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Techno/Drumcode

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

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D-Unity - Sensation

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Thiago Lino - Chorrito Pa Las Animas EDIT (FREE DL)

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - In Love - Drumcode - DC171

Read More on THUMP: http://thump.vice.com/en_ca/article/tiga-louder-than-a-bomb-dense-and-pika-remix-listen

@tiga
@denseandpika

Tiga - Louder Than a Bomb (Dense & Pika Remix)

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

Amelie Lens - Drift

ORDER The Limited Edition 12" Vinyl here:

https://www.autektone.com/store

ATK013D - T78  "Snake Mountain E.P."

Exactly after one year from the launch of his own label Autektone, it was just a matter of time before T78 revealed his first massive album that has banger after banger.

With no place for mediocre listening tracks, the distinct album vibe is a full-on techno journey which is divided into four e.p.(Grayskull, Fright Zone, Eternia, Snake Mountain) containing five tracks each and representing T78’s versatility that he stands for as a producer by mastering the craft of cataclysmic kicks, booming bass, filthy grooves, sub-aquatic chords, mysterious hooks and hypnotic vocals.

Early Feedbacks and Support by: Joseph Capriati, Sasha Carassi, DJ Boris, Luigi Madonna,  Giorgio Rusconi, De La Swing, Victor Santana, Paolo Tamoni, Larry Cadge, Argy, George Makrakis, Luigi Madonna,  Ilario Alicante, Dario Sorano, Gaga, Purple Disco Machine, Martin Kleinert, Christian Cambas, D&D, Smer, Eric Powell, Mario Ochoa, Sylvia Maziarz, Milton Brandley, Superstrobe, Adam K  and more!

ARTIST: T78
TITLE: BLAST-ATTAK
VERSION: ORIGINAL MIX
RELEASE DATE: 30/06/2017

For infos & Licensing contact:
licensing@edinetmusic.com

Follow The Label:

https://www.facebook.com/Autektone
https://twitter.com/autektone
https://soundcloud.com/autektone

Follow T78:

https://www.facebook.com/T78autektone/

Snake Mountain Ep

Blast-Attak

ATK013D - T78 - Blast-Attak (Preview) (Out Now!)

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Salvation is found by identifying thesis and antithesis of a logically conceived duality as a receptive polarity which is then synthesized and expressed on a higher level.
Thereby practicing what is preached is the all-embracing love in the presence of the creator.
The purest original state pre-dating the judgmental so called ìfall of manî in unity with life itself is the principle of holiness and the root of inner peace.
Glory to G-d!

PRE ORDER NOW: goo.gl/BygFcc

This Album contains:
4x 12 Inch
2x CD

Amazing hight quality printed Gatefold Cover with 8mm Spine and a handpainted picture.
Mastering and Cut by CGB at Dubplates and Mastering.
Manufactured by Matter Of Fact.
Artwork by Markus Suckut.
Cover paint by Rebecca Reja.

E1 Johannes Heil - Gospel Nine

After taking the roof off 2 Misfit club events now, it seemed right for the Leeds based duo to showcase their slick Techno productions on the club's new record label. 
Paul Maddox & Rich Wakley's studio output as Spektre has continued to propel them to the upper echelons of the Techno world recently with releases on Drumcode, Tronic, Kraftek and Elevate, to name but a few. 
Lead track Gas Mask is a heavy duty slice of peak time Techno. Building atmospherics and precise percussion underpin the track while huge synth stabs and vocals samples build to create serious dancefloor destruction.
For remix duties, Misfit have drafted in Northern Irish Techno titans Loco & Jam. Their take retains all the peak time vibes of the original, but highlights their deeper, groovier style of Techno.
Completing the release is the dark and moody 'Decompression'. Stripped back to the bare essentials and as underground as it gets, the track is pounding and relentless in it's mission!
Yet another high class release from montel & Steve Boyd's new imprint!

Beatport Exclusive Release Date: 17/11/18
Official Release Date: 01/12/17

Spektre - Gas Mask

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Comatose

Eats Everything - Comatose

Pre-order: http://classic.beatport.com/track/confronted-frazi-er-raw-remix/12756015

Digital release date: 22.11.2019
Vinyl release date: 06.12.2019

1: Pan-Pot – Confronted
 (Pan-Pot Basement Remix)
2: Pan-Pot – Confronted
 (Frazi.er Raw Remix)
3: Pan-Pot – Confronted
 (Farrago Welcome To Goa Remix)
4: Pan-Pot – Confronted
 (Pan-Pot Up In The Air Remix)
5: Pan-Pot – Confronted
 ([ Wex 10 ] Bigroom Remix)
6: Pan-Pot – Confronted
 (Anfisa Letyago Stranger Remix)
7: Pan-Pot – Confronted
 (Pan-Pot Paradise Remix)

Ten years ago, Berlin’s Pan-Pot put out the Confronted EP on Mobilee, a landmark release centred around the title track, eleven and a half minutes of slow-burning techno. A decade later, the Second State dons have decided to celebrate their classic track with a reissue that reflects their evolution. Featuring three remixes from Pan-Pot themselves, Tassilo Ippenberger and Thomas Benedix have also recruited four of the scene’s hottest talents for a diverse, comprehensive remix package that reimagines the source material for today’s dancefloors.

Opening up the remix package, the “Basement” remix by Pan-Pot adds barking synths and snatches of vocal FX in a murky, offbeat edit of the classic. Glaswegian rising star Frazi.er delivers a “Raw”, lean techno tool with subtle tweaks like the crystalline synths piping through the mix and aggressive, springy bass that charges in mid- way through. Farrago, a Lenske favourite from Belgium, takes the listener on a weirder journey built around bounces, bleeps and discombobulation – it’s by far the most foreign departure on the EP and it lives up to the “Welcome to Goa” title.

The “Up In The Air” remix by Pan-Pot removes the pounding kick and turns the mood tribal with steel drums and rubbery, muted basslines. It’s a housier cut well suited to wonky wigouts. French newcomer [ Wex 10 ] takes care of the “Bigroom” remix, ushered in by an outsized, unapologetic kick soon joined by the original’s ominous chords and the cool, detached female vocal. [ Wex 10 ] picks up the BPM, adds some snare rolls and turns in a fist-pumping version for festivals and superclubs. Up-and-comer Anfisa Letyago, from Naples by way of Siberia, sends a rippling acid synth through the mix like lightning in a hi-NRG alternative perfect for trancier sets in her “Stranger” remix. The word “crazy” is set on an electrifying loop, commanding ravers to give in and let go.

Closing the remix EP, the “Paradise” remix by Pan-Pot goes in the opposite direction, opening with bird calls and idyllic chiming synths before moving into breaksy territory. Surprising and strangely dreamy, it completes a richly varied remix package that breathes new life into a beloved classic.

Links:
https://soundcloud.com/secondstateaudio https://www.youtube.com/user/SecondStateTV https://www.residentadvisor.net/record-label.aspx?id=11220

Beatport

Premiere: Pan-Pot - Confronted (Frazi.er Raw Remix)

The electronic music & culture channel from VICE.

Tiga - Louder Than a Bomb (Dense & Pika Remix)

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