Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Bruno Claudino é um DJ que tem se destacado em Londrina. Desde sua juventude, ele tem estado envolvido com música e instrumentos, e sempre sonhou em ser DJ. Em 2023, ele iniciou o curso de DJ com a DJ Raquel Augusto e já fez sua estreia. Desde então, ele vem se aprimorando e tocando nas maiores baladas LGBT de Londrina. Seu som é eletrizante e muito fervido, Além disso, Bruno Claudino é conhecido por sua presença de palco contagiante, que faz com que o público se sinta parte do Show🎶🎧🎤

Produtor musical e DJ há 8 anos, Jhonatan SC A.K.A Moobus, vem trabalhando dia após dia em busca da sua identidade sonora.  Aluno das academias de produção musical MMN, EMPEC, SomBinário Music e PME Experts(Bassline Ninja), tem como inspiração: Victor Ruiz, Solomun, Amelie Lens, ANNA, Charlotte de Witte, Adam Beyer, Adriatique, Maceo Plex entre outros. Já tocou em grandes festas como: Sunshine, Freaknoise e Green Vibe. 
Sua linha varia do Progressive house ao Techno, suas apresentações são bastante energéticas e dançantes deixando aquele gostinho de quero mais. 
Nascido e criado em Cornélio Procópio/PR.

Manager : @mauricionuevo

Melanie Martinez's creative drive and talents have always distinguished her from other musicians. After releasing her platinum-certified 2015 debut album, Cry Baby—which reached No. 1 on Billboard's alternative albums chart and has amassed over two billion streams worldwide —she conceived and directed a video for each song on the album. These mini-movies traced the traumas and insecurities experienced by the album's character, Cry Baby.
 
Melanie’s sophomore album and film, K-12, is another ambitious triumph. K-12's music is a vibrant and singular melting pot of low-key hip-hop, soulful pop and indie-leaning electro. K-12's universe is an expansion of the one introduced in Cry Baby. Using lyrics rich with metaphor, songs address the struggle to find a place to belong—including within friendships, the physical world and romantically—even when fitting into society feels like an uphill battle.
 
To accompany the album, Martinez wrote and directed a 90-minute movie (also called K-12) that incorporates the album's music and mirrors the themes and characters introduced. Filmed on location in Budapest, Hungary, the movie focuses on Cry Baby (portrayed by Martinez) and a class of students who find themselves trapped in a horror house-like residential school. As they experience the usual grade school rites of passage—a lunch room food fight, the embarrassment of gym class, a romance with nefarious intentions, courses taught by checked-out teachers— they have to figure out a way to escape.

Se compromete a oferecer apenas conteúdo da Poesia Acústica de altíssimo nível de qualidade ao rap. Trazendo para todos um novo projeto a cada dia. Uma realização Pineapple Supply e Brainstorm Estúdio.

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bookings@alienrec.com


Enquanto o mundo pega fogo, enquanto os algoritmos sugam almas, em meio a guerras, pandemias e catástrofes, eu continuo nessa cadeira, vendo tudo mudar e passar a minha volta, continuo nessa cadeira, aprendendo a aprender, tentando me entender, mais com tanta escuridão la fora, a musica que procuro traz luz e alivio, talvez um positivismo irreal, mais é essa magia da felicidade extravagante que me apaixonei, aquela que afasta a escuridão nem q seja por um momento, e me poe a dançar como tudo estivesse em perfeita harmonia. E não está?

While the world is on fire, as algorithms suck souls, amidst wars, pandemics, and catastrophes, I remain in this chair, watching everything change and pass around me. I stay in this chair, learning to learn, trying to understand myself, but with so much darkness outside, the music I seek brings light and relief. Perhaps it's an unreal optimism, but it's the magic of extravagant happiness that I fell in love with – the kind that pushes away the darkness, even if only for a moment, and makes me dance as if everything is in perfect harmony. And isn't it?

http://www.songkick.com/artists/8295508

CUFF
Suport By: 
Amine Edge & DANCE / Dennis Ferrer / Antonio Rec / Lonely / Jackard / Spiro Catalano

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