Last project i did in Switzerland few weeks before leaving, with my old brother Ripperton. I started to imagine the lyrics, driving my bicycle to its studio, that was done once there. 
You will find our original version, an Iron Curtis and Margaret Dygas remixes in vinyl-only-release on Tamed records.

We chose to share this version for the Exile project. 

here are the lyrics:
our domestic lives
reach the point behind us
sweet and sour bubbles
fears and stresses
keep your next smile
to your sales director
keep your fist tight
still invisible
i packed my courage
i closed the door threw the key
i chose left direction
i left
the city lights
behind the glasses
switch and restart
step out the chains
-

Ripperton feat. Van Hai - City Lights - Hai's Exile version

Steffi-Sadness Vinyl Version

Read more on THUMP: http://bit.ly/1yI0BGG

https://soundcloud.com/clariannorth
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"Wasting Away Again In Moderation" will be available on November 3rd on https://soundcloud.com/my-favorite-robot-records.

Clarian - Wasting Away Again In Moderation

♬ Click for more ☞ http://trndmusik.de/2014/11/dolph-schattentheater-ep-erscheint-auf-3000-records/

Follow us on YouTube ☞ www.youtube.com/c/TrndmusikDe

Das norddeutsche Label 3000° Records feiert in einer Woche die Veröffentlichung seiner 19. Katalognummer. Für die EP ist der Berliner Liveact Dolph verantwortlich. Am 10. November 2014 erscheint seine Zusammenstellung “Schattentheater”: “Ihr dürft euch auf große Gefühle, gewitzte Tiefsinnigkeit und viel rhythmische Bewegung freuen.” Die EP beginnt “an den Ufern einer wogenden Fläche, über der mit wohligem Druck ein schwerer Bass pulsiert.” Über den Track “Angel Dust” geht es weiter mit den beiden Werken “Alive” und “Third Ear”. (...)

Click for more

Dolph - Angel Dust (Meerkats Remix)

🧥 Oldman Steptoe’s Tape Diary: Entry #62 — “Nine Voices in the Fade” (Final Revision)
It begins with restraint. Just a kick and a pad, humming like a generator in a forgotten corridor. The pad cycles through tones like a broken carousel: A for four bars, then Gb, then F. Then it jolts upward—B for two bars, Bb for two more. It loops, but it doesn’t settle. It’s like watching a lighthouse flicker through fog, never quite guiding you home.

At bar 16, the machinery stirs. A bass line creeps in, and an arpeggiated synth begins to speak—not in melody, but in chords that feel like memories half-recalled.

First, a D major over A (D/A), warm but distant. Then a G6, reaching for something it can’t quite grasp. The sequence shifts: B major over Gb, clean but cold. Then Bmaj7 over Gb, adding a shimmer of unresolved longing.

Next comes Bb major over F, a chord that feels like dusk. Then Ebmaj7sus2, soft and suspended, like breath held in a quiet room. The final stretch begins with E major over B, solid and grounding, followed by Emaj7sus4, which opens like a door to nowhere. Then Eb major over Bb, nostalgic and slow. And finally, Abmaj7sus2, a chord that doesn’t resolve—it just lingers.

These ten chords cycle from bar 17 to 33, each one a layer of emotional architecture. Then, a single-bar drop: a MIDI synth line doubling the top notes of the arpeggios, like a ghost tracing its own outline.

From bar 35 to 65, the full arrangement blooms—bass, pads, synths, all in motion. Then it collapses again to just synth and kick, from 65 to 81, like the track is catching its breath. A hi-hat loop enters at 81, ticking like a clock in a dream. From 97 to 113, the bass returns, and a stereo-panned synth dances across the mix like light through broken blinds.

The final act begins at bar 129. The full arrangement returns, and the tempo holds steady—but the energy begins to dissolve. A slow fade begins at bar 161, not dragging the rhythm but sinking the sound. Each layer recedes like a tide pulling back from a shoreline of memory. By bar 177, it’s gone. Or maybe it’s just waiting.

This isn’t a track. It’s a ritual. A slow, deliberate descent into something vast and unknowable. And when it ends, it doesn’t feel like silence. It feels like the room is still listening.

rags

Acclimatise

More information: http://projectmooncircle.com/releases/parra-for-cuva-senoy-darwis/

BUY CYAN 2LP/CD/DIGI

Parra for Cuva & Senoy - Yuyun

Another one! hope you like it 


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Tokyo In Bloom

Check this beautiful remix from disKjokke. I'm in love with this fine rework. 
It will be release the 23th of April on Moodmusic Rec. 
Luv, 
Max 

Compuphonic - Sequoia (diskJokke Remix)

Everyone keeps asking us for a download of our remix of Sofi Tukker so here you go!

Treehouse

Sofi Tukker - The Dare (Blue Motel Remix)

An album like this should be wrapped in gold, with shooting star accents and served on a rose bedecked saucer.This is Ying and Yang, Laurel and Hardy, spaghetti and tomato sauce, it is: everything. And never nothing. In the club cellar it is potent dynamite and by the light of day it belongs to a souled passion, in quiet moments at home.
"The Gold Retrospective" is the essence of five musical experiments, extending the work of Monsieur Kadebostan on the labels FENOU and Freude am Tanzen.

Eine Platte wie die diese gehört selbstverständlich in Gold verpackt, mit Sternschnuppen garniert und auf Rosenplattenteller gebettet. Sie ist Ying und Yang, Laurel und Hardy, Spaghetti und Tomatensosse, sie ist: alles. Und niemals nichts. Im Clubkeller reinstes Dynamit, bei Lichte gehört beseelte Musikleidenschaft, in stillen Stunden daheim auch feines Sehnsuchtsleuchten.
"The Gold Retrospective" ist die Essenz aus fünf Jahren musikalischer Tiefenbohrung, die Monsieur Kadebostan nun schon bei den Labels FENOU und Freude am Tanzen unternimmt.



The Gold Retrospective 2007-2012

Sofia On Stage

Kadebostan - Sofia On Stage

The electronic music & culture channel from VICE.

Clarian - Wasting Away Again In Moderation

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