sick 💯💯🔥🔥🔥🔥🥳🥳🥳🥳

Techno! 😎❤️👽

Take Control', the latest single from UK producer Alan Fitzpatrick features the creative genius of his 10 year old son, Mylo Fitzpatrick. 

Kettle drum kicks and a rolling low end are paced by claps and a spritely swung hat line. Melodics build the tension to the first break where a female voice tells us to ‘let the music take control’. Fully responsive, nuanced acid and far away trance pads act as a brief oasis of calm before the final drop explodes from the speakers.

Premiere: Alan Fitzpatrick Feat. Mylo Fitzpatrick - Take Control

Like the track? Click the [↻ Repost] button!

Join the Movement @ EDM.com

Buy It Now: http://btprt.dj/1PYqKtQ
--------------------------------------------------------------------------
Follow @d_unity
http://facebook.com/dunity
http://www.twitter.com/dunityofficial

Follow @unity_records
www.facebook.com/unityrecords1
twitter.com/Unity_rec

Follow Us @ EDM.com
www.Facebook.com/edmcom
www.twitter.com/TheEDMNetwork
www.youtube.com/EDM
www.instagram.com/edm
plus.google.com/+EDM
SC: @EDM
--------------------------------------------------------------------------
Send all demos to tech@theedmnetwork.com to have your track featured!
--------------------------------------------------------------------------

Buy It Now

D-Unity - Sensation

RELEASE-DATE: 31.10.2025

S Def unleashes a few groovy techno bangers at Paradox.Hamburg.

@s-def

Discharge

Buy & Stream

COMING SOON: S Def - Discharge

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Read More on THUMP: http://thump.vice.com/en_ca/article/tiga-louder-than-a-bomb-dense-and-pika-remix-listen

@tiga
@denseandpika

Tiga - Louder Than a Bomb (Dense & Pika Remix)

Johannes Heil - B2 - Exile007

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

Hypnotize

Sam Paganini - Hypnotize (Feat. Zoe) (Original Mix) [JAM]

After taking the roof off 2 Misfit club events now, it seemed right for the Leeds based duo to showcase their slick Techno productions on the club's new record label. 
Paul Maddox & Rich Wakley's studio output as Spektre has continued to propel them to the upper echelons of the Techno world recently with releases on Drumcode, Tronic, Kraftek and Elevate, to name but a few. 
Lead track Gas Mask is a heavy duty slice of peak time Techno. Building atmospherics and precise percussion underpin the track while huge synth stabs and vocals samples build to create serious dancefloor destruction.
For remix duties, Misfit have drafted in Northern Irish Techno titans Loco & Jam. Their take retains all the peak time vibes of the original, but highlights their deeper, groovier style of Techno.
Completing the release is the dark and moody 'Decompression'. Stripped back to the bare essentials and as underground as it gets, the track is pounding and relentless in it's mission!
Yet another high class release from montel & Steve Boyd's new imprint!

Beatport Exclusive Release Date: 17/11/18
Official Release Date: 01/12/17

Spektre - Gas Mask

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Buy on Beatport

Midmood - Sely Ho (Ramon Tapia Remix)

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

B.Traits - I Feel The Music - Drumcode - DC195

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - The Yard Man

Stream/Download: EnormousTunes.lnk.to/RawEp

@enormoustunes
@enormouschills
@enormousvision
@nodefinitionrecords
@passenger10

Raw Ep

The One

Horisone - The One

The electronic music & culture channel from VICE.

Tiga - Louder Than a Bomb (Dense & Pika Remix)

THUMP

Recent comments

Chef Pierre

Domek

ravetillgrave

leqnxrdo

Related tracks