Your Mix 4

Matter Of Time

Quarantine Chronicles Vol. 1

Bring Me To Life - Cover

BURIED ALIVE

Our Last Night - BURIED ALIVE

If you liked this track, check my other mixes here:
https://www.darkhouseaudio.com/

Mixed and Mastered by Erik Monsonis of Dark House Estudios
https://www.darkhouseaudio.com/

Mixed using TMF Drums and TMF Cabinets:
http://themetalfactorydrums.bigcartel.com/

I own no rights to this music, original by Breaking Benjamin.

Breaking Benjamin - Diary Of Jane - Cover

My guitar cover of Animal I Have Become (Three Days Grace).

Animal I Have Become (Three Days Grace) - Saul guitar cover

Intoxicated (feat. Until I Wake)

Jessie Murph rock cover of "While You're At It" by Throw The Fight
🎵 Stream & Download: https://throwthefight.ffm.to/wyai.PBT

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🌐 Official: https://throwthefight.com
👕 Merch: https://www.throwthefightmerch.com
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LYRICS:
Baby while you’re at it
Why don’t you rip this damn heart out my chest 
And baby while you’re at it 
Why don’t you take back every word you said
 
It’s two weeks over
Feel ten years older
I was staying sober
Till you walked in
 
That party up in Dixon
Emotion I was risking
That shit that I was mixing
Made me fall back in
 
Seeing you with her 
I’m thinking bout how you’d hold me 
With this shit in my cup 
I’m feeling just like the old me 
Point that gun and pull the trigger 
Pretend I was never with ya Oh woah 
 
And baby while you’re at it
Why don’t you rip this damn heart out my chest 
And baby while you’re at it 
Why don’t you take back every word you said
 
If you wanna tell me that I ain’t the one 
If you wanna tell me that it wasn’t love
Then baby while you’re at it 
Why don’t you rip this damn heart out my chest
 
You got it bad
Shit I got it worse
Had all the perks and you got the Henny I got the hurt yeah yeah
 
Still got that smile
Man you got some nerve
If you’re here to watch me burn then 
 
Baby while you’re at it
Why don’t you rip this damn heart out my chest 
And baby while you’re at it 
Why don’t you take back every word you said
 
If you wanna tell me that I ain’t the one 
Might as well take all the air out my lungs 
Rip this damn heart out my chest
 
Baby while you’re at it
Baby while you’re at it
 
Mmmnm

--------

Written by Josh Kerr, Jessie Murph, Dave Kuncio and performed by Throw The Fight
https://throwthefight.com

Produced by Jeremy Turek at Knightfall Studios
https://knightfallstudios.com

Mixed & Mastered by Carson Slovak & Grant McFarland at Atrium Audio
https://atriumaudio.com

#JessieMurph #RockCover #ThrowTheFight

While You're At It

Listen everywhere!

Taken from the upcoming debut full length album (planned to be released March 1st - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://www.youtube.com/watch?v=80YWaTAt8Gc
-------------------------------------------
lyrics:
We've been through a lot, a lot of shit
now it's time to fight, fight against
against this depression and evil vibe
this is the time we will take over our lives

We've been submersed deep deep down
we've lost our faith into this evil town
we have to get back, get back to our own feet
we had enough, enough with this shit!

and now we have our head up high
we know what it's true and never dies
and now we step up with god's command
we won't take it anymore, not get stuck into the sand

It won't take forever just to reach our dream
it won't take forever to delete the bad scene
it won't take forever to hold your hand
it won't take forever to the promised land

it won't take forever to live again
it won't take forever to face the sun
it won't take forever, it won't take forever!

Rock and Roll Kills

It Won't Take Forever

snow white hits

Mirror Kill Snow White

Fade Away (Solo Version)

Crimson Ritual – Tio Klarus
Dive into the dark, cinematic world of Tio Klarus with Crimson Ritual. This 12-track journey fuses crushing riffs, pounding drums, and haunting synths with tales of sin, rebellion, and raw desire. From blood-soaked corridors to chaotic fury, every song is a ritual in aggression and emotion — a relentless, cinematic metal experience.

Black Mass

Desire EP

Faster

Cult To Follow - Lies (From the release "The Inception")
Preview & Save "The Inception" on the music service of your choice by clicking the Smart Link below:
https://ffm.to/theinceptionsmartlink.ODL

Written by Bryan W. Scott © Superman Music (ASCAP)
Produced, Mixed & Mastered by Bryan W. Scott

The Inception

Buy iTunes

Lies

Follow updates for Egypt Central:
http://www.facebook.com/egyptcentral
http://www.twitter.com/egyptcentral
http://www.egyptcentral.net

Ghost Town

Shapes

Will This Be The End

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

With a diehard audience earned the old-school way and modern rock anthems suited for the digital age, Throw The Fight celebrates two decades of passion and perseverance. Mixing soaring melodicism and heavy bombast without ever sacrificing hooks, the Minnesota outfit was built to last.

Songs like “Cover Your Tracks,” “Hourglass,” “Bury Me Alive,” and “Awakening” are undeniable bangers. They resonate with an urgent connection similar to the sound championed by the likes of I Prevail, Wage War, or A Day To Remember, with a unique creative voice shaped by the Midwest and over 20 years of experience. Close to 700,000 monthly listeners drove Throw The Fight to nearly 70 million streams on Spotify, where tastemaker playlists regularly introduce them to new listeners.

Frontman Kade Kastelitz, guitarists Ryan Baustert and Kris Weiser, and drummer Alex Sullivan make a career-defining statement with their breathtaking fifth album, Strangeworld. Produced by Josh Gilbert and Joseph McQueen (As I Lay Dying, Bad Wolves, Light The Torch, Upon A Burning Body), the record is a potent distillation of the strengths of their catalog and a huge step forward to the future. It’s the first Throw The Fight album released in collaboration with Long Branch Records and SPV.

“The album title refers to the odd state of the world we have all been living through these past few years,” Kastelitz offers. “Sometimes we can feel like we aren’t on the same planet anymore.”

The Strangeworld songs came together in Weiser’s cabin during the worldwide pandemic shutdown. Once the band honed the material to their liking, they headed to Sparrow Sound in Pasadena, California, with Gilbert (former bassist for As I Lay Dying and now in Spiritbox) and McQueen. “We worked quickly,” Ryan explains. “We did a lot of tracking before we arrived. We trimmed a lot of the excess and focused mostly on vocal production, really dialing that in, which
was our biggest change.” 

The band’s earliest rumblings drew from melodic punk and hardcore like Alkaline Trio and New Found Glory. Over the years, the crunch of New Wave Of American Metal acts like Killswitch Engage and the raucous rebellion of Every Time I Die found their way into their sound. Ultimately, Throw The Fight isn’t limited by genre conventions, opting to serve each song as the specific song demands. This made for an exciting, eclectic, diverse catalog connected by authenticity and dedication.

Throw The Fight independently sold thousands of their debut EP and topped the unsigned category of the community-driven Pure Volume. A magnetic live show, a determined work ethic, and an electric connection with crowds earned Throw The Fight an invitation to Vans Warped Tour early on. Grassroots support saw Alternative Press anoint them as an Unsigned Band To Watch in 2006.

Tours with Bullet For My Valentine, Black Veil Brides, and All That Remains; shows with Avenged Sevenfold, Papa Roach, and Red Jumpsuit Apparatus; festival appearances and headlining gigs introduced audiences to the power of the band’s sound as it evolved across four albums, and EPs.

The aptly titled In Pursuit of Tomorrow (2008) was an ambitious debut. The band collaborated with platinum producer John Feldmann (blink-182, Korn, The Used) on What Doesn’t Kill Us (2012), which boasted the unstoppable “Not So Hollywood,” among other highlights. Cryptic Rock declared Throw The Fight “better than ever, with heavier, catchier songs” on album three, Transmissions (2016).

Settle Your Sins (2020) saw longtime bassist and co-vocalist Kastelitz step up to the frontman position. His overwhelmingly captivating performances drove songs like “Paper Wings” and “Misery” to become new fan favorites, each powered equally by stellar musicianship and emotion. The 2021 acoustic EP, Inside Out, resulted in 2.7 million views for the “Wolves in the Dark” music video.

Strangeworld is just as powerful lyrically as it is musically. “Cover Your Tracks” kicks off the record with a call to action to question everything. “Hourglass” references the passage of time. “Moments are precious,” Kade says. “It’s a reminder to embrace life and be grateful for our limited time on this planet.” “Obey” resists forced complacency. “Lost Without You” deals with the grieving process.

“Sorry, Not Sorry” is “about releasing guilt for following your passions and dreams, realizing it’s not selfish. It’s self-care,” Kade explains. It’s a bold summary of what Throw The Fight represents. “It’s a ‘Strangeworld,’ but through music and art, we can express what we feel and deal with daily.”

Throw The Fight creating a record this powerful from a position of strength was no accident.

“We’ve consistently executed something every day for years and never quit,” Ryan says. “It doesn’t sound very exciting, but that’s the secret. That’s why we can still do this 20 years in. We maintained our independent, DIY work ethic from day one, continually doing things on our terms.”

While You're At It

Throw The Fight

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