your world comes falling down 
You fucked up and now the tables turned 
You know that I‘ve been 

Left to suffer out with the others 
Still gripped in your claws 
Hiding out under plastic covers 
Rotting in the walls

Memories fade and I can‘t pretend 
The pain you inflict 
The torture will never end 
My voice is silenced I can‘t defend 
Trapped in this hell 
Until the very end 

Left to suffer out with the others 
Still gripped in your claws 
Hiding out under plastic covers 
Rotting in the walls

You used to be in control 
Can you see the tables have turned 
I‘ll make you pay for your sins 
Let you drown in your own misery 
I break down the walls you built 
Can you see there is no getting rid of me? 

Left to suffer out with the others 
Still gripped in your claws 
Hiding out under plastic covers 
Rotting in the walls

Martyr

Shop & Info

THE DISASTER AREA & NOVELISTS - Martyr

Saints Can Lie - Anxiety

This is a song created with an AI about the Warhammer 40k Dark Angels Chapter

The Fallen's Prayer

3 Pill Morning's 1st Single 'Electric Chair' off of their upcoming album 'Never Look Back.'

‪#‎ElectricChair‬ Available Now!
iTunes : http://goo.gl/zEJw3k
Amazon: https://amzn.com/B01EZLDF6A

Electric Chair - Single

Rise Up

Space

Discrepancies - Prevail

CHRISTMAS LiTE

CHRiSTMAS OVRTURE

Defy

Ain't Done Yet

With a diehard audience earned the old-school way and modern rock anthems suited for the digital age, Throw The Fight celebrates two decades of passion and perseverance. Mixing soaring melodicism and heavy bombast without ever sacrificing hooks, the Minnesota outfit was built to last.

Songs like “Cover Your Tracks,” “Hourglass,” “Bury Me Alive,” and “Awakening” are undeniable bangers. They resonate with an urgent connection similar to the sound championed by the likes of I Prevail, Wage War, or A Day To Remember, with a unique creative voice shaped by the Midwest and over 20 years of experience. Close to 700,000 monthly listeners drove Throw The Fight to nearly 70 million streams on Spotify, where tastemaker playlists regularly introduce them to new listeners.

Frontman Kade Kastelitz, guitarists Ryan Baustert and Kris Weiser, and drummer Jeff Baustert make a career-defining statement with their breathtaking fifth album, Strangeworld. Produced by Josh Gilbert and Joseph McQueen (As I Lay Dying, Bad Wolves, Light The Torch, Upon A Burning Body), the record is a potent distillation of the strengths of their catalog and a huge step forward to the future. It’s the first Throw The Fight album released in collaboration with Long Branch Records and SPV.

“The album title refers to the odd state of the world we have all been living through these past few years,” Kastelitz offers. “Sometimes we can feel like we aren’t on the same planet anymore.”

The Strangeworld songs came together in Weiser’s cabin during the worldwide pandemic shutdown. Once the band honed the material to their liking, they headed to Sparrow Sound in Pasadena, California, with Gilbert (former bassist for As I Lay Dying and now in Spiritbox) and McQueen. “We worked quickly,” Ryan explains. “We did a lot of tracking before we arrived. We trimmed a lot of the excess and focused mostly on vocal production, really dialing that in, which
was our biggest change.” 

The band’s earliest rumblings drew from melodic punk and hardcore like Alkaline Trio and New Found Glory. Over the years, the crunch of New Wave Of American Metal acts like Killswitch Engage and the raucous rebellion of Every Time I Die found their way into their sound. Ultimately, Throw The Fight isn’t limited by genre conventions, opting to serve each song as the specific song demands. This made for an exciting, eclectic, diverse catalog connected by authenticity and dedication.

Throw The Fight independently sold thousands of their debut EP and topped the unsigned category of the community-driven Pure Volume. A magnetic live show, a determined work ethic, and an electric connection with crowds earned Throw The Fight an invitation to Vans Warped Tour early on. Grassroots support saw Alternative Press anoint them as an Unsigned Band To Watch in 2006.

Tours with Bullet For My Valentine, Black Veil Brides, and All That Remains; shows with Avenged Sevenfold, Papa Roach, and Red Jumpsuit Apparatus; festival appearances and headlining gigs introduced audiences to the power of the band’s sound as it evolved across four albums, and EPs.

The aptly titled In Pursuit of Tomorrow (2008) was an ambitious debut. The band collaborated with platinum producer John Feldmann (blink-182, Korn, The Used) on What Doesn’t Kill Us (2012), which boasted the unstoppable “Not So Hollywood,” among other highlights. Cryptic Rock declared Throw The Fight “better than ever, with heavier, catchier songs” on album three, Transmissions (2016).

Settle Your Sins (2020) saw longtime bassist and co-vocalist Kastelitz step up to the frontman position. His overwhelmingly captivating performances drove songs like “Paper Wings” and “Misery” to become new fan favorites, each powered equally by stellar musicianship and emotion. The 2021 acoustic EP, Inside Out, resulted in 2.7 million views for the “Wolves in the Dark” music video.

Strangeworld is just as powerful lyrically as it is musically. “Cover Your Tracks” kicks off the record with a call to action to question everything. “Hourglass” references the passage of time. “Moments are precious,” Kade says. “It’s a reminder to embrace life and be grateful for our limited time on this planet.” “Obey” resists forced complacency. “Lost Without You” deals with the grieving process.

“Sorry, Not Sorry” is “about releasing guilt for following your passions and dreams, realizing it’s not selfish. It’s self-care,” Kade explains. It’s a bold summary of what Throw The Fight represents. “It’s a ‘Strangeworld,’ but through music and art, we can express what we feel and deal with daily.”

Throw The Fight creating a record this powerful from a position of strength was no accident.

“We’ve consistently executed something every day for years and never quit,” Ryan says. “It doesn’t sound very exciting, but that’s the secret. That’s why we can still do this 20 years in. We maintained our independent, DIY work ethic from day one, continually doing things on our terms.”

Cover Your Tracks

Throw The Fight

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